As the new pier at Royal Wharf reaches completion, its design team talked of the challenges behind this perfect marriage of architecture and engineering.
After a near 300 mile journey and many hours of careful installation London’s newest Thames pier has been put into position. The pier was shipped from the Netherlands and brought by barge up the River Thames to its destination at Royal Wharf. Here it will ultimately provide new residents and the existing community with a viewing point and access for the MBNA Thames Clippers riverboat service.
Ballymore and Oxley called on top design and engineering expertise to make this innovative and challenging project happen. Architect Nex has worked on road and rail bridges as well as many building types, but this project was its first foray into marine architecture in the capital.
Alan Dempsey, director of Nex summed up the pier’s design: “It’s 300 metres wide and shallow so it has to be located quite far out in the River Thames. The first half of the pier extends the boardwalk, which is a generous 6 metres wide and goes out 40 metres into the river. This then becomes a big triangular platform that hovers on the river and gives you a fantastic view over the Thames Barrier. From there you head onto the viewing platform and then the pontoon which is 65 metres long.
“The whole pier is wrapped in glass so the view from it isn’t obstructed. Its design was about creating transparency along the river and it’s the first time a walkway and very special public space have been created on the Thames.”
Materials had to be carefully considered for the context, Dempsey explained: “We needed to use steel because it’s light and strong and we explored coatings suitable for marine environments. We’ve kept the materials simple using coloured metal panels. The steel structure is painted dark grey which will weather well on the river. By contrast the balustrade and the ceiling of the pontoon will be a copper colour to create some warmth. Anywhere people are closely touching the pier or sitting will be in a wood effect, while the viewing platform is all glass. We felt it was important here to have a high element of transparency.”
Beckett Rankine provided the expert understanding of marine engineering, and engineer Harry Palmer explained some of the tests involved: “Piers are effectively just a barge, a floating structure made in a shipyard. They are connected to land with a bridge, which moves with the tide, and that’s where the challenge came at Royal Wharf, as the tidal movement is 7 metres on the Thames.”
The engineer had to ensure the structure would meet the high aesthetic standards of the design, while also enabling Thames Clippers and the public, including disabled visitors, to use the pier in safety. “We’ve designed pretty much all of the Riverbus piers on the Thames so we did have some tactics up our sleeve,” continued Palmer. “However, Alan Dempsey’s ambitions of creating the Thames’ longest pier – and one in the shallow waters by Royal Wharf - presented a challenge. The pontoon is restrained by two huge marine piles with the fixed structures supported by large steel and tubular piling. It’s a challenge to installation because the pilers have to get into the water, so they can only do it in high tide.”
“It’s been a joy working on the pier, and it’s a great example of the evolution of the Thames being brought back into use like it used to be.”
The 65 metre walkway was installed by a floating ‘jack up’ barge, the latter described by Palmer as, “a really cool innovation, which sinks underneath the structure and allows us to use the water for every aspect of creation and delivery.”
Main contractor on the project is McLaughlin & Harvey, but the job of lifting the pier into place was successfully carried out by Dutch contractor Ravestein.
With the pier now nestling in its context, it’s time to celebrate the Thames’ newest asset. “What’s great about this pier is that it’s so architectural. Most other piers are just functional to meet planning requirements. This one has been approached as an actual design feature,” said Palmer. “It’s been a joy working on the pier, and it’s a great example of the evolution of the Thames being brought back into use like it used to be.”
John Mulryan, Group Managing Director at Ballymore, said:
“Major new infrastructure like our Royal Wharf pier is a game-changer for east London’s connectivity - for north to south of the river, and into central London. Non-road travel is an essential part of the sustainability and growth of London’s commuter network, and this pier will soon be a part of that.”
English National Ballet’s new complex on London City Island is making its debut this September, with the ballet company and English National Ballet School moving into their new home and its doors opening to the public for Open House London and the local Unity Arts Festival.
With its poise and precision, the new building has much in common with the dancers now practising their plies inside. The realisation of this exceptional project has relied on a series of creative collaborations, involving Ballymore, the English National Ballet (ENB) and its artistic director Tamara Rojo and Glenn Howells Architects.
The project grew from early dialogue between developer and ballet company. “The idea was pitched to English National Ballet before our design team began putting our concepts to work,” explains Glenn Howells, founder and director of Glenn Howells Architects. In evolving its design thinking the architect explored best practice with a fact-finding mission to top dance facilities in the USA. “Our proposals had to satisfy an amalgamation of two bar-raising briefs: the Ballymore brief of a new island community with culture at its heart, and the ENB brief which was both spatially and technically demanding,” adds Howells.
"Proposals had to satisfy an amalgamation of two bar-raising briefs: the Ballymore brief of a new island community with culture at its heart, and the ENB brief which was both spatially and technically demanding”
For London City Island, the architect has designed a series of residential buildings with colourful glazed brick exteriors, but its solution for the ballet complex couldn’t be more different. The ENB’s building, which nestles in the heart of the residential community, is clad in Linit u-channel glass, giving a milky white translucent skin that allows glimpses of movement inside and transforms the building into a beacon when illuminated by night. Clear glazing around the base of the building and large windows reveal the day-to-day workings of the ballet company. “The windows in the dance studios are also impressive, using the largest pieces of glass I have ever seen,” says Howells. “There were only a few manufacturers in the world who could make them, and they had to be delivered from Spain.”
On the inside the building has 93,000 sq ft of world class space, dedicated to the development of the company’s ballet and artists. Facilities include a production studio with flytower, where ENB can rehearse productions with full set and lighting, seven rehearsal studios, a costume workshop with dye room and shoe room, two learning and engagement spaces, hydrotherapy pool, gym and pilates studio, a green room and changing rooms, and café and exhibition space. The school has its own space on the fourth and fifth floors, which includes three rehearsal studios, lecture theatre, its gym and green room. Internal windows look from the school into the company’s rehearsal studios, giving students views of classes, rehearsal and the creation of new work.
"On the inside the building has 93,000 sq ft of world class space, dedicated to the development of the company’s ballet and artists."
ENB’s artistic director, Tamara Rojo, has worked closely with the project’s design team to shape the space. “I suppose this level of engagement with design comes with the territory of someone so creative. Tamara is one of the smartest, most energetic people I have met,” says Howells.
This special project has, Howells says, been hugely rewarding, “It’s certainly been challenging but also an absolute joy of a project to work on.” The general public will be able to see the end result for themselves when the building opens for a series of events as part of the Open House London architectural event and Unity Arts Festival. Unity Arts Festival is returning to Leamouth Peninsula after a successful launch in 2018, and will once again be hosting a programme of dance, art and music across London City Island, Trinity Buoy Wharf and Goodluck Hope.
Both events are taking place over the weekend of 21 and 22 September 2019, when visitors will have the opportunity to tour the new facilities, take part in a family dance workshop, hear assistant artistic coordinator Jennie Harrington talk about how the company works, watch an open rehearsal or even take part in classes. Most of these events are now sold out, but the venue has a full calendar of classes ahead and there are plenty more activities at Unity Arts Festival, including film screenings from soon-to-be tenants London Film School, animation workshops with resident Tim Allen and storyboard workshops in collaboration with Royal Drawing School. Check out the full programme here.
Temperatures soared to the hottest day of the year for the launch of The Brentford Project on Saturday June 1, the new arts and culture summer festival of music, yoga, fun and food celebrating a new chapter for one of west London’s best-kept secrets.
Nearly 1,000 local residents, joined by neighbours from nearby Hounslow, Chiswick and Kew, basked in temperatures of 27.6 degrees on the banks of the River Brent with music from Donel, this year’s runner up in The Voice talent show and Michael Rice, the UK’s contender in this year’s Eurovision Song Contest.
VIPs attending the event included the leader of Hounslow Council, Councillor Steve Curran, who proclaimed: “The Brentford Project is the rebirth of Brentford. We’ve been waiting a long time for this day, and I’m really excited about what this means for Brentford and for the future.
“Without question, the Brentford Project will bring a vitality to the town, lots of people have been waiting a long time for it, and now it’s here I think they’ll be delighted. Brentford’s a special place. It’s a special place in South West London and it’s a special place in Hounslow.”
He was joined by John Mulryan, group managing director of Ballymore, whose redevelopment of the yards and lanes between the high street to the waterfront will bring a lively mix of restaurants, bars and retail to complement a new residential quarter. John explained:
“The Brentford Project is an initiative to try to engage with the community and bring people in, and make sure that as we develop the town centre, it’s done with the community”
“It’s trying to get people to really help us to create this town centre. When you develop in a town like this, the key thing is that you develop in a way that encourages the spirit of the town to grow, by engaging in the community through culture, through arts, through creativity, through design.”
At the launch, friends and families enjoyed delicious fresh pastries and sausage rolls from Brentford’s new bakery and restaurant, Rye by the Water, who turned out more than 1,000 specially-baked pizzas – with a little help from celebrity Irish chef Robin Gill who joined new head chef Ben Rand and Janine Edwards, head baker, in the bakery.
Another big attraction was the classic car collection of the Duke of London with enthusiasts driving their own cars to showcase at the event.
The following week on Thursday June 6, a Beer and Blues event will take place at Rye by the Water with a chance to sample some of west London’s finest craft beers served against a backdrop of blues by Brentford’s very own Robert Hokum.
And on July 11 visitors can join a start-up masterclass with local entrepreneur Merlin McCormack, the man behind Duke of London who will share his knowledge, tips and tricks for building a successful business.
Looking ahead to July 6, Zen in the City will feature yoga and mindfulness classes with RJ Mind Body while on Saturday August 31, the ‘makers of Brentford’ will be coming together for a showcase of the best arts and crafts the area has to offer, with creative workshops and an art exhibition curated by local artist groups.
Finally in mid-August, the Changing Face of Brentford will peel back the layers of the area’s rich history revealing some fascinating insights with the Brentford & Chiswick Local History Society with a private dinner hosted in the beautiful surroundings of Rye by the Water.
Visit www.thebrentfordproject.com/events for more information or to book your place.
A new community of entrepreneurs will be heading for Dublin’s docklands with the leasing of almost 10,000 sq. meters of office space on Ballymore’s prime Dublin Landings development to WeWork, the global network of workspaces.
The Dublin development - by Ballymore and their development partner Oxley Holdings – tops up the 1.5m sq ft of workspace already provided by the business last year, as well as jobs for over 5,500 people with residential, retail and commercial schemes currently under-construction including 7,000 homes.
John Mulryan, Managing Director of Ballymore UK and Ireland, said: “Our vision for Dublin Landings has always been to create a culturally rich, inspiring community in the Dublin Docklands area. A feature of our developments is ‘placemaking’ where we ensure that the buildings are integrated with the environment and public spaces and that they become the heart of the community.”
WeWork will occupy No 2 Dublin Landings on North Wall Quay, beside the new Central Bank of Ireland headquarters and the new head office of the National Treasury Management Agency (NTMA). It is anticipated that WeWork will move into their new state of the art building by October 2018.
“The calibre of our Dublin Landings tenants, the NTMA, the Central Bank and now WeWork, is evidence of Ballymore and Oxley’s commitment to the creation of a vibrant new destination for Dubliners to live, work, and visit,” Mulryan added.
WeWork’s Exec VP Real Estate, Patrick Nelson said: “Our Dublin locations have proved fantastically popular and we’re thrilled to be expanding our portfolio by adding a further WeWork location, this time in the architecturally impressive Dublin Landings.
“This vibrant and modern part of the city is well-connected by transport, and the superb site on the riverfront will provide our members with opportunities to collaborate with a likeminded community of entrepreneurs and businesses as well as access to local shops, restaurants and other local amenities.”
The overall Dublin Landings scheme is a 93,000 sq. meters mixed used scheme. On completion, the site will house 270 quality residential apartments and Landscape Gardens and 2,000 sq. meters of commercial office space. There will also be restaurants, bars and retail outlets.
A grand open day has helped a new community centre at Royal Wharf get off to a flying start.
Head over to east London’s Royal Wharf and at various times of the week you’ll find local people having a go at computer coding, ballet, board games or maybe salsa dancing. All these activities and more have been taking place at the new Royal Wharf Community Dock, which had its grand opening last month.
The community centre has set up home in brand new premises in Royal Wharf, in the Royal Docks, where residents can drop by to take part in fitness classes or simply get to know a neighbour. The centre is run by local charity West Silvertown Foundation (WSF), which has been working to develop thriving communities in the Royal Docks for more than two decades and already manages the nearby Britannia Village Hall.
The centre’s five-strong team pulled out all the stops to ensure the new facility got off to a flying start. September’s opening day had food stalls, performances by the acclaimed choir Stratford East Singers and cocktails and other refreshments courtesy of local businesses Triple Two, Chips ‘n’ dat and Gem’s Delights. There were also taster sessions of the centre’s activities, many of which are run by Royal Wharf’s resourceful residents, eager to share their talents, explains Chloe Lee, a community activator with the centre. “The yoga, coding and other activities have come about because keen residents have come to us and offered to do them.”
The centre’s opening celebration came hot on the heels of the Royal Wharf Summer Fete in August, where residents enjoyed a day of music, yoga and other activities and a global menu of foodie treats. The festivities also included an old-school sports day, complete with traditional egg-and-spoon races, which was organised by Richard House Children’s Hospice, an east London children’s charity that benefitted from the day.
WSF is working with the Royal Wharf Residents’ Association and residents themselves to find out what they would like to see happening at the centre. Its 190 square metre main space, 60 square metre secondary space and two meeting rooms have a busy timetable of activities already and when classes aren’t in progress residents can pop in to relax with a coffee, have a game at the table tennis table or enjoy some quiet family reading time. Spaces are also available for hire for parties or other activities, with a discounted rate for Royal Wharf residents.
The centre is open from 9-til-9 on weekdays and 9-til-5 at weekends and is already proving particularly popular with young working professionals and young families. To cater for the latter, the centre is providing activities specifically for children, including soft play and after school family time. “We’ve had more than 100 parents and children come along to our soft play sessions so far,” says Chloe. “Parents are often especially keen to make friends when they move to a new area and don’t know people.”
That hints at the serious purpose behind all these fun and fitness activities. Moving into a new home brings with it the adventures of finding your way in an unfamiliar community and a centre like this can provide valuable connections among and between an area’s new and existing residents that can ultimately lead to friendships and cohesive communities. John Mulryan, Ballymore’s Group Managing Director, has said that it has always been the company’s ambition to, “build a community here where residents will meet their neighbours and get to know each other.”
WSF Director of Operations, Peter Laing, said: “WSF has a strong track record of working with our local community and we’re very excited by how this new centre will help to create a vibrant, integrated community where ambitions are realised and friendships thrive”. The new centre is helping to do that, says Chloe: “I met a woman yesterday who said she had lived in the area for two years and not felt a real sense of belonging. But she said that the centre has already started to change that.”
To get involved with activities at the Royal Wharf Community Dock, visit www.royalwharfcd.org or follow them on twitter @rwcommunitydock for regular updates.
Artisan coffee, world-class spa treatments and the best Guinness in London. Kate Wills samples the delights of the South Bank’s latest destination - Embassy Gardens.
It’s a warm September morning and sunlight is pouring in through the floor-to-ceiling windows of the coffee shop District. A young, international crowd work on their laptops. With the matcha lattes, Millennial-pink cups and Solange on the stereo this could be Sydney or LA. But it’s actually Embassy Gardens, London’s newest district.
“When I told people I was opening in Embassy Gardens a lot of them were like, ‘Where’s that?’ admits Chelsea Finch, owner of District, over buckwheat waffles and a Peanut Butter Pow smoothie. “But I actually like that about it. It feels like Nine Elms is this secret pocket of this city that’s not been discovered yet. It feels very pristine and new.”
To the similarly uninitiated, Nine Elms is the recently-regenerated slice of riverside between Vauxhall and Battersea. The latest piece of this Southbank success story to come into bloom is Embassy Gardens - a community of apartments, restaurants and cafes all hugging the shimmering glass cube that is the US Embassy.
District was one of the first businesses to open here in November 2017, but it’s already moved into bigger premises because it has been so popular. “We needed more room and a larger kitchen so when this space came up two months ago we jumped at the chance,” explains Chelsea, whose first opening was a hole-in-the-wall coffee shop in Parsons Green. “This has been so much busier than I could ever have anticipated.”
Chelsea, who hails Sydney, says that District has become a hub for the community. “I wanted to bring a bit of that Aussie, friendly culture,” she says. “We have some really lovely locals and regulars alongside traffic from the Embassy. We’ve also become a bit of a destination for people who know their coffee and want to come and check us out. I get a lot of guys who work in tech coming in and telling me it’s their dream to open a coffee shop. But I’m like, ‘It’s a lot of work!” Chelsea says the oat milk flat white is the best-seller, as are the home-made banana bread and granola, which are baked on site.
"It feels like Nine Elms is this secret pocket of this city that’s not been discovered yet. It feels very pristine and new"
From used coffee grinds being turned into fuel, to their use of paper straws, sustainability is always on the menu at District. It’s a similar story at Linnaean, a new health, beauty and lifestyle store just around the corner. Named after the Swedish naturalist Carl Linnaeus, owner Elena Tayleur has created a flower-strewn sanctuary with a 360 degree approach to wellness, where you can tuck into an acai bowl, have a quick manicure, or indulge in a spa treatment.
“It was really important to me to stock brands which have an eco-friendly outlook such as Grown Alchemist and Purearth,“ says Elena. “And with our beauty treatments you can opt for something medical-grade which uses LED light therapy, or something more holistic like an aromatherapy massage.”
Elena, who is also a Nine Elms resident, says there is already a sense of community and character here, and she wants Linnaean to be its hub. “Although we’re in a big city, it feels very local,” she says. “There are a lot of freelance people here who work from the restaurant every day and we know their names and their usual order. This is a place where we want people to feel nurtured.”
In a green, pink and gold treatment room upstairs, I experience a HydraFacial - a six-stage process of exfoliation, massage, masks and warm towels, which leaves my skin looking so plump and glowing I have to take a post-treatment selfie in the ornately-decorated toilets.
I take my flawless face to Darby’s, the new restaurant from award-winning Irish chef Robin Gill. The Masterchef Ireland judge, who also runs The Dairy, Counter Culture and Sorella, has called Darby’s his biggest project to date - and has promised it will serve the best Guinness in London. There’s an on-site bakery, an in-house butchery, house-made charcuterie and a grill for cooking over-fire. Many ingredients are sourced from Gill’s own farm in West Sussex.
I start with a few Jersey Rocks and a glass of Veuve at the central oyster bar, and then move to one of the low-lit banquettes for some Stracciatella, which is so soft I could eat it with a spoon, and a rich Pappardelle Dexter beef ragu. Somehow, I even squeeze in a peach sorbet.
Belly full, face still glowing (but that could also be the champagne), I sit in the grass in the beginnings of the Linear Park, a belt of green sculpture gardens that will eventually run from Vauxhall tube to Battersea Power Station. It’s a great spot to admire the architecture of EG.
Before I leave, I pop back to District for a flat white to go. Chelsea points out the space nearby where Preen and Burberry just held their fashion show, as well as the building that Penguin, the publisher, will move into in the coming months. “From fashion to culture to food there’s so much starting to happen here,” she says. “It feels like Embassy Gardens is on the map.”
Kate Wills is a writer based in London. Her work regularly appears in The Times, The Guardian, The Evening Standard and many more.
經過近300英里的路程和長時間的精心安裝，倫敦最新的泰晤士河碼頭已經就位。碼頭從荷蘭運來，由駁船帶入泰晤士河，到達目的地皇家碼頭。在這裡，它最終將為新老社區住戶們提供一個觀景點，和搭乘泰晤士快艇（MBNA Thames Clippers）河船服務的站點。
Beckett Rankine提供了海洋工程的專業知識，工程師Harry Palmer解釋了其中涉及到的一些考驗：碼頭實際上就是一艘駁船，是在船廠製造的浮動建築。它們通過隨潮汐移動的橋與陸地相連，而潮汐就是皇家碼頭面臨的挑戰，因為泰晤士河上的潮汐運動範圍約為7米。
工程師必須確保這個建築物符合高標準的美學設計，同時還要使乘坐泰晤士快艇和包括殘障人士在內的公眾，安全地使用碼頭。 “我們在泰晤士河上設計了幾乎所有的水上巴士碼頭，因此確實手上有些辦法，” Palmer繼續說道。 “但是，Alan Dempsey設計泰晤士河最長碼頭的雄心，並且是在皇家碼頭的淺水區建造——這樣就提出了一個挑戰。浮橋被兩個巨大的水樁約束，其固定結構由大型鋼鐵管狀樁支撐。這對安裝是一個挑戰，因為拉管台必須下水，因此只能在漲潮的時候做。”
現在碼頭已經依託在背景之中，正是該慶祝泰晤士河擁有了這個最新資產的時候了。 “該碼頭的優點是它如此有建築特色。其它大多數碼頭僅能滿足功能方面的規劃要求。這個是按照一個真正的設計特色完成的。” Palmer說。 “在碼頭上工作真令人愉快，而且這是使泰晤士河演變成像舊時那樣被使用的一個很好的範例。”
经过近300英里的路程和长时间的精心安装，伦敦最新的泰晤士河码头已经就位。码头从荷兰运来，由驳船带入泰晤士河，到达目的地皇家码头。在这里，它最终将为新老社区住户们提供一个观景点，和搭乘泰晤士快艇（MBNA Thames Clippers）河船服务的站点。
Beckett Rankine提供了海洋工程的专业知识，工程师Harry Palmer解释了其中涉及到的一些考验：码头实际上就是一艘驳船，是在船厂制造的浮动建筑。它们通过随潮汐移动的桥与陆地相连，而潮汐就是皇家码头面临的挑战，因为泰晤士河上的潮汐运动范围约为7米。
工程师必须确保这个建筑物符合高标准的美学设计，同时还要使乘坐泰晤士快艇和包括残障人士在内的公众，安全地使用码头。 “我们在泰晤士河上设计了几乎所有的水上巴士码头，因此确实手上有些办法，” Palmer继续说道。 “但是，Alan Dempsey设计泰晤士河最长码头的雄心，并且是在皇家码头的浅水区建造——这样就提出了一个挑战。浮桥被两个巨大的水桩约束，其固定结构由大型钢铁管状桩支撑。这对安装是一个挑战，因为拉管台必须下水，因此只能在涨潮的时候做。”
现在码头已经依托在背景之中，正是该庆祝泰晤士河拥有了这个最新资产的时候了。 “该码头的优点是它如此有建筑特色。其它大多数码头仅能满足功能方面的规划要求。这个是按照一个真正的设计特色完成的。” Palmer说。 “在码头上工作真令人愉快，而且这是使泰晤士河演变成象旧时那样被使用的一个很好的范例。”
今年9月，英國國家芭蕾舞團（English National Ballet）在倫敦城市島（London City Island）的新綜合大樓首次亮相，芭蕾舞公司和英國國家芭蕾舞學校搬入了他們的新家，並於倫敦開放日和當地的聯合藝術節(Unity Arts Festival)向公眾開放參觀。
集平穩與精湛於一身，這座新的建築與在室內練習的藝術家們有很多共同點。這項卓越工程的完成歸功於一系列的創新合作，其中包括巴利摩（Ballymore）、英國國家芭蕾舞團（ENB）和其藝術總監Tamara Rojo，及Glenn Howells Architects建築設計所。
該項目從開發商與英國國家芭蕾舞團之間的對話開始。 Glenn Howells Architects的創始人兼董事Glenn Howells解釋說：“在設計團隊開始將我們的概念付諸實踐之前，已經向英國國家芭蕾舞團傳遞了我們的想法。”在完善設計的思維過程中，建築師參觀了美國的頂級舞蹈設施，以探索最佳設計方案。 “我們的方案必須滿足兩個高標準的委託：巴利摩的在島上打造以文化為核心的新社區的委託，以及英國國家芭蕾舞團的委託，其對空間和技術要求都很高，” Howells補充說。
在倫敦城市島，建築師設計了一系列帶有彩色琉璃磚外牆的住宅建築，但其為英國國家芭蕾舞團提供的設計方案非常與眾不同。英國國家芭蕾舞團的建築物坐落在居民區的中心，覆以LinitU形玻璃，其乳白色的半透明材質，使人們可以瞥見內部的活動，並在夜間照明燈點起時將建築物變成燈塔。建築物底部的透明玻璃和大窗戶透露出芭蕾舞團的日常工作狀態。 Howells說：“舞蹈室的窗戶也令人印象深刻，使用了我所見過的最大的玻璃。” “世界上只有少數製造商可以製造，而且必須從西班牙運送過來。”
英國國家芭蕾舞團的藝術總監Tamara Rojo與該項目的設計團隊緊密合作，共同規劃了空間的使用。 “在這種程度的設計交流，只會來源於領域內極具創意的人。塔瑪拉是我認識的最聰明，最精力充沛的人之一。” Howells說
Howells說，這個特殊的工程帶來了巨大的回報：“這肯定是具有挑戰性的，但也是在工作中絕對有樂趣的一個項目。”當作為倫敦建築開放日活動，以及聯合藝術節的系列活動之一對外開放時，公眾將能夠親自看到最終效果，在2018年成功舉辦後，聯合藝術節將重返利茅斯半島，並將再次在倫敦城市島（London City Island），三一浮標碼頭（Trinity Buoy Wharf）和Goodluck Hope舉辦包括有舞蹈、藝術和音樂的節目。
兩項活動都將在2019年9月21日至22日的周末舉行，屆時訪客將有機會參觀新設施，參加家庭舞蹈研討會，聽取藝術助理協調員Jennie Harrington談論皇家芭蕾舞公司的運作方式，觀看彩排，甚至參與課堂。這些活動中的大多數現在都已售罄，但場地上有完整的課程表，聯合藝術節上還有很多活動，包括即將成為租戶的倫敦電影學院的電影放映，與居民Tim Allen的動畫工作室與皇家繪畫學校合作的動畫草本研討會。
今年9月，英国国家芭蕾舞团（English National Ballet）在伦敦城市岛（London City Island）的新综合大楼首次亮相，芭蕾舞公司和英国国家芭蕾舞学校搬入了他们的新家，并于伦敦开放日和当地的联合艺术节(Unity Arts Festival)向公众开放参观。
集平稳与精湛于一身，这座新的建筑与在室内练习的艺术家们有很多共同点。这项卓越工程的完成归功于一系列的创新合作，其中包括巴利摩（Ballymore）、英国国家芭蕾舞团（ENB）和其艺术总监Tamara Rojo，及Glenn Howells Architects建筑设计所。
该项目从开发商与英国国家芭蕾舞团之间的对话开始。 Glenn Howells Architects的创始人兼董事Glenn Howells解释说：“在设计团队开始将我们的概念付诸实践之前，已经向英国国家芭蕾舞团传递了我们的想法。”在完善设计的思维过程中，建筑师参观了美国的顶级舞蹈设施，以探索最佳设计方案。 “我们的方案必须满足两个高标准的委托：巴利摩的在岛上打造以文化为核心的新社区的委托，以及英国国家芭蕾舞团的委托，其对空间和技术要求都很高，” Howells补充说。
在伦敦城市岛，建筑师设计了一系列带有彩色琉璃砖外墙的住宅建筑，但其为英国国家芭蕾舞团提供的设计方案非常与众不同。英国国家芭蕾舞团的建筑物坐落在居民区的中心，覆以Linit U形玻璃，其乳白色的半透明材质，使人们可以瞥见内部的活动，并在夜间照明灯点起时将建筑物变成灯塔。建筑物底部的透明玻璃和大窗户透露出芭蕾舞团的日常工作状态。Howells说：“舞蹈室的窗户也令人印象深刻，使用了我所见过的最大的玻璃。” “世界上只有少数制造商可以制造，而且必须从西班牙运送过来。”
英国国家芭蕾舞团的艺术总监Tamara Rojo与该项目的设计团队紧密合作，共同规划了空间的使用。 “在这种程度的设计交流，只会来源于领域内极具创意的人。塔玛拉是我认识的最聪明，最精力充沛的人之一。” Howells说。
Howells说，这个特殊的工程带来了巨大的回报：“这肯定是具有挑战性的，但也是在工作中绝对有乐趣的一个项目。”当作为伦敦建筑开放日活动，以及联合艺术节的系列活动之一对外开放时，公众将能够亲自看到最终效果，在2018年成功举办后，联合艺术节将重返利茅斯半岛，并将再次在伦敦城市岛（London City Island），三一浮标码头（Trinity Buoy Wharf）和幸运岛（Goodluck Hope）举办包括有舞蹈、艺术和音乐的节目。
两项活动都将在2019年9月21日至22日的周末举行，届时访客将有机会参观新设施，参加家庭舞蹈研讨会，听取艺术助理协调员Jennie Harrington谈论皇家芭蕾舞公司的运作方式，观看彩排，甚至参与课堂。这些活动中的大多数现在都已售罄，但场地上有完整的课程表，联合艺术节上还有很多活动，包括即将成为租户的伦敦电影学院的电影放映，与居民Tim Allen的动画工作室与皇家绘画学校合作的动画草本研讨会。
Diverse, invigorating and exciting: that is Constance Harris’ verdict on Dublin Fringe Festival.
I find it fascinating that people who are passionate about living in cities love to cite all the things they can do in them — when the fact is most people don’t do any of them.
Dublin is rich in historical buildings and new quarters, theatres and galleries, venues and places, but when was the last time you ventured out and truly explored, or rediscovered, this majestic, mysterious, exciting capital of ours?
Throughout my teens and early twenties (the 1980s and 1990s respectively), I loved going out and about Dublin, discovering something new. Good or bad it didn’t matter, the adventure was what counted. Live performance was the stuff of Dublin life, be it music, stand-up comedy or new theatre. Yet, I forgot.
And I can’t tell you how many years I have planned to go to the Dublin Fringe Festival, and never gone. It has only been in existence for 25 years. Yikes.
It was time to change the story. So last Saturday night, I ‘fringed’ it with my bestie.
Dublin Fringe Festival 2019 kicked off on September 7 and runs until the 22nd. It is an eclectic concoction of exciting events, from new drama, stand-up comedy and live music, to creative collectives, polemic expositions, city walking tours and so much more, all happening over a two week period. (See www.fringefest.com for information and bookings.)
Apart from the excellent performances on offer and all at extraordinary value prices (tickets on average cost around a tenner), what further enriches the experience of the festival is that all the events take place in unusual and intimate venues all over the city. Thus, you don’t just see a new act, you connect with the city and the people around you in a new way.
Judging by the super-stylish, young and intelligent creatures that attended each event that I went to, twenty to thirty something is the age demographic that actively supports new arts and culture. There were a few risk-taking middle aged and older arts fans at each event who were wholly embraced by the younger crowd. Each and every event was hugely positive and inclusive in feeling.
As a strategy, I highly recommend going to several events in one day. Most acts are only an hour long and tickets are great value, so attending a few together guarantees an even more exciting and fun ‘fringe’ experience.
On my evening out, I saw Bodies of Water, created by Eoghan Carrick, Maeve Stone, Jonah King and Úna Kavanagh in the Chocolate Factory in Dublin 1; then Mother of God, Alison Spittle’s hilarious one-woman comedy show in the Royal Chapel, Dublin Castle; and ended with Black Jam at the Abbey Theatre, brought to us by Osaro and the Fried Plantains Collective, which featured exciting Irish and African musicians and performances.
The Abbey Theatre was literally rocked to its rafters by raw, energetic, new music. Special shout out to the brilliant young African performers from Balbriggan and Belfast who are now part of an exciting new music scene in London. Remember these names – Black Fish Collective, Princess, Demi Gosh, Dior Norf — these guys will be big in the future.
Neil Murray, one of the directors of the Abbey Theatre, was at Black Jam and said “We need to do more of this.” So Dublin Fringe Festival is not just a pretty face; it gets serious players sitting up and noticing new talent, considering new directions. At every event, one saw a producer, director or otherwise, scouting for the next ‘big thing’. Fringe is important.
And it wouldn’t be possible without sponsorship; both from the state in the form of the Arts Council and private sponsorship such as from Ballymore which is a key private sponsor this year.
Sean Mulryan, Chairman and Group Chief Executive of Ballymore, was at Jarlath Regan’s stand-up comedy show at the Abbey Theatre and explained why they felt supporting the Dublin Fringe Festival was important.
“The arts bring magic to a city. Dublin Fringe Festival brings an incredible energy and soul to unexpected places, much like our own Ballymore developments in Ireland and the UK. We’re honoured to be supporting the Fringe as the Principal Patron for the first time and we look forward to working with them as they champion emerging artistic talent to support grassroots culture in Ireland.”
"Dublin Fringe Festival is not just a pretty face; it gets serious players sitting up and noticing new talent"
Dublin Fringe Festival does champion emerging talent and it gives near-established talent an additional boost of support. It is discerning while retaining an essential, free-wheeling, risk-taking, non-commercially focused, nature. All of life is scrutinised by the young and not so young artists; explored, dissected and presented in such a way as to make us think while giving us a laugh, or making us cry.
"Dublin Fringe Festival champion emerging talent and it gives near-established talent an additional boost of support"
The Dublin Fringe Festival is exciting, life affirming and fantastic value. Go.
Constance Harris is a writer from Dublin. She was Fashion Editor of the Sunday Independent for over 20 years; before that she was a producer in film, television and media industries.
Wardian London is set to become Docklands’ next top dining destination as influential restaurateur Alan Yau is gearing up to open two restaurants there next summer. Yau has founded a number of familiar names on the London restaurant scene, including the Wagamama chain, and Hakkasan and Yauatcha, the latter both being past winners of a coveted Michelin star.
The restaurants at Wardian London will both feature Asian gastronomy with a twist. The larger of the two restaurants, Chyna, will have 120 covers and an extensive terrace fronting its waterside setting. Its seasonally led menu will be based on Cantonese cooking using British seafood, featuring European-style ingredients such as Iberico ham and fresh sea cucumbers from Spain. “It is almost like what I would put together if you were coming to my house for a dinner party,” was how Yau summed up the menu to London news source, the Evening Standard.
Its neighbour, Yau Grilling, will offer all-day service, starting with traditional breakfasts from 7.30am. In the evening, the grill service that gives the restaurant its name will be serving beef, lobster, king crab and other delights in a menu drawing inspiration from Japan. With just 45 covers and an informal style, this will be the perfect place to gather with friends and family at weekends.
Together, the two restaurants will occupy 10,000 square feet of space in the ground and first floors of Wardian London.
餐飲業風雲人物丘德威（Alan Yau），明年夏天將在倫敦港區（Docklands）的新建高層住宅樓倫敦華殿(Wardian London)內開設兩家餐廳，使這座高層住宅成為倫敦的下一個頂級餐飲目的地。
將在倫敦華殿落戶的這兩家餐廳都將以亞洲美食為特色。其中較大的一家名為Chyna，將提供120出餐席，並有寬敞露台坐擁水景。季節性推出的菜單將基於粵式烹飪，使用英國的海鮮，配以歐洲風味的食材，例如伊比利亞火腿，和西班牙的新鮮海參。 “那幾乎就像您要來我家吃晚餐，我會為您端出來的菜餚一樣”， 丘先生曾如此向倫敦《旗幟晚報》總結他的菜單。
餐饮业风云人物丘德威（Alan Yau），明年夏天将在伦敦港区（Docklands）的新建高层住宅楼伦敦华殿(Wardian London)内开设两家餐厅，使这座高层住宅成为伦敦的下一个顶级餐饮目的地。
将在伦敦华殿落户的这两家餐厅都将以亚洲美食为特色。其中较大的一家名为Chyna，将提供120出餐席，并有宽敞露台坐拥水景。季节性推出的菜单将基于粤式烹饪，使用英国的海鲜，配以欧洲风味的食材，例如伊比利亚火腿，和西班牙的新鲜海参。 “那几乎就像您要来我家吃晚餐，我会为您端出来的菜肴一样”， 丘先生曾如此向伦敦《旗帜晚报》总结他的菜单。
餐饮业风云人物丘德威（Alan Yau），明年夏天将在伦敦华殿(Wardian London)内开设两家餐厅。
布倫特福德項目涉及布倫特福德城區中心4.79公頃的土地，從高街延伸到工業腹地，再到布倫特河（the River Brent）。城區的新建築分別由AHMM，Glenn Howells和Maccreanor Lavington建築事務所設計，以重建該地的主要歷史遺產建築，恢復歷史悠久的庭院、小巷，以及創建水景區為重點。這種規模的重建不可避免地將非常複雜，對於巴利摩（Ballymore）而言，夏季系列活動則正好是與當地社區進行聯繫，並展示其實力的好機會。
當天的“會見製造商”（Meet the Makers）主題活動，以來自鄰近約翰遜島工作室（Johnson’s Island）的藝術家，來自當地製造商中心-製造商站（The Maker Station）的工匠，與舉辦方的工作坊和攤位，突顯布倫特福德各種形式的創意。當孩子們製作比薩餅，拼貼畫和雕塑時，他們的父母在選購工藝品，並與新朋老友聊天。活動為布倫特福德的這塊過去被嚴重忽視的水邊區域帶來新鮮的活力，並展現出所有人與社區聯繫互動，並發揮創造力的重要性。
在石匠Jack Valentine的指導下，很多孩子熱衷地拿起手工工具，刮削，鑽鑿或把粉筆切割成雕塑。 “這對孩子們來說是一種幫助他們變得靈巧的有趣方式，”他說， “只需要一點點粉筆就可以雕刻，哪怕只是製造出一些粉筆灰。”
與此同時，服裝和室內設計製造商Sharon Compass和Charlotte Spiteri正在推銷她們的手工製衣，被子和其它物品。她們每年幫助組織一次當地的時裝秀，並在布倫福德工程目前的一些開放空間中看到了潛力。 “這實際上是一個作時裝秀的好地方，”她們說著，環顧四周。
當地的慈善機構Friends of Cathja，在倫敦豪恩斯洛（Hounslow）區的二十年間，一直致力於幫助那些患有持續精神健康問題的人。該機構也參加了活動。他們在這個複興項目的高街店鋪中將擁有一席之地。 “我們的租金是折扣價，使我們能夠支持當地民眾。”Cathja之友的項目工作人員Rin Roche說。
通過這次夏季系列活動，布倫特福德及周邊地區有3,000多訪客前來。水邊咖啡館Rye by the Water主辦了麵包和比薩餅工作坊，為遊客提供咖啡，美味零食和三明治，共製作了約200個披薩餅和200個麵包。
活動還包括一個週六現場音樂會，和一個有關如何用瑜伽和正向思維達到情緒平和的研討會，後者由當地健康商業RJ Mind Body的創始人Rebecca Warrington主持。
其它受歡迎的活動還包括倫敦西部精釀啤酒品嚐之夜，佐以當地音樂家羅伯特·霍庫姆（Robert Hokum）的醇厚藍調，並有當地豪恩斯洛遺產指南(Hounslow Heritage Guide)的工作人員的演講，為來客深入解說著布倫福德豐富的建築歷史。
當地企業家莫林·麥考馬克（Merlin McCormack），其老爺車業務Duke of London和The Factory的展位在整個夏季系列中，吸引著當地來客和車迷。在晚間大師班中， 他分享了他的商業成功秘訣。
布伦特福德项目涉及布伦特福德城区中心4.79公顷的土地，从高街延伸到工业腹地，再到布伦特河（the River Brent）。城区的新建筑分别由AHMM，Glenn Howells和Maccreanor Lavington建筑事务所设计，以重建该地的主要历史遗产建筑，恢复历史悠久的庭院、小巷，以及创建水景区为重点。这种规模的重建不可避免地将非常复杂，对于巴利摩（Ballymore）而言，夏季系列活动则正好是与当地社区进行联系，并展示其实力的好机 会。
当天的“会见制造商”（Meet the Makers）主题活动，以来自邻近约翰逊岛工作室（Johnson’s Island）的艺术家，来自当地制造商中心-制造商站（The Maker Station）的工匠，与举办方的工作坊和摊位，突显布伦特福德各种形式的创意。当孩子们制作比萨饼，拼贴画和雕塑时，他们的父母在选购工艺品，并与新朋老友聊天。活动为布伦特福德的这块过去被严重忽视的水边区域带来新鲜的活力，并展现出所有人与社区联系互动，并发挥创造力的重要性。
在石匠Jack Valentine的指导下，很多孩子热衷地拿起手工工具，刮削，钻凿或把粉笔切割成雕塑。 “这对孩子们来说是一种帮助他们变得灵巧的有趣方式，”他说， “只需要一点点粉笔就可以雕刻，哪怕只是制造出一些粉笔灰。”
与此同时，服装和室内设计制造商Sharon Compass和Charlotte Spiteri正在推销她们的手工制衣，被子和其它物品。她们每年帮助组织一次当地的时装秀，并在布伦福德工程目前的一些开放空间中看到了潜力。“这实际上是一个作时装秀的好地方，”她们说着，环顾四周。
当地的慈善机构Friends of Cathja，在伦敦豪恩斯洛（Hounslow）区的二十年间，一直致力于帮助那些患有持续精神健康问题的人。该机构也参加了活动。他们在这个复兴项目的高街店铺中将拥有一席之地。 “我们的租金是折扣价，使我们能够支持当地民众。”Cathja之友的项目工作人员Rin Roche说。
通过这次夏季系列活动，布伦特福德及周边地区有3,000多访客前来。 水边咖啡馆Rye by the Water主办了面包和比萨饼工作坊，为游客提供咖啡，美味零食和三明治，共制作了约200个披萨饼和200个面包。
活动还包括一个周六现场音乐会，和一个有关如何用瑜伽和正向思维达到情绪平和的研讨会，后者由当地健康商业RJ Mind Body的创始人Rebecca Warrington主持。
其它受欢迎的活动还包括伦敦西部精酿啤酒品尝之夜，佐以当地音乐家罗伯特·霍库姆（Robert Hokum）的醇厚蓝调，并有当地豪恩斯洛遗产指南(Hounslow Heritage Guide)的工作人员的演讲，为来客深入解说着布伦福德丰富的建筑历史。
当地企业家莫林·麦考马克（Merlin McCormack），其老爷车业务Duke of London和The Factory的展位在整个夏季系列中，吸引着当地来客和车迷。在晚间大师班中， 他分享了他的商业成功秘诀。
The 2019 Summer Series of events at The Brentford Project in west London reached its finale last weekend with more than 650 people gathering to meet local makers and artists and enjoy the site’s waterside setting.
The event came just days before the first homes went on the market in this flagship regeneration scheme, which is set to transform an area of Brentford’s town centre with new homes, shops, restaurants and leisure and cultural spaces.
The Brentford Project is a 4.79 hectare piece of Brentford town centre, extending from high street to industrial hinterland and beyond that to the River Brent. The urban quarter will combine new buildings designed by architects AHMM, Glenn Howells and Maccreanor Lavington with revival of the site’s key heritage buildings, reinstatement of historic yards and lanes and the creation of waterside open space. Regeneration on this kind of scale is inevitably complex, and for Ballymore the Summer Series has been an opportunity to foster connections with the local community and recognise its strengths.
The day-long Meet the Makers event on the site highlighted Brentford’s creativity in its diverse forms, with artists from studios on the neighbouring Johnson’s Island and craftspeople from local maker hub, The Maker Station, among those hosting workshops and stalls. As children made pizzas, collages and sculptures, their parents tried or bought crafts and chatted with friends old and new. It gave a glimpse of how a fresh vibrancy could be brought to this largely hidden waterside area of Brentford and of the importance for all of us of connections with creativity and community.
“This is such a cool spot,” said Grania O’Brien, creative director of letterpress printer and calligrapher Ink & Paper, who was giving 15-minute classes in calligraphy “It is so reassuring to see Brentford reasserting itself as a creative hub.” Appropriately, O’Brien’s classes focused on elegantly crafting the word, Brentford, in calligraphy.
“In these days when kids spend so much time at computers and people are under pressure, this demonstrates the value of creativity,” said Laurie O’Garro, former teacher and artist specialising in string art who, like O’Brien, works out of The Maker Station.
Plenty of children were keen to pick up hand tools and scrape, drill or chip pieces of chalk into sculptures under the guidance of stonemason Jack Valentine. “This is a fun way for kids to use their hands and it helps their dexterity,” he said. “With just a little bit of chalk you can carve, or even just produce dust.”
Alongside them, clothes and interiors makers Sharon Compass and Charlotte Spiteri were marketing their handmade clothing, quilts and other items. They help to organise a local fashion show every year, and saw potential in some of The Brentford Project’s current open space.“This would actually be a great location for a fashion show,” they said, looking around them. Local charity Friends of Cathja, which has been working to help people suffering from enduring mental health problems in the London Borough of Hounslow for two decades, also had a stall at the event. The charity had space in one of the high street shops earmarked for redevelopment on the site. “We had the space at reduced rent, which allowed us to support local people,” added Rin Roche, project worker with Friends of Cathja.
"Through the Summer Series more than 3,000 visitors from Brentford and neighbouring areas have flocked to the site."
Through the Summer Series more than 3,000 visitors from Brentford and neighbouring areas have flocked to the site. Waterside café Rye by the Water has hosted bread and pizza workshops and kept visitors supplied with coffees, tasty treats and sandwiches, cooking up some 200 pizzas and 200 loaves of bread in all.
Events have included a Saturday celebration of live music and a calming workshop on yoga and mindfulness, with the latter hosted by Rebecca Warrington, founder of local wellness business RJ Mind Body. Other popular events included an evening sampling west London craft beers with mellow blues by local musician Robert Hokum, while a talk by a local Hounslow Heritage Guide gave an insight into Brentford’s rich architectural history.
Local entrepreneur Merlin McCormack, whose classic car business Duke of London and The Factory warehouse events space are located on the site, has shared the secrets of his business success in an evening masterclass. The Duke of London showroom has also been a magnet for local visitors and car fans throughout the Summer Series. “There are amazing people and amazing projects here, and with the scale of this development, there’s certainly scope to build a new town around what’s crumbled from yesteryear,” said McCormack. “It’s cool that Brentford’s finally getting some recognition.”
封頂儀式是建築行業的傳統，標誌著建築物最高部位的建成。由Glenn Howells Architects建築事務所設計的倫敦華殿（Wardian London）實際上將成為首都最高的住宅之一，其兩座塔樓分別比入口大廳和其它裙房設施高出55層和50層。
這個包含766套公寓的住宅項目，其名字和其綠色靈感來自華殿箱(Wardian case)，一個類似於水晶球的保護玻璃容器。這種容器是由植物學家納撒尼爾·巴格肖·華德（Nathaniel Bagshaw Ward）博士發明的，並被十九世紀的收藏家用於運輸來自世界各地的植物。
封頂儀式是該項目的一個重要里程碑，我們迫不及待想看到第一批住宅完工，和明年年初第一批居民的搬入。我們與Glenn Howells Architects密切合作，創造了一個內部和外部都很漂亮的建築，以時尚的幾何外觀，映襯著內部鬱鬱蔥蔥的綠洲。緊鄰城區，商務的金絲雀碼頭，華殿（Wardian）打造了一個可以呼吸的地方，我們為今天所取得的成就感到無比自豪。 ”
在53樓空中花園舉行的封頂儀式，Keidran McCready，Hayleigh O’Farrell，John Mulryan，Ballymore集團董事長兼首席執行官Sean Mulryan，Steven Tennant和Peter McCall出席了儀式（如圖所示，左到右） 。
封顶仪式是建筑行业的传统，标志着建筑物最高部位的建成。 由Glenn Howells Architects建筑事务所设计的伦敦华殿（Wardian London）实际上将成为首都最高的住宅之一，其两座塔楼分别比入口大厅和其它裙房设施高出55层和50层。
这个包含766套公寓的住宅项目，其名字和其绿色灵感来自华殿箱(Wardian case)，一个类似于水晶球的保护玻璃容器。这种容器是由植物学家纳撒尼尔·巴格肖·华德（Nathaniel Bagshaw Ward）博士发明的，并被十九世纪的收藏家用于运输来自世界各地的植物。
封顶仪式是该项目的一个重要里程碑，我们迫不及待想看到第一批住宅完工，和明年年初第一批居民的搬入。我们与Glenn Howells Architects密切合作，创造了一个内部和外部都很漂亮的建筑，以时尚的几何外观，映衬着内部郁郁葱葱的绿洲。紧邻城区，商务的金丝雀码头，华殿（Wardian）打造了一个可以呼吸的地方，我们为今天所取得的成就感到无比自豪。”
在53楼空中花园举行的封顶仪式，Keidran McCready，Hayleigh O’Farrell，John Mulryan，Ballymore集团董事长兼首席执行官Sean Mulryan，Steven Tennant和Peter McCall出席了仪式（如图所示，左到右）。
Ballymore this week topped out Wardian London, a development in the heart of Docklands that is redefining urban high-rise living.
The topping out ceremony is a tradition in the construction industry, which symbolises the installation of the highest element of a structure. The Glenn Howells Architects’ designed Wardian will actually be one of the capital’s tallest residential developments, featuring two towers that rise to 55 and 50 storeys above its podium-level entrance lobby and amenities.
The development’s slender towers will form an elegant landmark on the city’s skyline and offer a new way of living with nature in the capital. From entrance lobby to upper floors, Wardian London will be threaded with gardens and greenery in a rare marriage of architecture and horticulture. These features are set to delight the senses of residents, creating natural spectacle and a luxurious green retreat in this bustling urban location.
The 766-home development takes its name and green inspiration from the Wardian case, a protective glass case similar to a terrarium. This case was invented by botanist Dr Nathaniel Bagshaw Ward and used by nineteenth century collectors to transport plants from around the world. Glass cases with trees and planting will be incorporated throughout Wardian London, providing a contemporary reinterpretation of the Wardian case, as well as the Victorian glass house.
Glenn Howells’ design is characterised by the formal bold lines of its articulated balconies and glazing, which will provide tantalising glimpses of nature beyond. At ground floor level, lush planting welcomes visitors and residents, the synthesis of architecture and nature being made evident in planters designed as part of the building’s structure.
When residents enter their apartments, they don’t have to leave nature behind. Homebuyers will have the option to have their own fully-planted garden on the development’s extensive balconies.
The development’s crowning green feature will be a sky garden on the 53rd floor, combining exotic planting with spectacular views of city and sky. Creation of this high-rise garden is a feat in itself, requiring careful design, preparation and installation, achieved with the expertise of landscape architect Camlins. The garden will be protected from the elements, so plants have to be chosen for the location and a controlled environment created to provide optimum conditions for planting to thrive. Plants have been bought and maintained in a nursery for up to two years to ensure that they are ready and available when they are needed.
When it comes to installation, smaller plants will be transported via the building’s lifts, but some of the garden’s largest trees, weighing up to 500kg, will have to be lifted into place before the building’s roof is fully installed. The development, and its complex planting, are expected to be complete in 2020.
"We have worked closely with Glenn Howells Architects to create a building that is beautiful on the inside and out, a sleek, geometric exterior gives way to a lush, green oasis inside."
Sean Mulryan, Chairman & Group Chief Executive of Ballymore Group added: “Ballymore has owned the site on which Wardian now stands for 25 years so it brings me great joy to see these two beautiful new towers standing on what has been such an underutilised space for so long. This is a huge milestone for the development and we cannot wait to see the first units complete and first residents move in early next year. We have worked closely with Glenn Howells Architects to create a building that is beautiful on the inside and out, a sleek, geometric exterior gives way to a lush, green oasis inside. Moments from urban, commercial Canary Wharf, Wardian creates a place to breathe and we are incredibly proud of what has been achieved today.”
A ceremony was held in what will be the building’s 53rd floor sky garden attended by Keiran McCready, Hayleigh O’Farrell, John Mulryan, Sean Mulryan, Chairman & Group Chief Executive of Ballymore Group, Steven Tennant and Peter McCall (pictured, left to right, above).
由巴利摩（Ballymore）和豪利（Oxley）共同承建的倫敦皇家碼頭（Royal Wharf Pier）榮獲了一項由倫敦市長支持的頂級建築大獎——新倫敦獎（New London Awards）。
此次獲獎的設計項目將是倫敦市中心最長的棧橋式碼頭，也是水上交通公司MBNA泰晤士河快船（Thames Clippers）服務的第23個停靠碼頭。新倫敦獎是由新倫敦建築協會（New London Architecture，NLA）承辦，並獲得倫敦市長的支持，旨在獎勵倫敦各處最前沿的建築設計。頒獎評委會對這個新碼頭的描述是「優雅實用的設計作品」，並認可其具有促進泰晤士河水上交通的潛力。作為該類別獎項的專家評估員，世界著名的專業服務公司科進（WSP）的董事比爾-普萊斯（Bill Price）說道，“根據歐洲的標準，我認為這條河流未得到充分利用。”
在新倫敦獎項中，皇家碼頭（Royal Wharf Pier）和新的哈克尼威克站（Hackney Wick Station）等，一起被評為重點工程項目。在7月26日至10月期間，所有的入圍設計和獲獎設計都將在倫敦建築中心（The Building Centre）的NLA畫廊展出。
“像皇家碼頭這樣的新基礎設施將使東倫敦的交通狀況改頭換面– 影響面覆蓋泰晤士河由南至北，遍及倫敦市中心。非公路交通方式是倫敦通勤網絡可持續發展和增長的重要組成部分，這個碼頭將很快成為其中的一部分。 尼克斯公司在設計上的傑出表現，現在已經得到了新倫敦建築協會（NLA）的充分認可。現在這個碼頭正在建設中，距離實現我們的設想更近了一步。”
由巴利摩（Ballymore）和豪利（Oxley）共同承建的伦敦皇家码头（Royal Wharf Pier）荣获了一项由伦敦市长支持的顶级建筑大奖——新伦敦奖（New London Awards）。
此次获奖的设计项目将是伦敦市中心最长的栈桥式码头，也是水上交通公司MBNA泰晤士河快船（Thames Clippers）服务的第23个停靠码头。新伦敦奖是由新伦敦建筑协会（New London Architecture，NLA）承办，并获得伦敦市长的支持，旨在奖励伦敦各处最前沿的建筑设计。颁奖评委会对这个新码头的描述是「优雅实用的设计作品」，并认可其具有促进泰晤士河水上交通的潜力。作为该类别奖项的专家评估员，世界著名的专业服务公司科进（WSP）的董事比尔-普莱斯（Bill Price）说道，“根据欧洲的标准，我认为这条河流未得到充分利用。”
在新伦敦奖项中，皇家码头（Royal Wharf Pier）和新的哈克尼威克站（Hackney Wick Station）等，一起被评为重点工程项目。在7月26日至10月期间，所有的入围设计和获奖设计都将在伦敦建筑中心（The Building Centre）的NLA画廊展出。
“像皇家码头这样的新基础设施将使东伦敦的交通状况改头换面– 影响面覆盖泰晤士河由南至北，遍及伦敦市中心。非公路交通方式是伦敦通勤网络可持续发展和增长的重要组成部分，这个码头将很快成为其中的一部分。 尼克斯公司在设计上的杰出表现，现在已经得到了新伦敦建筑协会（NLA）的充分认可。现在这个码头正在建设中，距离实现我们的设想更近了一步。”
The design for the new Thames pier connecting Ballymore and Oxley’s development at Royal Wharf in London has scooped the transport and infrastructure award for unbuilt projects in the New London Awards.
The design is set to be central London’s longest pier, the 23rd serviced by the MBNA Thames Clippers riverboat service, and now it’s an award winner. The New London Awards, which are organised by New London Architecture and supported by the Mayor of London, celebrate cutting-edge architecture across the capital. The awards judges described Royal Wharf Pier as “an elegant pragmatic piece of design” and recognised its potential to help promote sustainable travel on the Thames. “I think the river is, by European standards, very underused,” said Bill Price of WSP, the expert assessor for this awards category.
Conceived by London based architect, Nex, following a high profile competition, the design is a contemporary response to one of our best loved structures: the traditional British seaside pier. As well as serving as transport infrastructure, the pier is part of the public realm, a linear public space where visitors can promenade, relax and take in the river views. They will be able to enjoy the sights from a 162m2 viewing platform, complete with seating finished in marine grade timber.
The viewing platform will connect to a floating gangway and the terminal pontoon, with its angular metal-clad shell, where riverboat travellers will be able to sit and wait in comfort. The pier, which is under construction, will enhance the experience of the river for travellers, residents and visitors, and will transform a site formerly occupied by a derelict jetty.
Royal Wharf Pier was recognised alongside major projects, including the new Hackney Wick Station, in the New London Awards. The designs for all shortlisted and winning projects in the awards are on display in an exhibition at the NLA Galleries, at The Building Centre, in London, from 26 July until October 2019.
John Mulryan, Group Managing Director at Ballymore, said:
“Major new infrastructure like our Royal Wharf pier is a game-changer for east London’s connectivity - for north to south of the river, and into central London. Non-road travel is an essential part of the sustainability and growth of London’s commuter network, and this pier will soon be a part of that. Nex- has done an incredible job on the design, which has now been duly recognised by the NLA. Now that construction is underway, the vision is one step closer to being realised.”
6月1日星期六，布倫福德項目(The Brentford Project)正式對外開放，氣溫也飆升至一年中最高。與此同時，夏季新藝術文化節開幕，在音樂丶瑜伽丶娛樂和美食的伴隨下開啓了探索西倫敦最隱秘區域的新旅程。
近千名當地居民和來自豪恩斯洛區（Hounslow），奇西克區（Chiswick）和邱（Kew）區的鄰居們一起沐浴在布倫特河（River Brent）岸邊的溫暖陽光中，27.6度的氣溫讓人感到溫暖而舒適。人們欣賞著Donel和Michael Rice的美妙音樂；前者是今年歌唱天才秀（The Voice）中脫穎而出的新星，後者是今年歐洲歌唱大賽上英國派出的歌手。
巴利摩集團的常務董事John Mulryan也出席了這次活動。巴利摩集團將負責開發從高街到河邊之間的碼頭和車道一帶，包括極俱生氣的餐廳丶酒吧和零售店等。 John說：
在這次活動中，大家分享了布倫福德的新烘培店和餐廳Rye by the Water出品的鮮美糕點和腸卷。在愛爾蘭名廚Robin Gill的幫助下，主廚Ben Rand和烘培師Janine Edwards通力合作，一起製作了上千個特製比薩餅。
另一個吸引人的地方是Duke of London的老爺車愛好者們在活動上展示了他們的愛車。
接下來於6月6日星期四，在Rye by the Water餐館舉辦了啤酒和藍調（Beer and Blues）音樂酒會，來賓們品嚐到了西倫敦一些最好的精釀啤酒，欣賞了Robert Hokum的藍調音樂。
7月11日，Duke of London的創始人丶當地企業家Merlin McCormack將舉辦初創企業大師班，他將分享獨家的企業知識丶創業技巧和竅門。
7月6日，Zen in the City將舉辦RJ Mind Body的瑜伽和打坐冥想課程。 8月31日星期六，“布倫福德的藝匠們”將齊聚一堂，在當地藝術家團體策劃的創意工作坊舉辦藝術展覽，展示該地區最好的藝術和手工藝品。
最後在8月中旬，將在Rye by the Water優雅環境中舉辦主題為“布倫福德的變遷”的私享晚宴，布倫福德和奇西克歷史協會的成員將為來賓揭示該地區豐富的歷史文化，並和來賓互動。
6月1日星期六，布伦福德项目(The Brentford Project)正式对外开放，气温也飙升至一年中最高。与此同时，夏季新艺术文化节开幕，在音乐丶瑜伽丶娱乐和美食的伴随下开启了探索西伦敦最隐秘区域的新旅程。
近千名当地居民和来自豪恩斯洛区（Hounslow），奇西克区（Chiswick）和邱 （Kew）区的邻居们一起沐浴在布伦特河（River Brent）岸边的温暖阳光中，27.6度的气温让人感到温暖而舒适。人们欣赏着Donel和Michael Rice的美妙音乐；前者是今年歌唱天才秀（The Voice）中脱颖而出的新星，後者是今年欧洲歌唱大赛上英国派出的歌手。
在这次活动中，大家分享了布伦福德的新烘培店和餐厅Rye by the Water出品的鲜美糕点和肠卷。在爱尔兰名厨Robin Gill的帮助下，主厨Ben Rand和烘培师Janine Edwards通力合作，一起制作了上千个特制比萨饼。
另一个吸引人的地方是Duke of London的老爷车爱好者们在活动上展示了他们的爱车。
接下来於6月6日星期四，在Rye by the Water餐馆举办了啤酒和蓝调（Beer and Blues）音乐酒会，来宾们品尝到了西伦敦一些最好的精酿啤酒，欣赏了Robert Hokum的蓝调音乐。
7月11日，Duke of London的创始人丶当地企业家Merlin McCormack将举办初创企业大师班，他将分享独家的企业知识丶创业技巧和窍门。
7月6日，Zen in the City将举办RJ Mind Body的瑜伽和打坐冥想课程。8月31日星期六，“布伦福德的艺匠们”将齐聚一堂，在当地艺术家团体策划的创意工作坊举办艺术展览，展示该地区最好的艺术和手工艺品。
最後在8月中旬，将在Rye by the Water优雅环境中举办主题为“布伦福德的变迁”的私享晚宴，布伦福德和奇西克历史协会的成员将为来宾揭示该地区丰富的历史文化，并和来宾互动。
On July 4 there was a festival vibe at Goodluck Hope with the cool sounds of singers Vanessa White, Michael Rice, Luke Burr and more.
The Into the Woods festival had crowds, music, cocktails and an appropriately American style barbecue for its US Independence Day date, as well as a surprise or two. Ballymore’s Goodluck Hope provided the setting in the atmospheric historic warehouse and lush garden of its marketing suite. The show was created by music production company Three Bears Entertainment, which has a studio at nearby London City Island.
Music producer Dantae Johnson, who set up Three Bears Entertainment with business partner Pete Boxsta Martin, gives the lowdown on his company and how it helped to make the Leamouth Peninsula’s first music festival happen.
Tell us about your business and the great artists you’re working with?
We set up Three Bears in 2015 after working as producers and songwriters for major names like Simon Cowell’s Syco and Sony. We work with artists like James Arthur, Vanessa White and Donel, who is just 17 years old and reached the finals in The Voice.
How did you set up the studio in London City Island?
The company has a base in west London, but I live on London City Island. I moved there three years ago. I had some studio equipment in my lounge – not a full studio, but just enough so that I could finish work at weekends. I would bring people to my home to record and they got to like it.
Before we knew it, people were seeing the artists in the City Island Grocer’s store and so it wasn’t such a secret that people were recording in my home. Ballymore had commercial space, and were keen to work with creative people, so we took on 1,700 square feet of space, which is now our studio, called The Woods. The modern studio space really works – we’ve opened it up to a few different disciplines, so we have a photographer in one space and a dance studio where artists can rehearse routines for their music videos. We can do a lot under one roof.
How did you get involved in creating the show at Goodluck Hope?
We did a small show for the Unity Arts Festival at London City Island last year. Then it grew. Ballymore encouraged us and said we needed to do our own show, so we scaled it up to create Into the Woods.
Were you surprised to find yourself working with Ballymore?
Never in a million years did I think I would be working with a property developer. But Ballymore doesn’t move like a typical corporate developer. They have great people who really listen to creative communities and respond to them. That is why London City Island is bustling and how I’ve been able to get involved. It is definitely a collaboration.
What acts did you get to perform at the festival?
The festival started in the warehouse, with performances by the singers Michael Rice, who represented the UK at this year’s Eurovision, and Fred Lessore, and the dance act Flawless, past finalists in Britain’s Got Talent and good friends of ours.
Then we had a surprise for the audience. No one knew there was a second stage until an announcer invited people into the woods, and then they were led to another stage in front of the marketing suite. There we had more artists: Vanessa White actually premiered two new songs, Donel performed four songs, and we had Phats and Small collaborator Ben Ofoedu and Luke Burr, an amazing soul singer from Essex.
"Ballymore doesn’t move like a typical corporate developer. They have great people who really listen to creative communities and respond to them."
And what did you think of your show?
It was amazing – a really cool night. It was the perfect marriage of architecture and music.
It had a great crowd that included artists, like singers Daley and Aston Merrygold, who came along to see their friends perform, and talent scouts from Sony.
I hear you’re involved in the Unity Arts Festival again this year. Can you give us any clues about who’ll be performing there?
We are incredibly secretive so I can’t say anything yet. Just watch this space – it is going to be good…
Unity Arts Festival 2019 takes places 21-22 September. Visit www.unityartsfestival.com to sign-up for the newsletter, so you’ll be the first to find out more about the 2019 programme.
London City Island is providing creative workspace, co-working and affordable studios catering for everyone, from architects to ceramicists and fashion designers.
Ballymore’s decision to provide workspace as part of the island’s facilities is a timely response to the urgent need for affordable spaces for creative production across the capital. Here we talk to Deborah Spink founder of Kokomelt, sustainable tailor Claire Couchman, Jagoda Keshani founder of Yago and digital artist, Paul Mortimer about co-working and life on the island. The studios are managed by arebyte.
每座聯排別墅洋房由先锋室內設計事務所Amos＆Amos設計，於5月22日上市，自2013年以來，該設計事務所已經在巴利摩(Ballymore)公司的開發項目使館花園（Embassy Gardens）、華殿（Wardian）和都柏林碼頭（Dublin Landings）中大顯身手。事務所創始人Jaki Amos說：
每座联排别墅洋房由先锋室内设计事务所Amos＆Amos设计，于5月22日上市，自2013年以来，该设计事务所已经在巴利摩(Ballymore)公司的开发项目使馆花园（Embassy Gardens）、华殿（Wardian）和都柏林码头（Dublin Landings）中大显身手。事务所创始人Jaki Amos说：
Seven new townhouses radically ‘reimagined’ to offer optimum open space and connectivity, lacking in ‘the little box’ design of most traditional models, are about make waves as they go on sale at London City Island.
The individually designed townhouses - which go on sale on May 22 – are the brainchild of leading interior designers, Amos & Amos, which has already worked on key Ballymore developments at Embassy Gardens, Wardian and Dublin Landings since 2013. Said co-founder Jaki Amos:
“We wanted to move away from the traditional idea of the townhouse which sometimes can be a series of boxes, a collection of rooms with a door. We wanted to reimagine a new connectivity with more open space so the ground floor of each townhouse is open plan, with an expansive hallway and open study.”
Materials in the townhouses reference “the industrial nature and heritage and history of the docklands with sleek crittall-style glazed partitions to flood the spaces with natural light and blackened steel to introduce character and soul into the space – not just Dulux brilliant white everywhere!” explained Jaki.
London City Island’s largest homes with uninterrupted views across the River Lea, the townhouses are located next to English National Ballet’s new London headquarters, set to open later this year, placing buyers at the heart of an island of art and creativity.
The townhouses are also marked by a vibrant red brick façade, and each has three bedrooms, expansive living spaces, a secluded ground floor terrace and private parking. Three of the properties have lifts, and the largest has five storeys, and features in addition a beautiful private roof terrace for al fresco dining and entertainment.
The kitchens - the heart of each home – include a striking polished concrete island and black stained rough-cut oak dining table as focal points, complemented by timber and brushed brass cabinetry and white-oiled oak flooring.
The living rooms include low marble plinths and contemporary design features, leaving space for large scale art and sculptures. Amos & Amos has also incorporated a range of bespoke fixtures and fittings, including faraday-pattern metalwork and tan leather that reflect the area’s maritime heritage, with industrial bathtubs and matte blackened steel brassware.
There are two townhouse-types available for purchase: four four-storey three-bedroom types and three five-storey three-bedroom townhouse, with prices starting from £1.45 million.
Jaki Amos said: “The townhouses marked a real opportunity to create unique design-led living spaces which build upon the Island’s boldness and creativity, whilst simultaneously referencing the site’s rich industrial past.”
Jenny Steen, Sales Director, Ballymore, added: “Our vision for London City Island has always been to create a vibrant community that is architecturally-led and the townhouses are yet further proof of the unique living spaces on offer at the development.”
As National Apprenticeship Week puts the spotlight on training, Ballymore has become one of the first developers in Tower Hamlets to join the partnership of London Legacy Development Corporation and Class of Your Own, to assist with the delivery of Design, Engineer, Construct!, a learning programme helping to instil an understanding of built environment career prospects in secondary school children.
Ballymore is an avid investor in people, with a track record for investing in its existing team and crucially, investing in future talent.
With initiatives including a Higher Apprenticeship programme targeting under-represented communities within the construction industry – namely BMEs and women, Ballymore also supports the General Training Academy. Set up by Tower Hamlets brokerage WorkPath, it helps local residents undertake required training and accreditation to gain meaningful employment
But this month, the company is celebrating its fruitful relationship with the Design, Engineer, Construct! learning programme (DEC!) which works with schools to promote the skills needed for careers in the built environment.
The first developer to be a part of the programme in Tower Hamlets, Ballymore’s involvement is already making an impact: “Ballymore understands the industry’s need to attract more people into this sector,” says Class of Your Own’s Matt Simmons – who is delivering the organisation’s curriculum and partnerships. “We’re dedicated to helping people find careers which are meaningful – roles they actually want to fulfil – it’s something we couldn’t do without the likes of Ballymore and their support.”
DEC! works through collaboration, partnering with the London Legacy Development Corporation, schools and businesses. Matt and his team have a remit improve the delivery of STEM (science, technology, engineering and maths) and built environment education in four boroughs surrounding Queen Elizabeth Olympic Park. “We’re already working with around 200 students,” he added.
“With Ballymore, eight schools and a few other businesses, we are collaborating to fly the flag for careers in the built environment – with a focus on instilling the career paths and benefits into young people from an early age.”
“The beauty of the process means that these young people are almost ‘pre-approved’ before they undertake the apprenticeships.” Ballymore has taken several DEC! gradates on work experience programmes, and have plans in place to put them on to apprenticeship programmes.
Matt continued: “Thanks to developers like Ballymore, our graduates gain so much exposure to the sector that they’re in a great position to make an informed decision about which discipline to pursue as a career. They don’t want to just work in property; they understand the intricacies of becoming a surveyor or an architect.”
Added John Turner, Town Planning Director at Ballymore: “We are thrilled to have nurtured a fruitful relationship with DEC. It’s not just about financial support, we’re very much embedded in the programme, giving talks and workshops to local schools and getting involved in the classroom – not to mention the prospect of taking on more apprentices in the future.
“We look forward to enhancing our involvement with DEC! and future, local talent for a long time to come.”
The trend pioneered by Ballymore to “create communities” reached the stars this week at the celebrity launch of the latest restaurant by award-winning Irish chef Robin Gill at the landmark Embassy Gardens development at Nine Elms.
“For us, it’s always been really important to create a community experience – usually even before the residents move in,” explained Ballymore’s Head of Communications Hayleigh O’Farrell. “We started the trend at London City Island and we have taken that to the next level at Embassy Gardens with Darby’s, Robin Gill’s new restaurant.
“Ballymore has always understood that you have got to really invest in creating a destination. And in Robin Gill, you have a really good talent who is not only local to the area with The Dairy in Clapham but who will be there every day, getting to know people by name and creating a genuine neighbourhood feel.”
The neighbourhood experience will prove especially key at Embassy Gardens where analysis shows the development has more ‘home working’ residents using the business centre than any other Ballymore communities. “They’re mostly millennials who want to socialise - they want a meeting place,” said Hayleigh.
And that’s where the new restaurant by Good Food Chef of the Year Gill, who called the new restaurant ‘Darby’s’ after a family name inspired by the jazz career of his father – is set to become a key EG venue when it opens its doors on May 27. “And you can be sure jazz and music will be a big attraction.”
At the launch this week, dozens of London’s glitterati came together for the private party, with guests including BBC music host Annie Mac, singer-songwriters Molly King and Vanessa White.
The Irish TV presenter Laura Whitmore, comedian Iain Stirling, Made in Chelsea’s Caggie Dunlop and top chef Michel Roux Jr. joined many others from the worlds of food and music.
In one of the biggest and most exciting London restaurant openings of the year, the event included performances by the French pop band The Gypsy Queens and DJ sets from Arveene and US rapper Shamon Cassette.
Guests experienced Robin Gill’s culinary flair, choosing either to perch at the central oyster bar for a selection of Ireland’s finest Dooncastle oysters, or sampling signature dishes including arancini, Exmoor caviar and truffled brie. Guests also enjoyed Guinness, champagne and bespoke cocktails.
Designed by the international design and concept firm AvroKO, the 544 sq. m restaurant will exude a mid-century modern style, incorporating classic furniture inspired by the 1951 Festival of Britain on London’s South Bank, seating 130 diners.
Once complete, the Masterchef Ireland judge will also run the Sky Pool’s exclusive restaurant on the 10th floor of the building, offering fresh pasta and woodfired pizza on the Sky Deck with sweeping views of the new US Embassy and River Thames.
Dubliner Gill said of the launch: “I am delighted that my vision for Darby’s is now becoming a reality. It is my biggest project to date and I am grateful that Embassy Gardens have given me the opportunity to open a restaurant with real personal significance.
“Darby’s will provide a true taste of Ireland – and we’re looking to pour the best Guinness in London or at least as good as the Guinea Grill!”
A ground-breaking NGO, working in communities affected by crime and violence, is supporting thousands of young people to realise their potential.
“The communities in which we work suffer from under-investment, a lack of opportunities and high levels of crime and violence,” said Jacob Whittington Vigors, head of programmes at the Fight for Peace London Academy, based in Woodman street, Newham, which is currently building a new ‘hub’ with the support of local businesses. At Fight for Peace, we invest in young people, offering young people the support and access to opportunities that we all need to thrive.”
“As we know too well, violence and knife crime has a major impact on the lives of young people, and acts as a barrier to their development,” said Vigors, who praised the support of companies like Ballymore which was “crucial to the work we do at Fight for Peace.”
“With the help of Ballymore, and other funding partners, we are now in the process of building a new ‘hub’ that will be a central focus point for our London Academy and a place where young people will be welcomed and receive the support they require from our dedicated team of staff.”
Londoner Luke Dowdney founded Fight for Peace, one of Ballymore’s most significant charity commitments, in 2000 in one of the most violent favelas in Rio de Janiero. It now has Academies in Rio and London and is present in 25 cities across the world through partners trained in its methodology.
Sean Mulryan, chairman and group chief executive of Ballymore said on a recent visit to the charity: “We are delighted to support the important work of Fight for Peace and as a company we are committed to supporting charities that help young people get the right start in life. We have a significant footprint in Newham so it’s a logical move for us to support these organisations on our doorstep as an extension of our regeneration efforts”.
A survey by the charity revealed that of 1,183 young people attending its London Academy, 340 were supported coping with issues at home, at school or in their personal lives. Another 101 young people were given employability support to get jobs while 30 participated in education programmes to get qualifications.
Of those Fight for Peace members surveyed in 2017, 92% felt more motivated, 83% more confident, 79% cooperated more with others and felt more positive about the future.
Whittingham Vigors outlined the charity’s three stage “public health approach” to preventing violence, which has reached crisis levels in the capital.
“At the primary level, we offer opportunities and support for the socioeconomic inclusion of all young people living in communities affected by crime and violence. At the secondary level, we focus on individuals or groups identified as being at risk of becoming victims or perpetrators of crime and violence.
“And, at the tertiary level, we support young people to disengage from crime and violence, and work to prevent them from re-offending or being victimised again. This work is central to supporting young people to realise their potential, and live peaceful and happy lives.”
The centre employs 45 full and part-time professionals working across the organisation’s ‘Five Pillars’ approach using non-traditional methods to engage young people where conventional methods aren’t working.
Through boxing and martial arts, young people build strength and discipline, gain self-respect and learn that success comes through hard work and dedication. Education and employability programmes support young people top gain the qualifications they require to enter the job market.
Youth workers and mentors help young people overcome issues they may have in their lives through support services, while youth leaders help to design programmes, develop strategies and make decisions at every level of the organisation.
“We find most of our people through word of mouth, via family members, friends and in schools. We also use social media and also have outreach programmes,” said Jacob.
And the success of Fight for Peace in Newham is not just in the stats. Local boy Mohez Khan from Canning Town is a national champion in both judo and Olympic weightliftings, while other young people from the Academy have won national and regional titles.
“We support all young people in the community - including those at risk of being involved in or victims of crime and violence - to reach the enormous potential they have. Though their own talent, dedication and hard work, and with our holistic support, these young people are becoming champions, in the sporting arena and in life”, said Jacob.
A new, Island-born fashion brand was launched in Canning Town this week as Lucretia Sandu’s maiden runway show delivered an enchanting, theatrical performance, featuring exceptional designs, perfect choreography – and even two real life wolves.
Just three years ago, fashion designer and former architect Lucretia Sandu was living in her native Romania – with distant dreams of designing clothes. “I was studying to be an architect,” says 26-year-old Lucretia. “I was drawn to the works of Frank Gehry, I loved his approach and how he told stories through his buildings; I’m a very creative person and knew that design was for me.”
In 2016, a shift in thinking brought Lucretia to London, where she decided to immerse herself in the city’s fashion sector – something which this week culminated in the launch of her self-titled brand.
Her maiden collection – La Loba – was unveiled with a stunning show at Goodluck Hope – with a cast of models and beautiful real wolves, bringing each of her designs to life. Celebrating the “Wolf Woman” – the collection celebrates the new female archetype of women who run with wolves – a literal interpretation of which was staged on the night.
Each of the pieces on the catwalk was created at London City Island, home to Lucretia’s studio since last year; “My move to London was the first step, finding a studio and a home for my brand was always going to be the challenging part.
“All that changed last September when I attended the Unity Arts Festival. I witnessed a unique creative vibe which resonated with me straight away; then I learnt it was an accessible community, allowing artists like me to base ourselves within the the creative triumvirate of Trinity Buoy Wharf, Goodluck Hope and London City Island drew me in. I knew this was my brand’s future home.”
Lucretia quickly secured a workspace in the arebyte studio on the Island; home to artists who would have otherwise been forced out of central London, Ballymore has worked with the operators to offer affordable workspaces for artists of all disciplines – including Lucretia.
“I feel so at home here; I’m surrounded by fascinating creative people – and a beautifully designed creative built environment. Both of those facets inspire me every single day.”
Added Hayleigh O’Farrell, Head of Communications, at Ballymore: “It was wonderful to see the artistic efforts of an Islander celebrated at this show. The brilliant design talent joining our community is helping to realise our longstanding creative vision for this area of London.”
The latest addition from innovative premium bar and restaurant operator The Alchemist, specialising in the theatre of spectacular cocktails - is coming to Embassy Gardens.
Immersive experiences are at The Alchemist’s core and this, coupled with theatrical presentation and sensational settings, will provide an unrivalled all-day drinking and dining destination at Embassy Gardens.
The new bar and restaurant will span over 5,200 sq. ft., accommodating 105 restaurant covers, complemented by an outdoor space hosting an additional 78 covers.
The news follows the success of The Alchemist’s recently opened St Martin’s Lane site in November last year and will see the operator bring its trademark of theatre served cocktails to Embassy Gardens, as part of the ambitious redevelopment of Nine Elms.
Following a £1.4million investment, the new Embassy Garden’s venue is set to open in September, creating 70 full and part-time jobs for Londoners.
Simon Potts, managing director of The Alchemist, said: “We are delighted with the new site and are excited to be part of the developing community at Nine Elms. There is huge rejuvenation currently underway, from Vauxhall to Battersea Power Station, as evidenced by the extension to the Northern Line next year”.
Ballymore is to be Principal Patron of the 2019 Dublin Fringe Festival, the annual arts festival that prides itself on developing new talent
Dublin Fringe, which will celebrate its 25th year in 2019, is Ireland’s leading multi-disciplinary festival with events spanning cabaret, comedy, spoken word, theatre, visual and live art and music.
“It’s the agenda-setting festival of new work in the country”, said the Festival’s Director Ruth McGowan and “the place for artists to make their mark”.
She describes Dublin Fringe as “a love letter to the city” when a range of different spaces from streets, parks and civic buildings come alive with ‘high-quality art happenings”, and as she puts it, “stuff you can stumble upon” in your lunch break or daily commute, as well as performances in theatres, studios and cultural centres.
Around ninety per cent of the performers and artists are from Ireland and the remainder are international. Unlike many other arts festivals, Dublin Fringe is “wholly curated and handpicked by the programming panel” to ensure its message is always relevant, explains McGowan.
But one message that remains consistent is the need to ensure that the creative community is valued and supported.
“The city is changing very quickly and space is at a premium. It’s important to acknowledge that the creative community is a big part of what makes the city special, so we need to make sure that artists aren’t being forced out”.
“Having Ballymore on board will help us gain access to some of the city’s new spaces,” she said, adding it was “exciting” to be working with the developer for the Festival’s 25th birthday which she promises will be “a party to remember’.
Sean Mulryan, Chairman and Group Chief Executive of Ballymore, said: “The arts bring magic to a city. Dublin Fringe Festival brings an incredible energy and soul to unexpected places, much like our own Ballymore developments in Ireland and the UK. We’re honoured to be supporting the Fringe as the Principal Patron for the first time in 2019, and look forward to working with them as they champion emerging artistic talent to support grassroots culture in Ireland.”
The 16-day festival this September hosted 80 events in 26 venues across the city, attracting over 44,000 visitors and for many audience members it was their first experience of a live arts event.
Ballymore’s patronage of Dublin Fringe is a major step for the company and follows a number of significant investments in the arts this year, including the Unity Arts Festival, a creative workspace for artists at London City Island and The Line, London’s first contemporary art trail.
This is in addition to the new cultural quarter Ballymore is establishing on London City Island with the English National Ballet and the London Film School relocating there this year.
愛爾蘭前總統Mary Robinson和愛爾蘭基金創始人Anthony O’Reilly爵士也於週四（11月29日）晚，在威斯敏斯特偉大喬治街舉行的愛爾蘭基金英國30週年晚宴上獲獎。
始於1988年6月，在美國前駐愛爾蘭大使Dan Rooney和匹茲堡同胞商人Anthony J.F. O’Reilly在美國創建了愛爾蘭基金會12年後，創立了全球慈善，促進和平、文化和慈善事業。
遍布全球12個國家，愛爾蘭基金會籌集了六億多美元，惠及愛爾蘭及其它地區超過3,200個不同的組織。獲獎者包括愛爾蘭共和國足球隊經理Martin O’Neill，演員Colin Farrell，歌手兼作曲家Imelda May以及女演員Sharon Horgan。
爱尔兰前总统Mary Robinson和爱尔兰基金创始人Anthony O’Reilly爵士也于周四（11月29日）晚，在威斯敏斯特伟大乔治街举行的爱尔兰基金英国30周年晚宴上获奖。
始于1988年6月，在美国前驻爱尔兰大使Dan Rooney和匹兹堡同胞商人Anthony J.F. O’Reilly在美国创建了爱尔兰基金会12年后，创立了全球慈善，促进和平、文化和慈善事业。
遍布全球12个国家，爱尔兰基金会筹集了六亿多美元，惠及爱尔兰及其它地区超过3,200个不同的组织。获奖者包括爱尔兰共和国足球队经理Martin O’Neill，演员Colin Farrell，歌手兼作曲家Imelda May以及女演员Sharon Horgan。
將於2019年迎來25週年慶典的都柏林藝穗節，是愛爾蘭領先的跨界藝術活動，包括歌舞表演丶喜劇丶說唱藝術丶戲劇丶視覺以及現場藝術和音樂。 “這是愛爾蘭為新興作品設定議題的節日”，藝穗節總監露絲·麥高恩（Ruth McGowan）表示，“這也是藝術家締造影響力的地方”。
“得到巴利摩的讚助使我們得以開發這座城市的一些新興空間，” 麥高恩補充說，藝穗節25週年的慶典能夠與開發商合作是“令人興奮的”，她承諾這將是“一個絕對值得回味的派對” 。
当街道丶公园和市政建筑间的各种空间因为“高质量的艺术表现形式”而充满活力之时， 麦高恩把都柏林艺穗节描述为“写给城市的一封情书”，这些艺术形式正如她所说，既包括你在午休或通勤时 “偶然碰上的活动”，也包括在剧院丶工作室和文化中心举行的表演。
“得到巴利摩的赞助使我们得以开发这座城市的一些新兴空间，” 麦高恩补充说，艺穗节25周年的庆典能够与开发商合作是“令人兴奋的”，她承诺这将是“一个绝对值得回味的派对” 。
The most prestigious award honouring “an outstanding contribution to Ireland and the Irish community in Great Britain” this year goes to the Founder and Group Chief Executive of Ballymore, Sean Mulryan
The former President of Ireland Mary Robinson and Sir Anthony O’Reilly, founder of The Ireland Funds, were also honoured at a glittering 30th anniversary The Ireland Funds Great Britain dinner at One Great George Street, Westminster, on Thursday (Nov 29) evening.
Inaugurated in June 1988, the global philanthropic charity was launched 12 years after Dan Rooney, former US Ambassador to Ireland and fellow Pittsburgh businessman Anthony J.F. O’Reilly, created what was then The Ireland Fund in the USA to promote peace, culture and charity.
With chapters in 12 countries, the Ireland Funds has raised over $600 million for deserving causes in Ireland and beyond, benefiting more than 3,200 different organizations. Past honourees include Martin O’Neill, manager of the Republic of Ireland soccer team, actor Colin Farrell, singer songwriter Imelda May and actress Sharon Horgan.
“The anniversary dinner was an intimate event where we looked back on and celebrated our successes, in the company of our best supporters,” said a spokesman for The Ireland Funds.
“The dinner offered us the opportunity to re-engage and re-energise our donors and supporters and to demonstrate the impact that their generosity has on the Irish community both in Britain and Ireland”, he said.
Sean is renowned for his philanthropic work in both the UK and Ireland. He is passionate about sport and has sponsored his native county - Roscommon in Gaelic Football for decades.
He is also passionate about giving young people every opportunity to get the right start in life through education and has been very active in the communities where Ballymore have developments.
As residents begin to move in to the Legacy Building - the second phase of Embassy Gardens - the lobby can finally be appreciated as a sophisticated design statement that hovers somewhere between a five-star hotel, a classical palace and a London members’ club.
Even on a bleak winter’s day, the space is full of light flooding in from the courtyard garden beyond and then blending with carefully controlled lobby lighting that changes according to the time of day.
A commanding reception desk at the centre of the lobby is framed by a series of evenly spaced pillars that act as a divider between the desk and the lobby’s more informal seating areas to each side.
The design’s linear quality is further emphasised by a dramatic black and white marble floor, brass light fittings and shelving units along each wall with splashes of colour coming from the red sofas and well-stocked book shelves. Contemporary artworks by Chilean artist Humberto Poblete Bustamante hang in the seating and relaxation areas of the lobby.
Designed by Spaniard Luis Bustamante, the concept design was a result of close collaboration with Ballymore’s Chairman and Group Chief Executive Sean Mulryan, developed during Embassy Gardens Phase One. “Luis and I worked closely together, meeting regularly to exchange ideas about how to create spaces that instantly make people feel special and at home.” said Sean.
“Embassy Gardens is a development that has always focussed on craft. This lobby is the pinnacle. As the building that will welcome our residents on their journey to the sky pool, this super lobby is the result of years of work to make sure it makes the best of first impressions.”
Mirrors - one of the designer’s hallmarks - are positioned to great effect to give a sense of infinite space, most dramatically above the central reception desk, giving the illusion of open sky and contrasting with the ‘solid’ ceilings of the more informal seating areas. Three years in the making, one of the biggest challenges was to guarantee all aspects of the design were built as envisaged from the outset, including the lighting, explains Ballymore’s Design Manager Natércia Francisco.
For example, in the day, the 250Kg chandeliers over the reception desk look like vast hanging sculptures and it is only after 10pm when all the ground floor areas automatically change to the new lighting scenery, the chandeliers’ LED ‘strips’ – in effect a slender strip of miniature bulbs- illuminate the space.
“Every single downlighter and bulb is manually adjusted to a certain position in order to create an interaction between light and materials,” says Natércia.
On Level One, the new business lounge, a large meeting room, kitchen and generous terracing mean off-site working has never been easier. The design aesthetic is less obviously classical but the materials – marble, timber and fabric wall coverings - are crisp and uncluttered.
Most of materials and furnishings in the lobby are bespoke. The panelling and metalwork were made in Spain, the stone/marble is Italian, the carpets are English and the furniture were sourced from Irish and Portuguese designers.
The three imposing buildings comprising Phase Two are designed by Arup Associates.
The Unity Arts Festival in September 2018 was a weekend of exhibitions, installations and workshops celebrating the creativity and energy of east London’s most exciting new neighbourhood.
Combining three districts - London City Island, Goodluck Hope and Trinity Buoy Wharf – the two-day festival brought together 150 independent arts organisations, which opened their doors to the public over the weekend of September 22, and 23rd.
Festival Director, Ian Felton, who set up Trinity Art Studios 13 years ago said: “The appreciation from the public for the Festival has been phenomenal…we’re very optimistic we can build from here”.
“Ballymore is getting creative at its huge residential developments in London by putting culture at their heart”
Donald Trump may have said the US embassy was moved to a “lousy” location in London’s Nine Elms, but last month that “horrible” site played host to a selection of British and Irish celebrities. Among them were the model Jodie Kidd, the Dublin designer John Rocha, former Girls Aloud member Nicola Roberts and the actress Naomie Harris.
The venue was the marketing suite at Embassy Gardens, the 15-acre plot where Irish developer Ballymore is at work. As well as the US embassy, there will be 1,750 apartments, 20,000 sq m of commercial space and the world’s first “sky pool”.
The event was held to mark the unveiling of Rice Bowl, a new 1.3-ton, one-metre tall bronze sculpture by the Irish artist Guggi. Ballymore founder Sean Mulryan has long been a collector of art, and commissioned the Dubliner — a friend of Bono — to create the piece.
Speaking to The Sunday Times before the event, Guggi said: “I walked around here about a year ago with Sean. We walked around the entire site, and looked at the different sculptures. He asked me, would you want to be a part of this? Why wouldn’t I be? I was delighted.”
While all of the celebs were gathered at London Gardens for music and drinks — there was no excessive champagne swilling — other, less-known attendees were perhaps the real story. They were artists who have taken residency at another of Ballymore’s developments.
South of Canary Wharf, on a 12-acre site called London City Island, Ballymore is constructing more than 1,700 apartments — starting price £420,000 (€480,000) for a one-bedroom suite — in a collection of colourful buildings incorporating nearly 6,000 sq m of commercial space and 3,000 sq m of retail space. Its main aim, though, is to create a new riverside cultural district for the city.
“In recent years, we’ve decided to bring art and culture and the creative industries into our developments. We’ve done it here at Embassy Gardens. The biggest example is London City Island,” Mulryan told those gathered at the event.
From the start in 2015, Ballymore put the creation of a cultural hub at the heart of its strategy for London City Island. Nearly 17,000 sq m at the development is devoted to cultural spaces.
The highest profile tenants announced to date have been the London Film School and English National Ballet (ENB). Next year, ENB moves from its 40-year-old home at Markova House in Kensington into a new 8,600 sq m facility, four times the size of its existing home. There will be a 300-seat theatre space, dedicated education spaces, rehearsal studios and rehabilitation facilities. Residents of London City Island will become “friends” of the ENB, and already it has held workshops and participated in cultural events in the community.
There are smaller arts companies too. Arebyte, a digital arts gallery, moved from Hackney Wick to London City Island in October 2017, when its lease expired. The Woods Studios, a music and art production company, has also relocated from central London.
Ballymore has been reeling in tenants with low introductory rents. Part of its commitment to culture at London City Island was due to its planning obligations — the development is in an area of heritage and right beside Trinity Buoy Wharf, a community of artists and makers housed in a selection of warehouses and multi-coloured containers.
Yet the focus on culture made business sense, according to Hayleigh O’Farrell, Ballymore’s head of communications. “It’s a well-thought-out masterplan about how to make a place a good place to live before it has its first residents. It’s about spending a lot of time ensuring we have culture embedded in the development. For us, [getting the ENB here] was a no-brainer. By them coming here, it’s a catalyst for all the culture that follows.”
Ian Felton, a local artist, has worked from Trinity Buoy Wharf for 13 years. This year, he was brought in by Ballymore to open the Trinity Art Gallery at London City Island. He is working regularly with the developer now, and curated the two-day Unity arts festival in September which took place at London City Island, Trinity Buoy Wharf and Goodluck Hope, another Ballymore project under way. On nearly seven acres between Trinity Buoy and London City Island, it will eventually comprise 804 apartments, 2,000 sq m of commercial space and 235 sq m of educational space — all in gorgeous warehouse/New York-style buildings.
Felton says Ballymore has alleviated the concerns of many Trinity Buoy Wharf residents over a big developer moving in.
“The big fear was that we were going to get pushed off the edge of the island. What we’ve found ... a balanced cultural environment right throughout the island,” he says. “When you have English National Ballet up at the top, it’s a really nice counterweight to what’s going on at the other end with Trinity Buoy Wharf. Suddenly you’ve got this peninsula packed with arts and cultural activity. It’s extremely exciting.”
Nimrod Vardi, director of the Arebyte gallery, describes moving to London City Island as “a very good decision for us”.
“It seems like a lot of our audience is following us here from Hackney. Over 6,000 people have come to visit us in the last couple of months,” he says. “The move from an old space to a new space allowed us to be more ambitious and work with bigger artists. The neighbourhood here is still growing and we’re part of it. It’s very different and really good.”
For Dantae Johnson of the Woods Studios, the move has coincided with him moving into one of London City Island’s apartments. He says at the company’s old studios in central London, where it was surrounded by competing artistic companies, nobody wanted to collaborate as they wanted to keep their projects secret.
“When we had the opportunity to come down here, we thought it would be fantastic, and we have some really good plans for here,” he says.
London City Island certainly fostered a sense of collaboration — it is palpable. Yet make no mistake, for Ballymore, its commitment to the creative industries is an astute business strategy.
“It’s about investing in creative industry to ensure people want to live here and then you can sell your apartments,” says O’Farrell. “Since we’re privately owned, we can give commitment to the creative industries, whereas a lot of plcs ... have demolished creative industry and ended up with empty vessels — lonely developments where people don’t want to live.”
With an Irish company making such waves in London, some may ask why it cannot do something similar on these shores. Ballymore is building out Dublin Landings on the capital’s northside, but the majority of this is commercial.
Where something similar could potentially happen is at St James’s Gate in the heart of Dublin city, where Diageo plans to transform 12.6 acres of its brewery site into a mixed-use scheme. The setting, surrounded by vat houses, cooperages and brew houses, would be a perfect location for a cultural hub and trendy, attractive apartments to match.
Ballymore is down to the final four bidders for the contract to develop St James’s Gate, and while O’Farrell says she cannot talk about the bid, various conversations with Ballymore’s London-based Irish staff reveal that many of them would really love to get their teeth into a project like that.
It is difficult not to share their enthusiasm. A Ballymore project in a place that has so much history is exactly what this city needs —especially if equal focus is placed on bringing cultural organisations to the Dublin 8 site.
It looks like this could be the case — certainly if what Mulryan intimated at the Embassy Gardens event holds true. He said: “[Bringing culture and creative industries to our developments] creates extraordinary energy ... and excitement for people to live in the development. We intend to continue that through the rest of our developments.”
This side of the water, we can only live and hope.
川普總統曾說美國大使館的新址倫敦九榆是個「糟糕」的地方。但在上個月，這個「可怕」的地方迎來了不少英國和愛爾蘭名流。其中包括超模Jodie Kidd、都柏林設計師John Rocha、前Girls Doud成員Nicola Roberts以及女演員Naomie Harris。
此次活動的舉辦是為愛爾蘭藝術家Guggi創作的一個重達1.3噸，高一米的青銅雕塑「飯碗」（Rice Bowl）揭幕。Ballymore的創始人Sean Mulryan先生一直以來都是一名藝術品收藏家，他委託了這位都柏林人，也是Bono（U2樂隊主唱）的朋友來創作這件作品。
Guggi在活動開始前對《星期日泰晤士報》說：「大約一年前，我和Sean一起來到這裡。 我們走遍了整個場地，看著不同的雕塑。 他問我，你想讓（你的作品）加入其中嗎？ 我為什麼不願意？ 我很高興。」
金絲雀碼頭以南，在佔地12英畝的倫敦城市島（London City Island）上，Ballymore正在建造1,700多套公寓：一臥室公寓的起價為42萬英鎊（48萬歐元）；還有近六千平方米的彩色建築空間，其中囊括了商業區域和三千平方米的零售區域。其主要目的是為這座城市創建一個全新的水岸文化區。
這裡也有一些小型藝術公司。數字藝術畫廊Arebyte在上一個租約到期後，於2017年10月從Hackney Wick搬到了倫敦城市島。音樂和藝術製作公司Woods Studios也從倫敦市中心遷至此處。
Ballymore的公關負責人海麗(Hayleigh O’Farrell) 認為，對文化的注重使商業更有意義。 「這是一個深思熟慮後的整體規劃，如何讓這個地方在迎來第一批居民之前就成為一個宜居之地，並且花費了大量時間確保我們在開發中融入了文化元素。對我們來說， 『邀來國家芭蕾舞團』是不需多想的，他們的到來，是其它文化團體能隨之而來的催化劑。」
對於Woods Studios的Dantae Johnson來說，他正在搬入倫敦城市島的一套公寓中。他說，公司在倫敦市中心的舊工作室周圍，有多家競爭激烈的藝術公司，沒有人願意一起合作，因為他們都想讓自己的項目保密。
川普总统曾说美国大使馆的新址伦敦九榆是个「糟糕」的地方。但在上个月，这个「可怕」的地方迎来了不少英国和爱尔兰名流。其中包括超模Jodie Kidd、都柏林设计师John Rocha、前Girls Doud成员Nicola Roberts以及女演员Naomie Harris。
此次活动的举办是为爱尔兰艺术家Guggi创作的一个重达1.3吨，高一米的青铜雕塑「饭碗」（Rice Bowl）揭幕。Ballymore的创始人Sean Mulryan先生一直以来都是一名艺术品收藏家，他委托了这位都柏林人，也是Bono（U2乐队主唱）的朋友来创作这件作品。
Guggi在活动开始前对《星期日泰晤士报》说：「大约一年前，我和Sean一起来到这里。 我们走遍了整个场地，看着不同的雕塑。 他问我，你想让（你的作品）加入其中吗？ 我为什么不愿意？ 我很高兴。」
金丝雀码头以南，在占地12英亩的伦敦城市岛（London City Island）上，Ballymore正在建造1,700多套公寓：一卧室公寓的起价为42万英镑（48万欧元）；还有近六千平方米的彩色建筑空间，其中囊括了商业区域和三千平方米的零售区域。其主要目的是为这座城市创建一个全新的水岸文化区。
这里也有一些小型艺术公司。数字艺术画廊Arebyte在上一个租约到期后，于2017年10月从Hackney Wick搬到了伦敦城市岛。音乐和艺术制作公司Woods Studios也从伦敦市中心迁至此处。
Ballymore的公关负责人海丽(Hayleigh O’Farrell) 认为，对文化的注重使商业更有意义。「这是一个深思熟虑后的整体规划，如何让这个地方在迎来第一批居民之前就成为一个宜居之地，并且花费了大量时间确保我们在开发中融入了文化元素。对我们来说， 『邀来国家芭蕾舞团』是不需多想的，他们的到来，是其它文化团体能随之而来的催化剂。」
对于Woods Studios的Dantae Johnson来说，他正在搬入伦敦城市岛的一套公寓中。他说，公司在伦敦市中心的旧工作室周围，有多家竞争激烈的艺术公司，没有人愿意一起合作，因为他们都想让自己的项目保密。
在由BBC Newsnight主持人Gavin Esler主持、巴利摩主辦的有關奧運會持久遺產的小組座談討論活動中，他對台下200多名觀眾說：“這非常具有戲劇性”。他還說巴利摩集團是在碼頭區投資以及支持競標活動的“最先領頭的人之一”。
東倫敦工商協會的行政主管Colin Stanbridge也認為，奧運會“使焦點全部集中於倫敦東部”，“不變的截止日期”“ 壓縮了（倫敦東部開發）的經歷”。
附近Waltham Forest自治區的經濟增長策略主管Stewart Murray認為，倫敦東部許多社區的“生活和人生機會的轉變”都歸功於奧運會。而他所在的Waltham
殘奧會運動員、30項世界紀錄創造者、高級英帝國女勛爵士、目前任倫敦遺產開發委員會主管的Tanni Grey-Thompson女男爵閣下說：“對於我來說，親眼看到它的成長和繁榮就是一種轉變，我每次去那裡，都感到有些變化。有281個學徒崗位，6,000家新屋，另外1萬4千家已經獲得規劃許可，未來18個月修建4,000家新屋，East Bank將得到十億鎊的投資，BBC交響樂團、V&A博物館、The Smithsonian研究所、Sadler’s Wells劇院、Loughborough大學、倫敦大學學院都將在這裡落戶——這些正在改變人們的生活。”
在由BBC Newsnight主持人Gavin Esler主持、巴利摩主办的有关奥运会持久遗产的小组座谈讨论活动中，他对台下200多名观众说：“这非常具有戏剧性”。他还说巴利摩集团是在码头区投资以及支持竞标活动的“最先领头的人之一”。
前任Newham自治区重新开发规划主管Deirdre Armsby也参加了这个座谈。他表示，“伦敦东部这个地区宏大的场所营造”是Newham的功劳，奥运会“加速了潜力的开发，把这个地区丰富的历史放在聚光灯下，皇家码头（Royal Wharf）这里的开发充分印证了这一点。”
东伦敦工商协会的行政主管Colin Stanbridge也认为，奥运会“使焦点全部集中于伦敦东部”，“不变的截止日期”“ 压缩了（伦敦东部开发）的经历”。
附近Waltham Forest自治区的经济增长策略主管Stewart Murray认为，伦敦东部许多社区的“生活和人生机会的转变”都归功于奥运会。而他所在的Waltham Forest注定“成为伦敦第一个文化区”。
残奥会运动员、30项世界纪录创造者、高级英帝国女勋爵士、目前任伦敦遗产开发委员会主管的Tanni Grey-Thompson女男爵阁下说：“对于我来说，亲眼看到它的成长和繁荣就是一种转变，我每次去那里，都感到有些变化。有281个学徒岗位，6,000家新屋，另外1万4千家已经获得规划许可，未来18个月修建4,000家新屋，East Bank将得到十亿镑的投资，BBC交响乐团、V&A博物馆、The Smithsonian研究所、Sadler’s Wells剧院、Loughborough大学、伦敦大学学院都将在这里落户——这些正在改变人们的生活。”
談到皇家碼頭——巴利摩（Ballymore）與豪利（Oxley）集團在倫敦皇家碼頭區（Royal Docks）40英畝土地上新開發的3,500套新居，區長說：“作為紐漢姆（Newham ）一個新開發的社區，看到如此多的居民搬到我市的這個地區，很讓人感到驚喜，我歡迎你們所有的人，並且盼望著確保市政廳對你們所關注的問題做出回應。 ”
巴利摩（Ballymore）集团的总经理John Mulryan也对居民表示欢迎，并且说：“希望到明年我们举行夏日盛宴的时候，我们已经有了新的社区中心和新的码头，皇家码头的居民可以从那里登上泰晤士河快船（Thames Clipper）前往金丝雀码头。”
夏日盛宴期间，人们最喜欢的是精选的世界食品，从永恒的英式经典到泛亚洲美食。被Esquire杂志评选为英国最佳鱼条店的Kerbisher and Malt把海边美味带到了皇家码头，而许多家庭则直奔Born‘n Raised手工披萨而去，这里的披萨都是手工制作和烤制，而且是在一辆定制的路虎防卫者上烘烤和出售。
活動的原聲音樂由Robbie Boyd提供，他是倫敦的一位歌手兼作曲人，曾經在ITV的This Morning節目裡出現，還經常參加BBC Radio2的Graham Norton節目。當八人銅管樂隊Das Brass出現的時候，音樂達到高潮，這個樂隊酷愛搖滾、流行樂和放克樂。
這個慈善機構的企業合作夥伴官員Katherine Elvin表示，Richard House臨終關懷所是“一個非常開心的地方”，儘管“臨終關懷所的含義”會讓人聯想到“一個悲傷而且非常難過的地方”。她說：“我們還很積極而且開心——通過組織治療小組和活動會來支持家庭。這是我們工作的很重要的一部分。”
巴利摩（Ballymore）集团的总经理John Mulryan也对居民表示欢迎，并且说：“希望到明年我们举行夏日盛宴的时候，我们已经有了新的社区中心和新的码头，皇家码头的居民可以从那里登上泰晤士河快船（Thames Clipper）前往金丝雀码头。”
夏日盛宴期间，人们最喜欢的是精选的世界食品，从永恒的英式经典到泛亚洲美食。被Esquire杂志评选为英国最佳鱼条店的Kerbisher and Malt把海边美味带到了皇家码头，而许多家庭则直奔Born‘n Raised手工披萨而去，这里的披萨都是手工制作和烤制，而且是在一辆定制的路虎防卫者上烘烤和出售。
活动的原声音乐由Robbie Boyd提供，他是伦敦的一位歌手兼作曲人，曾经在ITV的This Morning节目里出现，还经常参加BBC Radio2的Graham Norton节目。当八人铜管乐队Das Brass出现的时候，音乐达到高潮，这个乐队酷爱摇滚、流行乐和放克乐。
这个慈善机构的企业合作伙伴官员 Katherine Elvin表示，Richard House临终关怀所是“一个非常开心的地方”，尽管“临终关怀所的含义”会让人联想到“一个悲伤而且非常难过的地方”。她说：“我们还很积极而且开心——通过组织治疗小组和活动会来支持家庭。这是我们工作的很重要的一部分。”
An evocative new sculpture, the first in the UK by the influential Irish artist Guggi, has arrived at Embassy Gardens – conferring another powerful boost to the cultural vibrancy of Nine Elms, south of the Thames.
In a fanfare event partnered with Harper’s Bazaar, the new bronze work, ‘Rice Bowl’, measuring 106x201 cms, was specially commissioned by Ballymore’s Chairman and CEO Sean Mulryan to take its place alongside seminal pieces already in situ at Embassy Gardens.
Those works include Florian by British artist Sarah Lucas, a marrow shaped sculpture inspired by the development’s proximity to New Covent Garden Market, and Modern Marriage, by rising British-Japanese artist Simon Fujiwara, comprising a large foot with a ring embedded in the sole, in keeping with the emotive and often autobiographical nature of Simon Fujiwara’s work.
The linear park sculptures reflect Ballymore’s longstanding commitment to the arts on all its developments. Prior to the unveiling, Sean Mulryan said: “I have a longstanding admiration for Guggi’s work and we are delighted that his creativity is now built into the fabric of Embassy Gardens.
“Culture and the arts are the foundation stones of our vision for Embassy Gardens, from the visual pieces on show today to music and dance that brings whole communities together.”
‘Rice Bowl’ by Guggi, who started life as the founding member of the Dublin cult band Virgin Prunes, is a deeply reflective work, inspired by the artist’s humble beginnings. The use of common objects is a central theme of Guggi’s work, who is currently enjoying a major solo show of new drawings and sculpture at Chateau La Coste in France until the end of October. His paintings and sculptures have been exhibited worldwide since the early 90’s.
The event to mark the sculpture’s arrival - part of Bazaar Art Week - came just ahead of the opening of Frieze London and Frieze Masters, so was buzzing with a strong arts and culture milieu. People enjoyed a specially crafted menu by celebrity chef Robin Gill with musical accompaniment by Anna Wolf, a new singer/songwriter signed to Three Bears Entertainment, and World Heart Beat Music Academy - Embassy Gardens’ latest tenant.
The launch attracted an array of stylish faces, including the actress, Naomie Harris, designer John Rocha OBE, Dolce and Gabbana runway models, Viscountess Weymouth and Lady Kitty Spencer, British fashion designer Alice Temperley, model Jodie Kidd and husband Joseph Bates, singer Nicola Roberts, TV Presenters Natalie Pinkham, Sarah-Jane Mee and Pips Taylor, and contemporary artist Juliette Loughran.
The evening was concluded with a DJ set from Josephine De La Baume, the French actress, singer, director and model.
Embassy Gardens will see the creation of nearly 2,000 new homes, landscaped gardens, bars and restaurants and 130,000 ft² of shopping space. Future home to the Sky Pool, the landmark development will establish a totally new community within central London, wrapped around the new US Embassy.
For Ballymore people, charity really does begin at home. From cycling, to rowing, to abseiling, to football, charity heroes from company directors to hundreds of employees gave up their spare time over the summer to help raise nearly £40,000 for good causes.
“I love doing stuff for charity and it’s really good for the company in terms of outreach and networking,” said New Zealander Sophie Stretch, a commercial coordinator at Wardian and Goodluck, a major force behind one of the summer’s star events, the Ballymore Dragon Boat Race.
Ten special Dragon boats, equipped a drummer to keep time and a cox, and each crewed by ten Ballymore rowers raced the length of Millwall Outer Dock on the Isle of Dogs to compete before another 100 spectators on a sunny July 31 to raise more than £10,000 for Teach First, a charity that helps children from low income families fulfil their potential at school.
Sophie, whose Wardian boat came third (London City Island won), told how the initiative to get involved came after one of the head office directors, Terry Arnold, passed on a leaflet he’d picked up outside Canary Wharf station asking big businesses for support.
“Ballymore immediately pledged £8K for its own company-wide event and we went from there,” said Sophie who sent a round robin mail for volunteers. “It was a great day with a barbeque at the end and a trophy and medals donated by Teach First for all the competitors. We are definitely on do it again next year”.
While the Group “invest a great deal” in charity partnerships and organisational sponsorship, Linda Mulryan, Ballymore’s operations and communications director, said:
“We’re always impressed by the passion of our team to go above and beyond when it comes to giving back. Over the summer there’s been the most fantastic, creative means of raising funds for some very important charities. At Ballymore we’re always willing to support these efforts in whatever way we can, and it’s also a great way for us all to get to know each other a little better – whether that be forming a boat race team, running 5k, or abseiling a building!”
More hair-raising than rowing, the London City Island development team, led by Steve Tennant, raised £21,000 for charity by abseiling down Phase Two of the development to celebrate residents moving in.
The summer also saw John Richardson, who works at Goodluck Hope, raise £1,508 for a prostate cancer charity by riding the Grand Depart Classic – the challenging first road stage of the Tour de France. Dorota Krasnodebska, Ivan Bakovski and Henry O’Neill, who also all work at Goodluck Hope, raised £350 for an ovarian cancer charity by running the Vitality London 10k run.
And the second Royal Wharf five-a-side tournament played in Shoreditch this year, raising £5,200 for MIND – the mental health charity. The employees at the site have raised a total of £16,500 for local charities to date.
On top, the Royal Wharf team has been visiting local school as part of the London Borough of Newham’s Building Futures programme with team judging models designed by local children.
Sophie Stretch說：“我喜歡為慈善事業做貢獻，這非常有益於公司的擴展和聯絡。” 這位新西蘭人是華殿和幸運島的商業協調人，也是今夏重要活動——巴利摩龍舟賽的主要發起人。
7月31日，陽光明媚，十艘特別的龍舟，上面有一個打拍子的鼓手和一名舵手，每艘船上都有十名巴利摩的划船手，賽程是Isle of Dogs的Millwall外碼頭，觀眾有大約百人。這個活動為幫助低收入家庭的兒童實現學習潛力的慈善機構Teach First 籌款超過一萬鎊。
今年夏天，在幸運島工作的John Richardson參加了Grand Depart Classic，環法自行車賽頗具挑戰性的第一階段，為一個前列腺癌症慈善機構籌款1,508鎊。同樣是在幸運島工作的Dorota Krasnodebska、Ivan Bakovski和Henry O’Neill參加倫敦Vitality 十公里長跑，為一個卵巢癌慈善機構籌款350鎊。
Sophie Stretch说：“我喜欢为慈善事业做贡献，这非常有益于公司的扩展和联络。” 这位新西兰人是华殿和幸运岛的商业协调人，也是今夏重要活动——巴利摩龙舟赛的主要发起人。
7月31日，阳光明媚，十艘特别的龙舟，上面有一个打拍子的鼓手和一名舵手，每艘船上都有十名巴利摩的划船手，赛程是Isle of Dogs的Millwall外码头，观众有大约百人。这个活动为帮助低收入家庭的儿童实现学习潜力的慈善机构Teach First 筹款超过一万镑。
今年夏天，在幸运岛工作的John Richardson参加了Grand Depart Classic，环法自行车赛颇具挑战性的第一阶段，为一个前列腺癌症慈善机构筹款1,508镑。同样是在幸运岛工作的Dorota Krasnodebska、Ivan Bakovski和Henry O’Neill参加伦敦Vitality 十公里长跑，为一个卵巢癌慈善机构筹款350镑。
Construction workers on Ballymore’s Royal Wharf development in London’s docklands have won the Seal of Excellence for Site Management accolade at the national 2018 NHBC (National House Building Council) Pride in The Job awards.
Praising his team, project manager Joe Cashman said: “This award is a credit to everyone working on the site and is recognition from NHBC of the hard work we have put in as a team to make this site better in every aspect over time.”
The Quality award is awarded to 400 sites out of 16,000 active NHBC sites in the UK, 60 of which are represented in London and South East region. From those, 18 sites were awarded the Seal of Excellence - with four going on to be crowned regional winner in the categories of small, medium, large and multi storey.
“In the past year we have made great strides by first being put forward for a quality award, then winning and followed on with the Seal of Excellence award. To go up three steps in a year is a fantastic achievement,” added Joe.
“We must now push on as a team and look to achieve these awards again next year - with our new goal being to win the Regional award in 2019. It will be possible to do this by making sure we continue to improve the quality of works on site. A large part of this is getting consistency across the board on all aspects of the build. We are not there yet so we need to keep working hard to achieve this.”
Royal Wharf is a new riverside development east of Canary Wharf comprising more than 3,300 new homes, from townhouses, to contemporary duplexes and apartments.
Civic leaders, developers and town planners joined Lord Coe to assess how the Olympics became a game changer in the development of east London.
Lord Coe, the man who brought the 2012 Olympic Games to London, said “the litmus test” of the lasting legacy of the games was the massive building boom beyond the Olympic Park that had transformed London’s docklands 13 years on.
‘It’s been truly dramatic”, he told a 200-strong audience at a packed panel event on the enduring legacy of the games on the regeneration of east London chaired by BBC Newsnight presenter Gavin Esler and hosted by Ballymore, described by Lord Coe as “one of the first guys over the parapet” to invest in docklands and support the bid.
“I am not a town planner, I am not an expert in these fields – this is a room full of experts,” Lord Coe told the audience at Royal Wharf. “But for me the litmus test is the development that has taken place beyond the curtilage of the Olympic Park.
“The story quintessentially was not just about the development of that 520 acres – which is an incredible story – a new city inside an old city. But it is also when I come to these parts, which I do regularly, and see the catalytic impact of the Games. So, on the regeneration front, I think we got more things right than any other games since the Barcelona Olympics of 1992,” said Lord Coe, who confessed “an emotional connection” to the area as his father was born “streets away” from the Olympic Park.
Lord Coe recalled an early crucial meeting in the City to raise institutional support for the bid. “One of the reasons I am sitting here this evening is that, actually these guys – Ballymore - were the first to stick their heads over the parapet. The next morning, they were the first to say they want to support the bid, we think this is a really important thing to do, and then a few more came on board, EDF energy, British Airways, BT. But it took somebody to actually stand up and say how they saw this project developing.”
Ballymore’s Managing Director John Mulryan raised laughter from the audience when asked by Esler whether the company had been fearful of “the risks” of being the first “over the parapet.”
“Well, Ballymore had bought about 100 acres of land between the Royal Docks and the lower Lea Valley between 2000 and 2005, so when Sean (Ballymore’s Founder) agreed to support your bid, I think he had a slightly vested interest!”
But even before the Olympics, Mulryan said, “you had the parks on one side and the River on the other, so everything you needed for a community was already there.” Paying tribute to the global success of the Games, he added:
“For us what was interesting when the Olympics happened was that with people looking in from the rest of the world, it was such a showcase for British people.” The result was “we managed to get almost £3 billion in development finance across London in those three or four years after the Olympic games. London became an amazing place to sell. That sort of institutional investment is not easy to get and I think the Olympic Games played a huge part in that.
“You’re also creating new areas in docklands, which is very different to developing infill sites in west London”, explaining in his welcoming remarks that at Royal Wharf, “as well as 3,500 new homes, a new high street, a new Town Square, a new pier is being created…an incredibly ambitious project and challenge.”
Also on the panel, Deirdre Armsby, former Director of Regeneration of Planning at Newham, said the borough had taken credit “for some pretty epic place-shaping for this area of east London”, adding that the Games had “accelerated the potential and put the spotlight on the area’s rich history. And this development here at Royal Wharf exemplifies that perfectly.”
Colin Stanbridge, Chief Executive of the East London Chamber of Commerce and Industry, agreed that the games had “turbocharged the focus on east London – and that “immutable deadlines” had “condensed the experience” of developing east London.
Stewart Murray, Strategic Director Economic Growth, in the neighbouring borough of Waltham Forest - set “to become London’s first borough of culture” - accredited the “Olympic bounce with transforming the lives and life chances” of many east London communities.
Paralympian Baroness Tanni Grey-Thompson, DBE, now Director of the London Legacy Development Committee, holder of 30 world records, said:
“For me what’s been transformational is just seeing how it’s grown and thrived. Every time I go there, it feels like there’s something different. There’s been 281 apprenticeships, 6,000 new homes, there’s planning permission for another 14,000, 4,000 built in the next 18 months; investment in East Bank, it’s going to a billion pounds, BBC Orchestra’s coming, the V & A, The Smithsonian, Sadler’s Wells, Loughborough University, UCL – and it’s changing people’s lives.
“And it’s more than just the buildings, it’s about making sure local people are employed – 62 per cent of the people come from the local area, so it’s not just about dumping something and hoping it’s going to be fine. There’s a huge amount of work that goes on behind the scenes.”
Ballymore has eight apprentice administrators working on its sky-high Wardian development. Here, one of them, Mo Hassan, explains why reaching the top has always been his goal.
Life for 20-year-old Mo Hassan has always been about getting ahead. Ever since he chalked up a record time of 10.4 seconds for the 100 metres as a teenage sprinter representing his home borough of Tower Hamlets, he has always strived to be top.
Now, 18 months into an apprenticeship with Ballymore as a young site administrator on Wardian London in Canary Wharf, he has won a prized company sponsorship to study for a part-time degree in construction at South Bank University.
“My aim is to become a construction manager – a high-riser, the King of the Heap of my street!”, said Mo, who has just completed his Level 3 NVQ in Business Administration and will spend a day one day a week at uni from September while continuing working to complete the twin 55-storey towers of Wardian apartments at 163 Marsh Wall.
“I am the eldest of four in my family,” explained Mo from Poplar, whose grandparents originally came from Bangladesh. “They look up to me to set the path so I always try to set an example.”
“I was good at IT because my uncle was a programmer and I was always looking over his shoulder. I was good at maths too - and running of course. At first I was interested in law but a careers advisor at Tower Hamlets College suggested I applied to Ballymore for one of their apprenticeships in the design team.”
His job today involves daily quality assurance checks on online ‘day files’ produced by consultants for ‘the package managers’, acting as a go-between on issues like, decoration, dry-lining, joinery and fittings.
“It’s a great office atmosphere with about 30 to 40 people working on commercial, fit out, façade, construction, design and management. Everyone makes you feel you are part of something. People never let you down and there’s always someone I can speak to if I have any problems. It’s really supportive,” said Mo, who is 21 in October.
“My line manager called me to have a word and offered me this sponsorship to go to university - which I saw as a clear opportunity to rise through the company.”
But it’s not all work and no play in the office. “We have days out - like go-karting which Ballymore organised and trips to see shows at the O2 Centre.”
Mo is one of eight apprentice administrators working at Wardian under the wing of sustainability manager Sicilian Sirio D’Aleo, who said: “Our apprentices need to be keen to learn, have a good attitude, to be punctual and to be interested in construction,” – all qualities Mo and his colleagues share in spades.
The most ambitious arts festival to be staged in London’s docklands is planned on the Leamouth peninsular in late September bringing together a local galaxy of 150 independent arts organisations to forge “an incredible island of the arts.”
The Unity Arts Festival, on the weekend of September 22/23, will celebrate the creativity of one of east London’s most exciting new neighbourhoods when London City Island, Goodluck Hope and Trinity Buoy Wharf combine for the first time to put on some of the most innovative exhibitions, installations and workshops seen in the capital.
Drawing, oil and watercolour painting, music and dance, ballet, film and aerobics are just some of the activities that will be on offer in and around City Island’s gallery spaces, studios and workshops.
The Woods, a new music and dance studio opening at LCI by Three Bears Entertainment will join the Unity Arts Festival programme, putting festival goers through their paces with series of dance workshops and fitness classes across the weekend. The Woods will also host a photography exhibition by island resident Sokari Higgwe along with drop-in music production workshops and a choir drop in session.
Atropelos, a new exhibition at the island’s arebyte Gallery combines Brazilian graffiti culture with web-based visuals to form a modern commentary on the abolition of societal borders. And Trinity Art Gallery, an extension of Trinity Art Studios, will host a fine art showcase at London City Island, exhibiting work from local residents and the surrounding area.
For film buffs, Goodluck Hope will host Unity Arts Festival’s movie marathon in the renovated warehouse, bordering the Thames. London Film School’s brightest students, who will soon call the peninsula their new home, will host screenings of their latest work, with Q&A sessions on the motivations and inspirations of their work.
English National Ballet, who will soon be relocating to London City Island, will take advantage of the new dance studios at the development, hosting workshops and demonstrations. Meanwhile, youngsters will be able to explore the world of animation with London City Island resident Tim Allen, who will be holding children’s workshops, creating plasticine figures which will be then brought to life through the magic of animation.
The arts community at Trinity Buoy Wharf will open its doors with The Big Draw, a sketch crawl entitled Uniting the Island, a drawing and painting workshop which will take place inside and outside throughout the whole Unity area. The results will then be on show at an exhibition in Trinity Art Studios the week after the festival.
Another major attraction is that the Festival will coincide with The Line, London’s first dedicated contemporary art ‘walk’ showcasing works by Antony Gormley, Gary Hume and Damien Hirst, which begins at north Greenwich following the meridian to move through LCI where seven sculpture plinths have been installed awaiting new works.
“The seed of the idea for the Festival came after a visit from John Mulryan (Ballymore’s Group Managing Director) who dropped into my gallery with his wife and young family,” explained Ian Felton, who set up Trinity Art Studio in a Victorian pitched roof electricians’ shop 13 years ago.
“He loved what we were doing and invited me to discuss how we could form better links with Trinity Buoy Wharf. He described Ballymore like a huge ship - building 1,700 homes and very difficult to change direction. But through collaboration with an arts trust, he felt it would be a lot easier to manoeuvre and make things happen.”
The festival, said Ian, which would make for “an incredible island of the arts” represented “a huge leap of faith – a leap of faith throughout which Ballymore has been incredible enthusiastic and supportive.”
使館花園1號（One Embassy Gardens）由巴利摩集團按照頂尖標准設計，超過80%的部分已經預先出租給了頂尖出版社企鵝蘭登書屋和DK出版社。
“九榆區（Nine Elms）是歐洲最重要的重建項目之一，使館花園（Embassy Gardens）正位於它的中心。”巴利摩集團董事總經理約翰·馬里安（John Mulryan）說。 “這個商住混合開發項目的主要部分是這個按照最高質量和設計標准設計的地標性商業建築。它就是使館花園是一個全新的地點的最好見證，也是使館花園1號的設計質量的最好見證，我們已經吸引了英國兩家頂尖出版社入駐。”仲量聯行（JLL）和第一太平戴維斯（Savills）負責使館花園1號的銷售。
仲量聯行倫敦西區資本市場負責人Simon Beckett表示：“Nine Elms是一個充滿活力的市場，新的計劃中的線形公園的河畔環境、目前正在開發的頂級的新考文特花園市場以及正在投入這裡的基礎設施的超過10億鎊的投資——包括把這個地區和西區連在一起的Nine Elms地鐵站，預計將給這裡帶來顯著的持續增長。”
第一太平戴維斯的倫敦市中心投資主管Barry Mangan表示：“使館花園1號是地標性寫字樓，位於倫敦最具雄心的場所營造開發項目的核心。使館花園1號為收入型投資者提供了在Nine Elms獲得立足點的第一個機會，他們將會受益於高質量的長期收入、低起租以及低相關佔用成本、有優勢的初始回報率和優秀的增長潛力。”
這棟地標性建築由PLP 建築師事務所的Lee Polisano設計，能夠看到美國使館、泰晤士河、倫敦市中心和從Vauxhall開始到巴特西電站結束、貫穿Nine Elms的線形公園以及使館花園1,750套新居。大樓的設計以英國建築研究院綠色建築評估體系的優秀等級為目標。
使馆花园1号（One Embassy Gardens）由巴利摩集团按照顶尖标准设计，超过80%的部分已经预先出租给了顶尖出版社企鹅兰登书屋和DK出版社。
“九榆区（Nine Elms）是欧洲最重要的重建项目之一，使馆花园（Embassy Gardens）正位于它的中心。”巴利摩集团董事总经理约翰·马里安（John Mulryan）说。“这个商住混合开发项目的主要部分是这个按照最高质量和设计标准设计的地标性商业建筑。它就是使馆花园是一个全新的地点的最好见证，也是使馆花园1号的设计质量的最好见证，我们已经吸引了英国两家顶尖出版社入驻。”仲量联行（JLL）和第一太平戴维斯（Savills）负责使馆花园1号的销售。
仲量联行伦敦西区资本市场负责人Simon Beckett表示：“Nine Elms是一个充满活力的市场，新的计划中的线形公园的河畔环境、目前正在开发的顶级的新考文特花园市场以及正在投入这里的基础设施的超过10亿镑的投资——包括把这个地区和西区连在一起的Nine Elms地铁站，预计将给这里带来显著的持续增长。”
第一太平戴维斯的伦敦市中心投资主管Barry Mangan表示：“使馆花园1号是地标性写字楼，位于伦敦最具雄心的场所营造开发项目的核心。使馆花园1号为收入型投资者提供了在Nine Elms获得立足点的第一个机会，他们将会受益于高质量的长期收入、低起租以及低相关占用成本、有优势的初始回报率和优秀的增长潜力。”
这栋地标性建筑由PLP 建筑师事务所的Lee Polisano设计，能够看到美国使馆、泰晤士河、伦敦市中心和从Vauxhall开始到巴特西电站结束、贯穿Nine Elms的线形公园以及使馆花园1,750套新居。大楼的设计以英国建筑研究院绿色建筑评估体系的优秀等级为目标。
世界頂尖插畫參考書出版社Dorling Kindersley（簡稱DK）追隨其姐妹公司英國企鵝蘭登書屋遷移到Embassy Gardens一號，這個行動進一步鞏固了Nine Elms作為泰晤士河以南新媒體中心的地位。
DK宣布租用巴利摩在Embassy Gardens 一號的三層樓，該公司首席行政官Ian Hudson表示：“我們很高興跟英國企鵝蘭登書屋的同事們一起搬到Embassy Gardens一號。這個非常好的場所位於倫敦最讓人興奮的開發項目的核心。”
跟企鵝蘭登書屋一起搬入這個位於Vauxhall和Battersea之間、耗資150億鎊全新的開發項目包括Michael Joseph和企鵝蘭登書屋兒童書籍部門，這兩者此前都在the Strand。Transworld和Vintage分別從Ealing 和Vauxhall Bridge Road搬過來。
“DK搬到Embassy Gardens一號是對Nine Elms不同尋常城市更新的極好證明。他們和企鵝蘭登書屋的行動將會為倫敦創造一個新的媒體與出版中心，我們盼望著迎接新的客人。企鵝蘭登書屋是知名品牌，聲望很高，是一個非常理想的租客。
作為城市更新開發項目的一部分，Nine Elms有一個新的倫敦地鐵站正在修建中，這是Northern Line 延長至Battersea的一部分。
世界顶尖插画参考书出版社Dorling Kindersley（简称DK）追随其姐妹公司英国企鹅兰登书屋迁移到Embassy Gardens一号，这个行动进一步巩固了Nine Elms作为泰晤士河以南新媒体中心的地位。
DK宣布租用巴利摩在Embassy Gardens 一号的三层楼，该公司首席行政官Ian Hudson表示：“我们很高兴跟英国企鹅兰登书屋的同事们一起搬到Embassy Gardens一号。这个非常好的场所位于伦敦最让人兴奋的开发项目的核心。”
跟企鹅兰登书屋一起搬入这个位于Vauxhall和Battersea之间丶耗资150亿镑全新的开发项目包括Michael Joseph和企鹅兰登书屋儿童书籍部门，这两者此前都在the Strand。Transworld和Vintage分别从Ealing 和Vauxhall Bridge Road搬过来。
“DK搬到Embassy Gardens一号是对Nine Elms不同寻常城市更新的极好证明。他们和企鹅兰登书屋的行动将会为伦敦创造一个新的媒体与出版中心，我们盼望着迎接新的客人。企鹅兰登书屋是知名品牌，声望很高，是一个非常理想的租客。
作为城市更新开发项目的一部分，Nine Elms有一个新的伦敦地铁站正在修建中，这是Northern Line 延长至Battersea的一部分。
幸運島上30層高的道格拉斯塔是以詹姆士·道格拉斯爵士（Sir James Douglass）的名字命名的，他是英格蘭海岸上兩座最高燈塔的設計者——康沃爾海岸的艾迪斯頓燈塔（Eddystone Lighthouse）和希利島上的主教岩石燈塔（Bishop Rock）。
詹姆士·道格拉斯爵士於1826年出生於倫敦塔橋區(Tower Hamlet)的Bow地區，是領港公會（Trinity House）的首席工程師，這個特許授權機構在三一浮標碼頭有工作室，碼頭有倫敦目前僅存的燈塔，而且也是道格拉斯設計的，就在巴利摩集團新推出的河畔社區幸運島開發項目的隔壁。
塔樓由Allies and Morrison建築事務所設計，以這個地區特有的港口特色為基點，又融入了現代風格。每間公寓都有自己的玻璃和金屬屏風，展開之後它們會形成“冬季花園”，關上就會變成書房或者用餐和娛樂區。
道格拉斯塔樓的頂層是“燈籠屋”(The Lantern Room），這是一個共享的靈活工作區，背景是不可多得的倫敦環景，居民可以在這裡工作、創造和合作。
燈籠屋是1595俱樂部的一部分。俱樂部提供游泳池（The Water House）、斯堪的納維亞風格的蒸氣室（The Steam House）、裝備齊全而且有單獨房間和舉重室的健身房（The Sweat House）和商務中心（The WorkHouse）。
可供選擇的娛樂設施包括私人影院（The Picture House）和餐館（The Spice House）。居民還可以利用倫敦城市島的設施，包括一個室外泳池、業主俱樂部和島上特有的意大利熟食店和百貨（The Grocer）。
詹姆士·道格拉斯爵士於1826年出生於伦敦塔桥区(Tower Hamlet)的Bow地区，是领港公会（Trinity House）的首席工程师，这个特许授权机构在三一浮标码头有工作室，码头有伦敦目前仅存的灯塔，而且也是道格拉斯设计的，就在巴利摩集团新推出的河畔社区幸运岛开发项目的隔壁。
塔楼由Allies and Morrison建筑事务所设计，以这个地区特有的港口特色为基点，又融入了现代风格。每间公寓都有自己的玻璃和金属屏风，展开之後它们会形成“冬季花园”，关上就会变成书房或者用餐和娱乐区。
道格拉斯塔楼的顶层是“灯笼屋”(The Lantern Room），这是一个共享的灵活工作区，背景是不可多得的伦敦环景，居民可以在这里工作丶创造和合作。
灯笼屋是1595俱乐部的一部分。俱乐部提供游泳池（The Waterhouse）丶斯堪的纳维亚风格的蒸气室（The Steam House）丶装备齐全而且有单独房间和举重室的健身房（The Sweat House）和商务中心（The Workhouse）。
可供选择的娱乐设施包括私人影院（The Picture House）和餐馆（The Spice House）。居民还可以利用伦敦城市岛的设施，包括一个室外泳池丶业主俱乐部和岛上特有的意大利熟食店和百货（The Grocer）。
The Isokon in north London is a classic example of the quest for viable ways people can live together - a challenge that has exercised the minds of developers and architects for decades and continues today.
Understanding how to foster a sense of community is integral to the creation of new neighbourhoods such as those created in London by Ballymore. At the new Douglass Tower at Goodluck Hope, for instance, there will be purpose-built work and social space and a club with a gym, pool and steam room.
Ideas about the kind of communities we want to be part of have been subject to changing fashions and tastes over the years. But as the success of developments such as London City Island is proving, spaces where people can come together is a valuable ingredient when it comes to choosing where we live.
One of the very first experiments in urban living, the iconic Isokon flats in London’s Belsize Park, is still a model that’s emulated today. Sophisticated and progressive, this remarkably un-British development transformed how people thought about urban living.
Influenced by progressive architectural developments on the continent, Molly Pritchard, a psychiatrist, together with her husband Jack, head of advertising at the Venesta Plywood Company decided to abandon plans to build houses on the site and enlisted Canadian architect Wells Coates to design the Isokon, or the Lawn Road Flats as they were known originally. Built using reinforced concrete – one of the earliest examples in Britain, as was the ’gallery-access’ to the 32 apartments - the emphasis was on compact, thoughtfully fitted rooms. Kitchens were kept purposefully small as the original flats were serviced, with meals available to order from the staffed Isokon kitchen on the ground floor.
Attracting many distinguished residents after it opened in 1934, including the writers Nicholas Monsarrat and Agatha Christie, intellectuals, and even one or two spies, the Isokon became a fixture in Hampstead’s vibrant cultural life. Pritchard also set The Half Hundred Club, a supper club that allowed no more than 25 members who could bring 25 guests. They dined either at the Isobar, at Pritchard’s penthouse flat or occasionally at more exotic locations, such as London Zoo.
“If you try and think back to the mindset of when it was conceived,” says John Allan who as director of Avanti Architects was responsible for the renovation project and is now chairman of the Isokon Gallery Trust. “What Pritchard and Wells Coates were reacting to was all that clutter and excess we associate with those rambling Victorian houses, and thinking that the modern world was surely moving on from that.”
When the Isokon’s central kitchen was replaced with a café and bar named the Isobar in the late 1930s, designed by Marcel Breuer, this proved far more popular, attracting not only residents, but artists and intellectuals living in Hampstead.
“Almost from the beginning [the Pritchards] conceived the project as a collective enterprise,” says Allan. “He lived in the penthouse apartment and was a very hands on landlord. He knew everybody and surrounded himself with interesting people. That’s the kind of community he wanted to be part of and there was no shortage of interesting people around at that time.”
So important to life at the Isokon were the Pritchards that once they retired the Isokon began a slow process of decline, first under the ownership of the New Statesman and then Camden Council in 1969 and 1972 respectively. Now restored by Avanti Architects for Notting Hill Housing in 2004, the Grade I listed building has been refitted to a standard suitable for a new generation, while staying true to the vision of creating a distinct community in a central location.
“It’s a way of living that suits some kinds of residents and not others, but for the relatively minimalist, mobile professional, it can be very suitable,” says Allan, who with Magnus Englund and Fiona Lamb set up the Isokon Gallery Trust in 2014 and with a small team created the Isokon Gallery in the former garage. Since opening, the gallery, which is used for events and talks has attracted 15,000 visitors.
“We were very keen to have some communal, collective element in the project and if we weren’t going to have the bar back, we can have events and when we do, make sure alcohol is available - Jack and Molly would have approved,” says Allan, adding that the success of the Isokon restoration shows how well thought out and intrinsically valuable the ideas were: “If the latent value of the idea is still there, then that value can be retrieved.”
The Isokon Gallery has free entry 11am to 4pm each Saturday and Sunday from March through October. For further details please visit isokongallery.co.uk
London’s 2012 Olympics has been credited with kickstarting the regeneration of east London but more than 20 years earlier a rock spectacular made the docklands a destination.
Jean-Michel Jarre’s legendary Destination Docklands 1988 concert on Royal Victoria Dock “heralded the start of a remarkable quarter century of dramatic economic change for east London, culminating in the 2012 Olympics” says the man who tried to ban it.
Speaking on the 30th anniversary of the ground-breaking ‘spectacular’ by the French musician composer, Labour MP for East Ham Stephen Timms, who chaired Newham’s Planning Committee at the time, said: “I tried to ban it. Fortunately, I didn’t succeed. It was a good event but the organisation around it was dire and there were serious and genuine public safety concerns. At one point we were being told that one million people were going to turn up on the edge of a very large dock.”
Timms, who went on to be Chief Secretary to the Prime Minister Tony Blair, added: “In retrospect, it was a great event – and the only time Charlotte Rampling (then married to Jarre) ever attended a Newham Council meeting!
“The concert created an atmosphere where people could see that there were clearly big opportunities on our side of London which had been neglected – it effectively changed the economic base of the area - and that change is still going on.”
Timms recalled that three major consortia expressed interest in the site immediately following the concert, but pulled out in the wake of 1990 property crash. Since then the area’s fortunes have continued to revive with developments by Ballymore at Royal Wharf to the south of Royal Dock and Goodluck Hope to the west.
Three decades ago, the Royal Victoria Dock was a deserted industrial wasteland.
Yet it was precisely this awe-inspiring desolation that persuaded Jarre to choose the location for one of his mesmerising musical extravaganzas – huge outdoor ‘spectaculars’ set against a backdrop of breath-taking synchronised fireworks, lasers and searchlights which had earned him international fame.
Like at ‘Rendezvous Houston’ two years earlier, to celebrate the 150th anniversary of the State of Texas, which attracted a world record 1.5m and then at a concert in his home town of Lyon to celebrate the visit of Pope John Paul 11, watched by a million people.
“I don’t see myself as a conventional rock musician”, said Jarre at the time after surveying the bleak docklands landscape by helicopter. “I am trying to use images and music to tell a story and I try to use locations that bring together the environment, the architecture, the buildings – and the docklands are exactly in the spirit of this concept.”
By bringing the abandoned area back to life with a concert attendance which topped 200,000 - even if only for one wet weekend in October - it made people realise that docklands could be a destination. So what’s the ‘Destination Docklands’ story 30 years on?
Dominated by the massive old Customs House, the location’s architecture was ideally suited to Jarre whose concerts regularly featured projected images onto buildings. With approval from the LDDC (London Docklands Development Corporation), work started in earnest in early summer with the event planned to go live in September.
The floating stage on which Jarre and his musicians performed was built on top of four large barges, towed down from Newcastle and welded together in the dock to create an enormous stage of 40m by 30m, capable of supporting 250 performers, (including boys and girls from the Newham Academy of Music) and technicians as well 400 tons of gear. “Let’s hope this Frenchman can swim!”, a cockney welder chortled at the time.
Three large purpose-built 90m by 100m display screens had to be built, and one of the old silo buildings to be used as a backdrop was painted white. A set of 6000-watt projectors were requisitioned to create “a giant Chinese magic lantern effect” on the buildings.
Despite the steady progress on location, the concert seemed doomed when Newham Council’s Planning Committee, chaired by Timms, rejected the initial licence application over safety fears. Jarre felt “betrayed” and set about looking at tens of alternative venues from Dover to Edinburgh. But following negotiated improvements, Jarre eventually got the go-ahead to stage two separate performances on the weekend of October 8/9.
The concert was intended to show a history of the area, with tracks dedicated to the industrial revolution, the Swinging Sixties – with Shadows legend Hank Marvin - and the future regeneration of the area. The concert programme featured drawings of the redevelopment works due to take place in the years after the concerts, as did some of the projections on the building facades.
On the first night, poor weather threatened to break the stage from its moorings, putting paid to the original plan to float the stage across the Royal Victoria Dock. Wind speeds were so high that many of the 23 television cameras were blown over. On the second evening the audience, which included Diana, Princess of Wales, was soaked by rain and wind, prompting Jarre to quip to the crowd “Frogs like rain!”
The concert’s scale was larger than any seen in the UK before or since.
The tallest tower on Goodluck Hope honours Britain’s master lighthouse builder - famed for his love of heights and ingenuity.
The 30-storey Douglass Tower on Goodluck Hope, has been named after Sir James Douglass, the redoubtable designer of the English coastline’s two tallest lighthouses - the Eddystone Lighthouse off the Cornish coast and Bishop Rock, on the Isle of Scilly.
Born in Bow, Tower Hamlets in 1826, Sir James Douglass was chief engineer at Trinity House, the chartered authority with workshops at Trinity Buoy Wharf, the site of London’s only remaining lighthouse - also designed by Douglass - next door to the Goodluck Hope development, Ballymore’s new waterside neighbourhood.
Bishop Rock, known as “The King of Lighthouses” is the starting point for ocean liners competing in the famous Blue Riband transatlantic race to New York. Its twin – the Eddystone Lighthouse – for which Douglass was knighted, has been set to music by the London Symphony Orchestra and its beacon flashes every 10 seconds, visible for 22 nautical miles.
Commenting on the launch of Douglass Tower, John Mulryan, Group Managing Director of Ballymore, said: “It gives me great pleasure to announce the launch of Douglass Tower. The building is a landmark feat of design and will transform Leamouth Peninsula in line with our work at London City Island. Ballymore is committed to preserving the unique heritage of all our development projects and we are excited to welcome new residents who value the cultural environment of the area”.
Designed by architects Allies and Morrison, the tower builds on the area’s distinctive docklands character but with a contemporary twist . Apartments each have custom glass and metal panels that can be moved to form ‘winter gardens’, which can be closed off to form a study space or an area for dining and entertaining.
At the highpoint of Douglass Tower is The Lantern Room, a shared flexible workspace where residents can work, create and collaborate with a unique panorama of London as its backdrop.
The Lantern Room forms part of The 1595 Club. Benefits include a swimming pool (The Waterhouse), Scandinavian style steam room (The Steam House), fully equipped gym with studios and weight room (The Sweat House) and business centre (The Workhouse).
Entertainment options include a private cinema (The Picture House) and restaurant (The Spice House). Residents will also be able to take advantage of the facilities of London City Island which include an outdoor swimming pool, resident’s club and The Grocer - the island’s very own Italian deli and restaurant.
Douglass Tower launches on September 8th when a number of units will be available to purchase with prices starting at £395,000. For more details visit goodluckhope.com
Ballymore wants to attract more women into its workforce. One of its ‘ambassadors’, Donna Keogh, explains why negotiating skills are now more sought after than strength if you want to work on site.
“There’s no job on site that women can’t do”, said Donna Keogh from her office at Embassy Gardens where she works as Construction Completions Manager. “And when it comes to banter I’m probably worse than some of the lads!”
Donna’s approach to her work has earned her the title of one of Ballymore’s ‘ambassador’ for Women in Construction, a national initiative actively promoted by the company, currently committed to increasing the already high proportion of women working on its construction sites - 71 out of 326.
“We have got there through a positive policy of attracting women into our workforce,” said Rachel Hawley, Ballymore’s Head of Talent. “We hope our policy achieving a mixed gender balance will help us become an employer of choice.”
Throughout her life Donna has always defied stereotypes. “I wanted to be a policewoman when I was growing up - but I was a foot too short,” explained Donna, from Dublin and one of seven siblings.
Instead at 16, she stretched her age to land a job as an au pair in London with a big showbiz family. “I wanted something more than the prospect of just being a mum. I wanted a career and a life. The move to London was a breakout”.
She went on to join home improvements retailer Wickes - “selling bricks and blocks” – eventually crowned the Face of Women in Retail and Store Manager of the Year out of 180 stores before moving to Willmott Dixon as a Senior Customer Service Manager. “I wanted to see what they did with the bricks and blocks,” explained an ever-restless Donna.
“Then I joined Ballymore in January 2015 as a Handover Manager, checking finished apartments before passing them to sales - and I loved it straightaway. It’s a very welcoming company, with so many jobs and paths you can take - and freedom to learn,” said Donna, who has just completed her NVQ Level 6 in record time – four months instead of a year.
“One minute you can be on your hands and knees inspecting a site, the next in the boardroom talking to directors of the client company.”
An average day for Donna starts at 7.30 and finishes around 6 or after. “I set up my team of four finishing managers, all men yes - poor men! Only joking. And no, I don’t boss them about. ‘Coax them about’ perhaps!
“I think it’s all about how you treat people. If you talk to people disrespectfully, you are going to get it back. And I wouldn’t ask people to do something I wouldn’t do myself – and they know and respect that.”
Her job chiefly involves picking up ‘snags’ - faults and imperfections - in apartments as the blocks gradually come on stream before they are handed over to sales. She is currently working at Embassy Gardens blocks B and C, comprising 80 affordable housing units, and then in block A, with 179 larger residential units.
Our interview takes place in her small site office, dominated by huge flow charts. Twice anxious young men in hardhats interrupt us. She agreed that “calm negotiating skills” were key to the job. “And because I have worked before in customer services, I can do it. I try to prevent a problem before it gets to after care”.
On women in construction, Donna said: “There’s no bar to women. It’s not a question of strength anymore because there’s no heavy lifting for anyone now with all the Health and Safety rules. It’s more a case that women have stopped themselves – but there’s nothing a woman can’t do on a construction site.”
As part of this year’s London Festival of Architecture, Glenn Howells led a tour of Royal Wharf, a new neighbourhood in the heart of the Royal Docks regeneration area
Developed by Ballymore & Oxley, Royal Wharf the scheme will see the creation of 3,385 homes for approximately 10,000 residents. The first residents moved into their new homes in early 2017.
The London Festival of Architecture is an annual event running throughout June. It brings together designers, architects and curators to share ideas on architecture and its impact on the capital. The theme of this year’s festival was ‘Identity’.
A huge turn-out to the Royal Wharf Summer Fête received a warm welcome from Newham’s newly-elected mayor Rokhsana Fiaz – who pledged to new residents that the council “will ensure they live in a clean, vibrant, safe and cohesive community.”
“As a new community development in Newham,” the Mayor said, referring to Royal Wharf, Ballymore and Oxley’s 3,500 new homes project on 40 acres of London’s Royal Docks, “it’s amazing to see so many residents moving to this part of the borough. I welcome you all, and look forward to ensuring that we as a council are responsive to the things that you are concerned about.”
John Mulryan, Ballymore’s Managing Director, echoed the Mayor’s welcome, adding that “hopefully by the time we have the summer fête next year we’ll have a new community centre and a new pier where Royal Wharf residents can hop on the Thames Clipper to Canary Wharf.
It had always been Ballymore’s ambition “to build a community here where residents will meet their neighbours and get to know each other,” he added.
And judging by the 3,000 or so who attended the Festival - held in the new Royal Wharf Park- “having fun and relaxing” was – in the mayor’s words - “just what everyone was doing.”
Meanwhile festival favourites ranged to a selection of world food - from timeless British classics to pan-Asian treats. Kerbisher and Malt, Esquire Magazine’s Best British fish and chips, brought the taste of the seaside to Royal Wharf, while many families made a bee-line for Born ‘n Raised artisan Pizza, handcrafted and fired from a custom-built Land Rover Defender.
For a taste of the east, Rainbo’s Japanese Street Food served up the best gyoza this side of Tokyo, and a selection of classic cocktails, Pimm’s and craft beers flowed freely at the festival.
The day began with free yoga sessions in the park, providing the great opportunity to embrace Royal Wharf’s landscape while taking in sweeping views of the River Thames.
The festival’s musical soundtrack was provided by Robbie Boyd, a London-based singer songwriter who has appeared on ITV’s This Morning, as well as starring on Graham Norton’s BBC Radio 2 show. The volume went up with Das Brass, an eight-piece brass band with a penchant for rock, pop and funk favourites.
Proceeds from the Royal Wharf Summer Fête went to the Richard House Children’s Hospice, a charity that supports 300 children and their families in East London “to lead as positive and happy a life as possible when dealing with a life-limiting health condition.” The charity organised a traditional fund-raising sports day at the festival with hula hooping to egg-and-spoon races.
The charity’s corporate partnership officer, Katherine Elvin said the Richard House Hospice was “a really happy place’, despite “connotations of a hospice” as “a sad and very difficult place”. “We are also very positive and happy - supporting families with therapy groups and activity sessions. It is a very important part of what we do.”
Nine Elms, extending from Lambeth Bridge in the north to Chelsea Bridge in the south, is by far the largest riverside regeneration in London. And it’s an area full of interesting things to do and see from the new US Embassy to the one of the best coffee shops on the South Bank
Born in the USA
The 25 metre Sky Pool is one of the world’s most eagerly anticipated construction projects and nowhere more so than in Colorado. The pool’s transparent acrylic material was manufactured there by Reynolds Polymer Technology Inc. The 58,000kg structure was then transported 1,500km across the US mainland, escorted by a specialist highway patrol. The steel is also US-made - by North Carolina’s Bradford Products.
Dining in antique splendour
Brunswick House, a Grade 11* listed building, stands in isolated grandeur as you emerge from Vauxhall tube. The house was bought by George 111’s brother-in-law, the Duke of Brunswick in 1811, after which it became a post office, then the headquarters of the Great Western Railway and a local working men’s club. It was bought 15 years ago by Ferrous Auger, founder of the architectural salvage and supply company, LASSCO, who also runs a restaurant and bar where customers wine and dine beneath a glittering array of antique chandeliers.
These days, some of the best coffee shops in London are found south of the river, in particular ‘District’, located in the heart of Embassy Gardens complex, offering great coffee, tasty cakes and healthy snacks.
Battersea Power Station
One of London’s most famous landmarks, the monumental industrial structure sat empty and crumbling until it was bought in 2012. The site will become a shopping, business and residential quarter - and the new home of US global giant Apple.
Down by the river
The recently opened Nine Elms Pavilion is a space for relaxing by the river, and to stage events and performances. Fabricated from copper coated water tank panels, the structure has a raised garden, planted with Hawthorn trees, grasses and perennials to attract local wildlife. The pavilion was designed by architect Studio Weave in collaboration with Churchman Landscape Architects.
The new American Embassy
Designed by Philadelphia architects Kieran Timberlake, the Embassy is the most secure, hi-tech and environmentally friendly embassy ever built by the United States and is full of art. By far the most dramatic piece is “The Constitution”, a huge, patriotic piece by Los Angeles-based artist Mark Bradford that spans 32 canvases.
A choice selection of London’s most popular street traders is heading for Embassy Gardens market on Saturday July 28 offering an international range of mouth-watering produce - from fresh pasta to swordfish burgers, from cookies and fudge to Japanese gyoza dumplings.
Francesco Veltre of Streetfoodish picked the 13 stall holders for the market from 70 street traders who work with his company “according to variety to give the widest choice. And they are all independent traders and no big companies.”
“I believe it will be a great market”, said Francesco. “It’s a very good site and we have had a lot of help from Ballymore in promoting the market to residents and local families,”
So, who’s going to be there?
As people become more health conscious, the bread, cakes and confectionery baked with 100% wholemeal flour by The German Wholegrain Bakers Shop get quickly snapped up from the baking trays at the 10 London weekly markets where the company sets up stall.
“We are popular because people are realising that wholemeal is better for health because it retains the vitamins and proteins lost in over-processed white bread,” explained Susanne Wormstaedt, who runs the bakery with Alexandra Nestle. “We started five years ago because we were missing our German bread! We use old grain, spelt, kamut, rye and barley in our bread and don’t use sugar.”
Said Susanne: “It’s also better for the digestive system because you actually eat less wholemeal bread than white bread because it’s more satisfying.
“Also, we sell quite a few cakes without sugar – using maple syrup, honey and stevia leaf extract instead, as well as wheat-free cakes for people with an intolerance to gluten,” said Susanne, who bakes all their own produce with a home kitchen licence.
Entranced in his teens by Herman Melville’s seafaring novel Moby Dick, Italian Daniele Sergio named his wild fish burger stall he co-founded ‘The Pequod’ after Captain Ahab’s ill-fated whaling ship.
Arriving in London eight years ago, Daniele was already ‘a pescatarian’, someone who avoids meat. He learned his trade in kitchens and in London’s famous Borough Market.
“I have always loved the buzz of the Market, so decided to go full time as a street trader, serving traditional swordfish and tuna fish burger recipes, handed down from my father’s Sicilian family.
“We changed the recipe slightly for the English market, adding cabbage and hummus, and wasabi powder to give a tangy flavour. But the most popular are our tuna, avocado, mayo and salad cress burgers”, said Daniele, who co-founded the business with Leonardo Grassellini from Perugia. Both “go every day to buy fresh from Billingsgate”, before chilling the fish and preparing and cooking each day on The Pequod stall.
Hide Uno originally set up Juzu ten years ago with a street stall in Brick Lane serving Japanese hot food to Londoners who were quickly discovering a taste for ramen – noodle soup and gyoza – flavoured dumplings. “Both are very popular in this country, partly because they are healthier. The sources are vegetable based, not from animal fat as in English gravy,” says Hide who learned on the job as a sushi chef. “I had a takeaway shop, then a market stall and now do a lot of festivals as well, like Hyper Japan at Olympia and the Secret Garden Party.”
When Russian-born Natasha Rogoff lost her job at Lehman Brothers in the 2008 crash, she decided to swop a career in investment banking to a pesto producer. She began helping her boyfriend Giovanni Carleschi run his food business, Seriously Italian, and since then they have never looked back.
“Our pasta is very special, made in a very traditional Italian way by hand with a bronze dye but with flour, milk and beef – all milled and produced in Britain,” says Natasha, revealing that the couple – who now have two sons as well as a thriving Italian pasta business – plan to launch a special new brand when they debut at Embassy Gardens on July 28.
Embassy Gardens Market
New Union Square,
Nine Elms Lane,
Goodluck Hope will be hosting a weekend urban retreat dedicated to fitness and fun.
Gone are the days when breaking sweat in the gym once a week was all you did to stay fit. Today’s ‘wellness’ – a radical broader approach to a healthy balanced lifestyle – combines fitness with food, drink and even partying.
“Fitness started as being all about weight-loss and celebrity work-outs,” explained Shara Tochia, co-founder of the online health magazine DOSE - ‘the pleasure seekers guide to wellness.’ Said Shara: “Today’s 25-35 year-old millennial women tend to see wellness as ‘healthy hedonism’ - which can be anything that makes you feel better or happy – a workout or yoga, walking with your partner or sharing a good meal with friends.”
“People who may have spent a long time partying or drinking too much wine now seek the same high through yoga or a workout perhaps followed by a good brunch. It’s all about recreating those ‘DOSE’ highs - dopamine, oxytocin, serotonin and endorphin - but in a natural, healthy way,” explains Shara, who “side-hussled” a 15-year career in marketing as a part-time ‘spinning’ instructor before going into business 18 months ago with Hettie Holmes – whose pleasures, according to the website, include “a full-bodied Malbec.”
“It’s not so strict or puritanical. We have a strong party aspect in our programme with a lot of musical experiences holding spin classes in night clubs enjoying healthy cocktails.”
The trend for new developments to include gyms and swimming pools has been driven by demand: more people are prioritising health and quality of living as a way of mitigating the effects of the daily urban grind.
“Ballymore has been very kind to let us have the garage space and marketing suite at Goodluck Hope for a special ‘urban retreat’ event taking place on the Saturday and Sunday morning of July 21-22.
“We are sending out an invitation to our subscribers to join our HIIT ( Hi-Intensity Interval Training) session, followed by a yoga class overlooking the O2 Centre and coming back for a good healthy brunch”, said Shara.
Yoga has long been one of the best options for dealing with the stresses of life because in today’s “stressed out social media world people need a place where they can learn to breathe and find a moment’s peace”, said Shara, who predicted the next trend would be for ‘meditation’ – with a big focus on apps where “you pay to sit still”.
For more information on Dose
The capital’s largest free contemporary arts festival is heading south of the river with a dozen internationally renowned artists exhibiting in new and iconic locations from the Hayward Gallery through Nine Elms to Battersea Power Station.
The festival, on July 7th from 6pm to 4am the following morning, has been curated by Hayward Gallery director Ralph Rugoff to coincide with the institution’s 50th anniversary. Ralph Rugoff said: “Stretching across a deeply interesting part of the city that is being rapidly redeveloped, Art Night will showcase extraordinary performances, installations and films.”
The art works question the emotional and political meanings of ‘home’ – residency, security and even the quest to live on other planets.
Embassy Gardens residents have been invited to take part in the ‘London Procession’, a large-scale participatory performance choreographed by Italian dancer Marinella Senatore, beginning at Battersea Power Station and moving north throughout the night culminating in a finale at the Hayward Gallery.
“Have you got a secret talent?”, EG residents are being asked. “Are you part of a group or organisation? Do you play an instrument? Do you sing in the shower? Take part in this artwork, which will consist of a series of performances by residents alongside dancers, musicians, athletes and many more!”.
Also at Embassy Gardens is Happily Contained, by Chinese artist Miao Ying, her first work using virtual reality technology which promises to “defy the laws of gravity” by inviting audiences to take part in ‘lifestyle hypnotism’ described as virtual journey in search of utopia and contemporary ideas of home.
The wider festival programme features new commissions by artists such as Turner Prize nominee Anthea Hamilton who will transform parts of Battersea Power Station with a new augmented reality experience to take place alongside her recently unveiled Tate Britain 2018 Commission.
Lara Favaretto will present her installation I poveri sono matti for the last time. The work - a red and blue gypsy caravan lit from the inside and emitting a recording of the popular World War II-era polka, Rosamunde - will be suspended from a crane in Nine Elms and Dwelling.
A video work by Tawianese artist Yuan Goang-Ming shows a comfortably furnished living room exploding in slow motion while Turner prize-winner Jeremy Deller will be presenting a new performance in his second collaboration with the Melodians Steel Orchestra.
• Check out all the events here
• A dedicated MBNA Thames Clippers boat will run a bespoke route until 4am. Get 50% off return or hop on, hop off River Roamer tickets for the evening if you book by 30 June, using code ARTNIGHT18. You can book it here
Birmingham’s new Three Snowhill office development, the largest speculative city-centre scheme outside London, has topped out - with a touch of gold.
The milestone was marked when trainee sub-contractor Matt Alcock inserted a golden bolt into a steel girder at the highest point of the building - by M&G Real Estate, the property investment arm of Prudential and development partner Ballymore.
Attending the ceremony, Leader of Birmingham City Council Cllr Ian Ward said Three Snowhill “embodies Birmingham’s growing confidence.
“The Birmingham skyline is going through a dramatic change,” said Cllr Ward. “The city is humming with the noise of regeneration. Looking at the number of major development projects, it is clear the city is undergoing a massive transformation.
“The whole Snowhill estate is part of new Birmingham and the topping out of Three Snowhill represents more than simply a landmark moment for a fantastic new building, it also typifies a confident and ambitious Birmingham; a city that is quite literally on the up.”
The 420,000 sq ft, 17-storey development - now less than a year away from completion - will be the only new top-quality Grade A office space in Birmingham in the first half of 2019.
Mr Alcock, a subcontractor for BAM Construction, is undertaking a Finishes and Interiors Sector course before a two-year apprenticeship, having previously been unemployed. He is one of 27 new staff who BAM took on to work on Three Snowhill, alongside more than 200 staff at the site. In total, more than 400 jobs have been supported by the construction work.
Three Snowhill, the final building on the four-acre Snowhill estate, will complete an attractive new gateway to Birmingham’s thriving central business district. Its flexible floorplates, suitable for a range of work styles and reflecting the latest in office design, will enable fit-out designers to create unique workplaces.
Ballymore’s Richard Probert, Project Director at Three Snowhill, who has worked on the estate since 2003, said: “When Three Snowhill completes we will have transformed a long-derelict site at the gateway to the city centre, which enabled the Metro city centre extension with the viaduct across the site and delivered nearly 1m sq ft of prime office space set in more than three acres of new public realm, including the St Chad’s open space, the Winter Garden, Colmore Square piazza and water feature and the Metro viaduct and boulevard, alongside Europe’s longest green wall.
Aaron Pope, Director, Asset Management at M&G Real Estate, added: “Our investment in Three Snowhill is a sign of our confidence in Birmingham. The arrival of HS2 will further boost the £110 billion regional economy, and support further inward investment and job creation.
Ballymore’s mission for ‘place-making’ won national industry recognition for the second year running by walking away with the Best Place-Making Marketing Campaign for its pioneering development at Goodluck Hope.
In its submission, the developer said: “Throughout Ballymore’s place-making marketing campaign, the aim has been to transform Leamouth Peninsula and in particular Goodluck Hope into a new riverside neighbourhood where people would want to live, work and explore.
“Utilising the riverside location and local amenities including the Faraday School, the extension of the Thames Clipper route, The Brick Brewery and the thriving artistic community at Trinity Buoy Wharf, all located adjacent to Goodluck Hope has meant Goodluck Hope has been popular with the target audience of young professionals and families.
“Ballymore’s legacy on the island, having created London City Island, has already set firm foundations securing the London Film School and English National Ballet that has led to the expansion of the site’s target audience to those interested in a place to be immersed in high quality art and culture.”
London City Island won the same category last year in the Property Marketing Awards, organised by the Worshipful Company of Chartered Surveyors with Estates Gazette, for “the campaign which most effectively promotes a place, e.g. a town or city, a high street or town centre, a business park or a Business Improvement.”
The winners in each of the 13 PMA categories were revealed by broadcaster Sophie Raworth at the awards ceremony in London last night.
Thomas Brown, chair of the PMA judges, an independent panel of marketing professionals, said: “The property industry is full of fascinating projects and excellent marketing campaigns, so reviewing the entries and creating a shortlist is never an easy task for the judges.”
The latest award comes after Ballymore was crowned Developer of the Year at the 2018 Property Awards, the property industry’s ‘Oscars’, saluting “an epic year for the business,” and confirms “the ambitious vision to create a mini-metropolis built on connectivity and integration” of Ballymore’s founder and CEO Sean Mulryan.
Goodluck Hope by Ballymore is a new riverside neighbourhood comprising of 804 homes located directly on the River Thames at the historic Leamouth Peninsula.
Further to winning this award, Goodluck Hope also received the Public Spaces Award at the New London Architecture awards.
What is it about East London that makes it a byword for creativity and cool and the capital’s fastest growing neighbourhood?
Ballymore’s Sales Director, Jenny Steen kicked off a high-powered panel discussion on the future of East London by declaring it a “hub of creativity, innovation and change”.
Organised by Bisnow, the breakfast event was held at Goodluck Hope’s warehouse marketing suite and attended by over 180 industry professionals.
Opening the discussion, Tony Travers of the LSE asked each panel member where they would live if they could choose anywhere in the world and East London received a resounding endorsement.
Tim Reeve, the V&A’s Chief Operating Officer said: “If the V&A could choose only one site today, we would be based in East London because it’s where the audience we were founded to serve live”.
Laura Gander-Howe, Director of Public Engagement & Culture at UAL said the London College of Fashion’s move to Stratford would allow it find new audiences and students and would also connect it to “ the heritage of fashion” – a reference to the East End’s role in London’s clothing industry from Huguenot silk weavers to Bangladeshi sari suppliers
But for the V&A, added Reeve, which will occupy a new building in Queen Elizabeth Park, Stratford, it was precisely the lack of cultural institutions in East London that made the museum’s move so exciting.
He explained that the area had “not been served by national institutions” but this was now changing, thanks in part to the role played by Ballymore in bringing both English National Ballet and The London Film School to London City Island.
All the speakers agreed that the ‘creative economy’ was not only important for East London but “is one of the success stories of the UK economy right now”.
Peter Robinson, principal of property investors Crosstree, said: “The reason we like East London is that it’s a very dynamic mixed use area, and this is what entrepreneurs and tech companies look for in an area.”
Jacob Loftus, founder and CEO of General Projects pointed out that 10 or 15 years ago office locations were determined by what was convenient for the CEO but now keeping staff happy is “the number one driver… historically it was west (London) but now the paradigm is inverting quite significantly because East London is a more interesting place to be”, he said.
The panel agreed that while East London has traditionally suffered from prejudice, mainly because it was poor and industrial, “attitudes are changing,” said Roger Black, and the area is “now a land of opportunity”.
Tony Travers asked the panel, with so much development taking place, how it thought different communities could be bound together.
Robert Wolstenholme, founder of Trilogy Property, said it was important to “think beyond the building and think about the people and how to bring them together in a creative way”.
In Black’s view this lies at the heart of successful placemaking and is one of Ballymore’s guiding principles. “Buildings are just a back drop and it’s social infrastructure that binds us together,” he said.
Royal Wharf to be the focus for Ballymore & Oxley’s event for the London Festival of Architecture
Architects Mae, Serie Architects and Glenn Howells Architects will explore what gives a place identity and why London is always being re-invented at a special London Festival of Architecture event at Royal Wharf.
Royal Wharf, on the north bank of the Thames is steeped in history. Part of the Royal Docks regeneration area and formerly Minoco Wharf, it was originally riverside marshes before becoming part of the world’s biggest port in the 19th century.
The development by Ballymore and Oxley will see the area transformed into a new community for approximately 10,000 residents. The first residents moved into their new homes in early 2017
The event will begin with a tour of Royal Wharf led by Glenn Howells of Glenn Howells Architects followed by presentations by Alex Ely of Mae Architects and Chris Lee of Serie Architects. Each will explain how understanding the history of the site and the wider context of London’s ‘great estates’ have shaped the architecture.
Mae’s building at Royal Wharf reflects the geology of the riverbank. The 14-storey building has a textured façade inspired by oyster shells discovered in the excavation of dock walls.
In contrast, Serie Architects building references classical architecture and Nash terraces. Finally, Glenn Howells Architects has taken inspiration from both Docklands warehouses and the historic squares of east London.
The London Architecture Festival is an annual citywide event whose theme this year is ‘identity’.
The festival director Tamsie Thomson said “ London is the best city on earth – made more so thanks to its gloriously maddening, diverse and eclectic character but what defines the city and therefore the identity of those who live in it?”
The tour ends at the Marketing Suite designed by HAL Architects an elegant, minimal box in dark metal and clear and frosted glass that offers sweeping views of Greenwich Peninsula and the Thames Barrier.
The event will begin at Pontoon Dock DLR station at 6.30pm, followed by a tour, drinks and presentations at the Royal Wharf marketing suite.
To book please visit:
The vision to transform Embassy Gardens into London’s newest cultural hub took a major step forward with the choice of World Heart Beat Music Academy as the development’s key cultural anchor.
Selected from 42 organisations by Wandsworth Council and EcoWorld Ballymore to become the area’s newest cultural tenants, World Heart Beat’s new creative space at Embassy Gardens will include a 110-seat auditorium and state-of-the-art educational, recording and broadcasting facilities opening next year.
World Heart Beat is an award-winning music charity committed to bridging cultural, political, economic and linguistic barriers through music. Its Arts Council National Portfolio Organisation status reflects its key role in teaching musical excellence to a highly diversing young community.
Students are taught, mentored and nurtured by top professionals – with no cost. Since 2002, World Heart Beat has motivated over 1,000 children to learn and play music.
World Heart Beat Founder Sahana Gero said: “Embassy Gardens is going to elevate us to a completely new level. It means that our concept for changing the lives of the next generation of raw talent through music education can become a reality for much greater numbers than we can reach currently.”
Leader of Wandsworth Council, Cllr Ravi Govindia, said: “I am delighted to welcome World Heart Beat to Nine Elms, the second cultural anchor to be announced. Art and culture is at the heart of our vision for Nine Elms and World Heart Beat are well known for championing music education of all kinds to young people in the borough.
“I am proud that the Council has played its part it helping to nurture this very popular and well respected local organisation and the move to Nine Elms will open their services up to residents in Battersea and beyond. This will contribute to creating a vibrant hub of activity in the developing Embassy quarter – helping to link communities, new and existing, across the Nine Elms area.”
Sean Mulryan, CEO of Ballymore Group said: “World Heart Beat moving to Embassy Gardens is demonstrative of our commitment to creating vibrant new neighbourhoods and we believe the new performance space will become a musical hub for young people of all backgrounds.”
Commenting on the development’s newest cultural tenant, Dato’ Teow Leong Seng, President and CEO of EcoWorld International said: “EcoWorld Ballymore is delighted to welcome World Heart Beat to Embassy Gardens. We hope that this meaningful partnership will allow more children to thrive through creating and playing music.”
With almost a quarter of their £2 million fundraising target already achieved, World Heart Beat are still seeking further investment through major grants, donations, sponsorships and performance events. Discover more about the World Heart Beat Music Academy at www.worldheartbeat.org.
巴利摩集團被授予房地產業的“奧斯卡” ——2018年年度開發商獎，迎接“公司偉大的一年” 。
巴利摩集團還因為在London City Island進行的重建工作獲得了場所營造獎，這樣在倫敦的Grosvenor House舉行的聲譽顯赫的Property Week頒獎儀式上，該公司引人注目的取得了兩項第一。
巴利摩集團去年的營業額顯著增長，從2016年的5.55億鎊增長到近7億鎊，London City Island、Royal
Wharf、Embassy Gardens和Wardian這幾個關鍵開發工作同步進行，隨著Goodluck Hope於6月的開盤發售，巴利摩集團的業績達到了這一年的最高峰。
巴利摩在2017年的顯著成績是Goodluck Hope，這是一個具有先鋒性和雄心勃勃的城市發展開發項目，目的在於將整個地區轉變成倫敦東部文化和創意中心，毗鄰London City Island，這裡也將是英格蘭國家芭蕾舞團和倫敦電影學院的所在地。
巴利摩集团被授予房地产业的“奥斯卡” ——2018年年度开发商奖，迎接“公司伟大的一年” 。
巴利摩集团还因为在London City Island进行的重建工作获得了场所营造奖，这样在伦敦的Grosvenor House举行的声誉显赫的Property Week颁奖仪式上，该公司引人注目的取得了两项第一。
巴利摩集团去年的营业额显著增长，从2016年的5.55亿镑增长到近7亿镑，London City Island、Royal
Wharf、Embassy Gardens和Wardian这几个关键开发工作同步进行，随着Goodluck Hope于6月的开盘发售，巴利摩集团的业绩达到了这一年的最高峰。
巴利摩在2017年的显著成绩是Goodluck Hope，这是一个具有先锋性和雄心勃勃的城市发展开发项目，目的在于将整个地区转变成伦敦东部文化和创意中心，毗邻London City Island，这里也将是英格兰国家芭蕾舞团和伦敦电影学院的所在地。
In bright sunshine with hardly a gust of wind, the newly built Trinity Buoy Wharf pontoon was gently craned into place watched by a crowd of locals including residents of London City Island.
For ‘islanders’, the afternoon had particular significance.
While there’s been a pier at Trinity Buoy Wharf for over 40 years, it wasn’t designed to take Thames Clippers- the river bus service that operates commuter services between eastern and central London as well as a tourist service.
John Burton, project manager at TBW said the new pier was an “important infrastructural step”. He said “We have provided a bigger space so Thames Clippers, which will manage the pier, can have engineers, storage, an office and so on but it also means more people can arrive here by boat.”
Trinity Buoy Wharf has a range of spaces for hire including The Electrician’s Shop, a 19th Century industrial building and the 18th Century Drawing Studio. Both are popular wedding venues with guests often choosing to arrive by boat.
The 600 tonne pontoon will now be towed down the river to the Royal Docks so it can be pumped with concrete for ballast. Once back at TBW a new bridge will connect the pontoon to the Thames bank.
Photographer Sokari Higgwe, who lives on London City Island said the new pier was “a very exciting, very historic moment which I wanted to be part of”.
The Thames Clippers will service the peninsular including LCI and Goodluck Hope together with a stop at Ballymore’s Royal Wharf.
Fashionistas descended on London City Island for the opening of an exhibition showcasing work by students of the Fashion Business School at the London College of Fashion, UAL.
The exhibition called #FashionMeansBusiness was the brainchild of Rob Lakin, Creative Director of the Fashion Business School. Mr Lakin said he’s been “excited about the possibilities of exhibiting at London City Island because of the demographic and because it aligns with our move to east London”.
The London College of Fashion, UAL is currently spread over five sites but from 2021 the college will move to a new building on Stratford Waterfront, part of the new Cultural and Education Quarter at Queen Elizabeth Olympic Park.
The new building, designed by Allies & Morrison, will house upwards of 5,500 fashion students and 500 staff over 30,000 m², bringing six specialist disciplines under one roof for the first time.
“East makes sense for us. The Olympics created this environment we wanted to move in to and London is shifting east so by coming to London City Island we are building our footprint and building new relationships to support the move” says Mr Lakin.
East London has long been home to some of the capital’s best-loved designers but the fashion business is changing, he explains. While the ‘business’ of fashion has always been seen as the drier side of the industry, the evolution of tech and media means that fledgling fashion designers can launch a brand much more easily.
“They can now use social media to for comms and marketing and distribution. There’s so much potential” he says.
And it has helped shift fashion from its traditional centres.
“The idea of fashion having centres like Milan or Paris is dissolving but certain cities have a zeitgeist and there is something about London which is not just to do with fashion, it’s a melting pot and an assemblage of ideas and London will always have that creativity and innovation”.
John Mulryan, Managing Director of Ballymore Group, said: “#FashionMeansBusiness is the latest in a long line of exhibitions hosted on the island, a trend which we very much hope to continue. Our collaboration with London College of Fashion and arebyte is indicative of the creative appeal of east London and we are pleased to be at the heart of this cultural shift”.
The collaboration with arebyte and London College of Fashion, UAL ran from 25th – 29th April 2018, presenting student and graduate work from across all facets of the Fashion Business School.
Ballymore was crowned Developer of the Year at the 2018 Property Awards, the property industry’s ‘Oscars’, saluting “an epic year for the business.”
The accolade endorses Ballymore – which has just celebrated its 35th year this year - as one of London and the UK’s most active and pioneering developers through its unswerving focus on design quality allied to a commitment to energising communities through arts and culture and ‘place making’.
So in a remarkable double first at the prestigious Property Week awards at London’s Grosvenor House, the company also walked away with the top award for Place Making for the transformative regeneration of London City Island.
Ballymore Group’s turnover increased significantly last year to almost £700m, up from £555m in 2016 - with work growing apace at key developments at London City Island, Royal Wharf, Embassy Gardens and Wardian, while the pinnacle of Ballymore’s year came in June with the launch of Goodluck Hope.
In its submission, the company recorded 2017 as “quite simply an epic era for the business.”
Picking up the award last night ( April 17th) John Mulryan, managing director of Ballymore UK said: “We are delighted our developments have been recognised and celebrated for their great quality, strong vision of a place, bold design, coupled with a rich programme of cultural and creative activity.”
Ballymore’s significant achievement in 2017 is Goodluck Hope, a pioneering and ambitious regeneration project intended to transform the entire area into the epicentre of culture and creativity in East London, next door to London City Island to where English National Ballet and the London Film School are set to relocate.
Starting as family-run house builders in Ireland, Ballymore remains under the ownership of the Mulryan family, who went on to pioneer some of the largest city centre regeneration projects in Europe – most notably in London.
In 2017, the business provides jobs for over 5,500 people across its live schemes, with residential, retail and commercial schemes currently under-construction including 7,000 homes, over 1.5m sq ft of workspace and a strong forward sales pipeline.
The company’s existing land bank gives capacity to add a further 9,000 homes to meet future demand and it is active in its development of significant corporate estates, with 1 million sq ft under construction.
Whilst the scale and ambition of its work has grown, Ballymore has consistently worked to the highest standards on every individual element of every development, creating places in which people, business, culture and society can thrive.
After a successful launch last autumn, the Embassy Gardens Market is back – and set to become a regular Saturday destination throughout the summer showcasing a mouth-watering range of street food from around the world.
More than 15 UK and international traders will be setting up stall for the first of the summer markets, on April 28 from 10.00-5.00 pm at Embassy Gardens’ New Union Square in Nine Elms, returning on the last Saturday of each month throughout the summer.
From handmade English fudge to botanical gin creations, the market will offers an exotic choice of street food.
A new comer will be Trang Nguyen, who arrived in London from Hanoi five years ago and set up Rao Deli with another Vietnamese chef Mac Nguyen, specialising in a French-inspired homemade Vietnamese baguette, called ‘bahn mi’.
Much lighter than the French original, the speciality is a proven winner at the five other London markets where Trang already has a stall, and now the pair have opened their first restaurant in Borough High Street. The appeal is the thin crust but fluffy inside with three choices of filling - barbeque pork, tender grilled chicken and homemade tofu.
“People like Vietnamese food because it is very light and healthy. Every week we go to Smithfield and New Spitalfields markets to buy so everything is super fresh”, said Trang. The meat is then marinated for 24-hours with a special mix of five spices, including cinnamon and ginger.
“It’s the first time at Embassy Gardens and we are very excited,” added Trang who came to London to study for an MA in Arts Management.
Keeping with the French theme, L’Amuse Bouche, run by Parisian chef Clement Martin and Thomas Lemaire from Lyons, specialises in delicious French crepe and galettes with a choice of savoury and sweet filings.
Tutored by Clement – “he taught me everything I know” – Thomas, who worked in restaurants, explained: “The secret is to make it with love – you have to be very careful with the mixing the dough and improving the batter.”
Best sellers are the savoury galettes filled with raclette cheese – so popular on the ski slopes - gherkins, ham, mushroom and mustard sauce. Or you could go for goats cheese, red onion chutney and spinach – all based on Normandy recipes.
For the sweet tooth, there’s nutella and banana, Belgian chocolate, salty butter and caramel and cheshnut puree, the last “a winter favourite – but it tends to be all the year round in London – because here you can have winter in August!”
John Mulryan, managing director of Ballymore UK, said: “We’re delighted that the street market will be returning throughout the summer at New Union Square.
“For Ballymore, food markets are not only about championing local producers of food and drink but they are also community spaces because they promote a sense of place - people connect their purchases to an experience and people connect with each other.”
In addition to the wide array of seasonal produce, guests will be treated to live music from Axel Janson, the Swedish-born singer songwriter and Dana Mckeon, a beatboxer and singer with international renown. Both artists’ unique performances will provide the perfect soundtrack when indulging in a cold drink or browsing the finest selection of hot food Nine Elms has to offer.
The Embassy Gardens Market is the result of collaboration between EcoWorld Ballymore and Shepherds Markets, London’s leading market curator.
在去年秋天成功啟動之後，Embassy Gardens Market現再次登場，而且將在整個夏天成為固定的周六美食城，展示來自世界各地的讓人垂延欲滴的街頭美食。
4月28日上午10點至下午5點，超過15個英國及國際商販將在Nine Elms的Embassy Gardens的New Union Square參加第一次夏季市場，建立攤位，整個夏季期間，他們會在每個月的最後一個星期六都設立攤位。
Trang Nguyen是一位新來的攤販，他在五年前從河內來到倫敦，跟另外一名越南廚師Mac Nguyen建立了Rao Deli熟食店，他們的特色是家庭製作的受到法國食品啟發的越南長棍麵包，名叫Bahn mi。
這種麵包比法棍輕，這個特色產品在倫敦另外五個市場都取得成功，Trang已經在這幾個市場擁有攤位，現在他們在Borough High Street開設了第一家餐館。吸引人之處在於麵包的脆皮很薄，裡面很鬆軟，有三種餡料供選擇——燒烤豬肉丶嫩燒雞肉和自製豆腐。
L’Amuse Bouche由巴黎廚師Clement Martin和來自里昂的Thomas Lemaire經營，採用法式主題，專長是美味的法式煎餅和法式加麗特餅，有多種鹹味和甜味的餡料。
巴利摩英國分公司的總經理John Mulryan表示：“我們很高興，街頭美食市場在整個夏天都會在New Union Square登場。”
除了眾多的季節性產品外，顧客還會聽到瑞典出生的歌手兼作曲者Axel Janson以及有國際聲望的口技表演者兼歌手Dana Mckeon帶來的現場音樂。這兩位藝術家帶來的獨特表演會為享用冷飲或者瀏覽Nine Elms最好熱食的人們帶來完美的原聲音樂。
Embassy Gardens Market由EcoWorld Ballymore和倫敦頂尖的市場管理公司Shepherds Markets聯合舉辦。
在去年秋天成功启动之后，Embassy Gardens Market现再次登场，而且将在整个夏天成为固定的周六美食城，展示来自世界各地的让人垂延欲滴的街头美食。
4月28日上午10点至下午5点，超过15个英国及国际商贩将在Nine Elms的Embassy Gardens的New Union Square参加第一次夏季市场，建立摊位，整个夏季期间，他们会在每个月的最后一个星期六都设立摊位。
Trang Nguyen是一位新来的摊贩，他在五年前从河内来到伦敦，跟另外一名越南厨师Mac Nguyen建立了Rao Deli熟食店，他们的特色是家庭制作的受到法国食品启发的越南长棍面包，名叫Bahn mi。
这种面包比法棍轻，这个特色产品在伦敦另外五个市场都取得成功，Trang已经在这几个市场拥有摊位，现在他们在Borough High Street开设了第一家餐馆。吸引人之处在于面包的脆皮很薄，里面很松软，有三种馅料供选择——烧烤猪肉丶嫩烧鸡肉和自制豆腐。
L’Amuse Bouche由巴黎厨师Clement Martin和来自里昂的Thomas Lemaire经营，采用法式主题，专长是美味的法式煎饼和法式加丽特饼，有多种咸味和甜味的馅料。
巴利摩英国分公司的总经理John Mulryan表示：“我们很高兴，街头美食市场在整个夏天都会在New Union Square登场。”
除了众多的季节性产品外，顾客还会听到瑞典出生的歌手兼作曲者Axel Janson以及有国际声望的口技表演者兼歌手Dana Mckeon带来的现场音乐。这两位艺术家带来的独特表演会为享用冷饮或者浏览Nine Elms最好热食的人们带来完美的原声音乐。
Embassy Gardens Market由EcoWorld Ballymore和伦敦顶尖的市场管理公司Shepherds Markets联合举办。
Ever wished you could put together the perfect personalised bouquet. A one-off Saturday event in mid-May at Embassy Gardens will show you how
A pop-up bouquet-making workshop will be held on the roof terrace and orangery of the Embassy Gardens marketing suite where people can learn floristry skills while overlooking the linear park and new US Embassy ornamental lake.
From 11am and 4pm on Saturday, May 19, residents and guests will be invited to find out more about life at Embassy Gardens while taking part in horticultural masterclasses and two hand-tie bouquet making workshops, courtesy of Lucie Mason Flowers (email email@example.com to book a space).
Meanwhile a cart stocked with beautiful spring posies will showcase Embassy Gardens in full bloom. Seasonal sweet and savoury treats, all incorporating floral and botanical elements, will be available throughout the day.
The pop-up workshop is part of the 7th Chelsea Fringe Festival which is staging a huge variety of hundreds of horticultural events in London and throughout the UK, all exploring the great British love of gardens and gardening.
Independent of the RHS Chelsea Flower Show, though acting with its support, the Fringe encompasses everything from grassroots community garden projects to avant-garde art installations.
An open-access principle governing the Fringe means that just about anything goes – as long as it’s interesting and legal, and on the subject of gardens, flowers, veg-growing or landscape - showcasing a wide range of work from professionals and enthusiasts, both from the gardening world and beyond. Contributors create installations, events and experiences, exhibits, talks and walks.
In a move bolstering Nine Elms as a new media hub south of the Thames, DK, the world leading illustrated reference publisher is to follow sister company Penguin Random House UK by relocating to One Embassy Gardens.
Announcing the company’s lease option for three floors at Ballymore’s One Embassy Gardens, DK’s CEO Ian Hudson said: “We are delighted to be moving to One Embassy Gardens with our Penguin Random House UK colleagues. This is a wonderful new space at the heart of one of London’s most exciting new developments.”
Also joining Penguin Random House on the new £15bn development between Vauxhall and Battersea, one of the largest regeneration projects in Europe, are Michael Joseph and Penguin Random House Children’s, both previously based at the Strand. Transworld is moving from its site in Ealing and Vintage from Vauxhall Bridge Road.
John Mulryan, managing director, Ballymore UK, welcomed DK’s decision to move by 2020.
“DK’s relocation to One Embassy Gardens is a great testament to Nine Elms’ remarkable transformation. Their move, in conjunction with Penguin Random House, will create a new media and publishing hub for London and we are looking forward to welcoming our new guests. Penguin Random House is the ideal tenant given its strong brand and reputation.
“With the recent opening of the new US Embassy and the announcement of Apple moving its headquarters to the area, this gives further momentum to this remarkable place of regeneration.”
Penguin Random House will occupy 83,400 square feet across floors one to five of One Embassy Gardens with a dedicated reception and event space on the ground floor. CEO Tom Weldon commented:
“This move provides an opportunity for all of our teams to work together even more closely as one company. This is about much more than just bricks and mortar. We want to use our new workspace to build a creative culture for the future that will help us to attract and retain the very best talent.”
As part of the redevelopment, a new London Underground station is currently under construction in Nine Elms as part of the Northern line extension to Battersea.
A new gallery on London City Island opened its doors this week, with a group exhibition curated and managed by local artist Ian Felton
Trinity Art Gallery is the second new gallery on the ‘island’ following the opening of arebyte last year.
For its inaugural show, the gallery joined forces with the Pontone Gallery, which has brought ten of its artists to the space with a variety of work including sculpture, oils and painted copper ranging in price from £700 to over £10,000.
Ian is a well-known figure in the area having set up Trinity Art Studios on Trinity Buoy Wharf in 2005. It was there he first met Ballymore’s UK MD John Mulryan who visited one of the studio’s regular group shows last autumn.
“John commissioned an art piece from me and then invited me to do a group show on London City Island combining artists from Trinity Buoy Wharf Studios and local residents.”
The result was what Ian describes as a ‘unity show’ bringing artists from the Studios alongside amateur artists from London City Island and it was at that point Ian had the idea for Trinity Art Gallery.
“The gallery will continue to link the two sites together, explains Ian, “and our aim is to support the local arts community. We also want to become a reputable gallery and make genuine art accessible at all price points”.
Among the artists on show is Iain Faulkner, a Scottish artist whose work appears in many private and corporate collections while very different in style is the work of Jamal Naqsh, one of Pakistan’s best-known contemporary artists. The series of paintings on show are bold, colourful abstract representations of the Arabic script.
As Ian explains, he has selected artists who he believes cater for a range of tastes and pockets from a large gold Buddha by British artist Sukhi Barber to American Dina Brodsky’s delicate circular paintings on copper discs.
“Thanks to Ballymore we have this great space and with it the opportunity to test out different artists and engage the reaction”.
With spring nearly sprung, there’s no better way to discover one of Dockland’s most historic areas than on foot, starting and ending at Ballymore’s eponymous ‘red bridge’ over Bow Creek
Arriving at Canning Town station, start by finding the Bow Creek exit and before crossing the red bridge, give yourself a moment to admire the dramatic panorama of London City Island the other side of the water.
Before the bridge was built, the only way onto the ‘island’ was via Orchard Street where you’re now heading. If you fancy a latte and croissant set-me-up before you get going, drop by The Island Grocer by Ballymore, a chic Italian deli and café/restaurant serving London City Island’s new residents.
Here you can also pop into arebyte, an edgy art gallery whose upcoming exhibitions include Infinite Multiple and a unique evening celebrating the collaboration of food and dance featuring Mesa and Helen Cox. A short walk away, you will also find Trinity Art Gallery which launches it’s spring exhibition featuring artwork from Mayfair’s Pontone Gallery.
Culturally, London City Island is set to hum, with the arrival of English National Ballet and the London Film School, the latter in a new dedicated building on the southern edge of the site, which you pass as our walk takes us south towards the Thames and the entrance to the East India Dock Basin.
To get into the Basin, turn right through a sculpted wrought-iron gateway to enter a broad nature reserve and waterway where the River Lee flows into the Thames. Built to serve the East India Company, the dock was constructed in the early 19th Century and today offers probably the best view of the O2 Centre across the River.
A few steps on from the Dock at Virginia Quay is another major historical landmark, the Virginia Settlers’ Monument, commemorating the English Pilgrims who set sail from here back in the 17th century.
Retracing our steps back to Basin gates, the walk continues towards Trinity Buoy Wharf along Orchard Place, where you spot the palm trees of the Goodluck Hope marketing suite, and a vast 5-ton navigation buoy, salvaged by Museum of London Docklands.
Dominating this once-cobbled thoroughfare are a few old docklands warehouses, still bearing the names of their original owners – Mathers Whale Oil Extraction and Ditchburn and Mare Ship Builders, founded in 1838. A little further on, another old building, now The Electric Shop, announces the right to solemnise marriages since 1949.
Finally our walk ends at Trinity Buoy Wharf, today a thriving waterside ‘village’, comprising the Royal Drawing School, housed in a building made entirely of old shipping containers, office space for ‘creatives’ built of the same, The Chainstore Gym and Parkour Academy, next to Andrew Baldwin’s fabricated steel sculpture workshop, the Faraday Lighthouse where the inventor carried out his early experiments and the London Lighthouse 95 audio recording studio, housed in a luminous red lighthouse vessel, moored on the quayside.
TBW provides a useful free map that has all the key sights that you can pick up as you arrive.
And if you’re hungry, there’s always Fatboys Diner – ‘For a Mighty Fine Dine’, in a classic 1950s-style American chrome-and-neon diner with counter stools for hamburger and fries, hot dogs and milkshakes.
抵達Canning Town車站後，首先找到通往Bow Creek的出口，通過紅橋之前，停留片刻欣賞一下河對面倫敦城市島（London City Island）激動人心的全景。
你還可以到arebyte看看，這是一個前衛的美術館，即將開始的展覽包括Infinite Multiple和一個獨特的晚會，內容融合了食物和舞蹈，主演是Mesa和Helen Cox。再走一會兒，你會看到Trinity美術館，這裡推出的春季展覽展品包括梅費爾的Pontone美術館的藝術品。
向回走，返回到盆地的大門，繼續沿著Orchard Place向Trinity Buoy Wharf步行，你可以看到Goodluck Hope樓盤銷售樣板間旁邊的棕櫚樹以及一個巨大的五噸重的導航浮標，它是被倫敦碼頭博物館（London Docklands）保留下來的。
這條路曾經是鵝卵石鋪就的大路，現在上面有一些舊碼頭的倉庫，上面還有它們原先的名字 - 鯨魚油提取和Ditchburn and Mare Ship Builders，後者成立於1838年。再往前走，是另外一個老建築，現在是The Electric Shop，自從1949年以來，人們就用那裡來宣布婚姻的神聖。
我們的漫步在Trinity Buoy Wharf達到終點，今天這裡是一個繁榮的河邊“村落”，包括完全是由舊集裝箱組成的建築 - 皇家繪畫學校，同樣是集裝箱組成的“創意”辦公空間丶Chainstore Gym健身房和Parkour學院，旁邊是Andrew Baldwin的鋼結構雕塑車間，法拉第進行過早期實驗的法拉第燈塔（法拉第燈塔），以及錄音棚London Lighthouse 95，它在一艘停靠在碼頭里的夜光紅色燈塔船上。
Trinity Buoy Wharf提供有用的免費地圖，上面標註了所有重要的景觀，你可以在抵達的時候拿一份。
如果你感到餓了，Fatboy’s Diner - ‘精美大餐’總是會在那兒，它採用了經經的上個世紀50年代美國風格的鉻合金和霓虹燈，提供漢堡丶薯條丶熱狗和奶昔。
抵达Canning Town车站后，首先找到通往Bow Creek的出口，通过红桥之前，停留片刻欣赏一下河对面伦敦城市岛（London City Island）激动人心的全景。
这座桥没有修建之前，通往这座“岛”的唯一路径就是Orchard Street，这也是你现在前行的目标。如果在散步前你想要来杯拿铁，吃个羊角面包，可以到Ballymore修建的Island Grocer去，这是一家意大利熟食店兼咖啡馆和餐馆，服务岛上的新居民。
你还可以到arebyte看看，这是一个前卫的美术馆，即将开始的展览包括Infinite Multiple和一个独特的晚会，内容融合了食物和舞蹈，主演是Mesa和Helen Cox。再走一会儿，你会看到Trinity 美术馆，这里推出的春季展览展品包括梅费尔的Pontone美术馆的艺术品。
随着英格兰国立芭蕾舞团（English National Ballet）和伦敦电影学院（London Film School）的到来，London City Island的文化生活注定会很繁忙，伦敦电影学院将在这个地点的南边拥有一栋全新的专属建筑，我们向南走向泰晤士河以及东印度码头盆地（East India Dock Basin）的时候会经过那里。
向回走，返回到盆地的大门，继续沿着Orchard Place 向Trinity Buoy Wharf步行，你可以看到Goodluck Hope楼盘销售样板间旁边的棕榈树以及一个巨大的五吨重的导航浮标，它是被伦敦码头博物馆（Museum of London Docklands）保留下来的。
这条路曾经是鹅卵石铺就的大路，现在上面有一些旧码头的仓库，上面还有它们原先的名字——Mathers Whale Oil Extraction和Ditchburn and Mare Ship Builders，后者成立于1838年。再往前走，是另外一个老建筑，现在是The Electric Shop，自从1949年以来，人们就用那里来宣布婚姻的神圣。
我们的漫步在Trinity Buoy Wharf 达到终点，今天这里是一个繁荣的河边“村落”，包括完全是由旧集装箱组成的建筑——皇家绘画学校，同样是集装箱组成的“创意”办公空间丶Chainstore Gym健身房和Parkour学院，旁边是Andrew Baldwin的钢结构雕塑车间，法拉第进行过早期实验的法拉第灯塔（Faraday Lighthouse），以及录音棚London Lighthouse 95，它在一艘停靠在码头里的夜光红色灯塔船上。
Trinity Buoy Wharf提供有用的免费地图，上面标注了所有重要的景观，你可以在抵达的时候拿一份。
如果你感到饿了，Fatboy ’ s Diner ——‘精美大餐’总是会在那儿，它采用了经典的上个世纪50年代美国风格的铬合金和霓虹灯，提供汉堡丶薯条丶热狗和奶昔。
English National Ballet has secured a £3m investment from Arts Council for its new home on London City Island. It made the announcement at the same time as revealing its new 2018-19 season of productions at a press conference on the site of its new home.
The Company says it is thrilled to have been successful in its application, funded by the National Lottery, which will allow it to bring both English National Ballet and English National Ballet School together under one roof for the first time.
The new building, designed by architect Glenn Howells, will combine state-of-the-art training, fitness and rehab, teaching facilities, seven stage-sized rehearsal studios and a unique production studio with five-storey fly tower, unrivalled in the UK.
Tamara Rojo, Artistic Director, English National Ballet said:
“We will have state of the art spaces to allow us to further create ground-breaking new work and continue to develop our artform. It will be a space we will be able to share with other artists and artforms, and will allow us to be even more open and welcoming to our local communities and audience”
“We are so grateful to Arts Council England for their continued support and investment in our new home, which will be a space that will echo the sound of creative Britain. It will be a place where artists will be nurtured from school to beyond their stage careers, and where our continued commitment to their health and fitness will have the best possible infrastructure.”
John Mulryan, UK Managing Director of Ballymore Group said:
“This partnership demonstrates our deep commitment to establishing London City Island as one of the most exciting new destinations in London and we are honoured that the English National Ballet, a truly inspiring artistic institution, has decided to make its new permanent home there. Recognition and sales for London City Island so far have been outstanding and we are confident that this partnership will help us to create a very special sense of place; a vibrant, dynamic new neighbourhood with creative innovation at its heart”.
One of the first new productions to be created in the Company’s new home is from multi award- winning choreographer Christopher Wheeldon, who premieres a new in-the-round version of Cinderella in June 2019 at the Royal Albert Hall.
After a decade-long break, Ballymore made a return to Cheltenham last month, sponsoring the Ballymore Novices Hurdle; here our Chairman and Group CEO Sean Mulryan reflects on a great day for racing – and for two prominent Irish businessmen.
An old favourite was back in saddle at the 2018 Cheltenham Festival – with the return of the Ballymore-sponsored Novices Hurdle.
A prominent fixture on Ladies Day, the Ballymore Hurdle was one of the Festival highlights thanks to a fantastic race won by favourite Samcro; the victorious gelding is owned by Ryanair founder Michael O’Leary and fought off close competition from second place runner Black Op.
The winners presentation later that day saw the trophy passed from one Irish entrepreneur to another, as Sean Mulryan presented Mr O’Leary with his prize; the prominent Irish businessmen celebrating a triumphant victory of Irish sport.
Mr Mulryan said: “It was quite wonderful to see Samcro win as it put two great Irish brands in the headlines. I felt honoured to present Michael with his trophy.”
Ballymore has a longstanding affinity with horse racing, last sponsoring Cheltenham between 2007 and 2009, while devotee Sean Mulryan has been attending the event for more than 40 years.
He added: “The Cheltenham Festival is the pinnacle of the jump racing season and it was fantastic to introduce our brand back into the sport in one of the biggest events of 2018. It was always our intention to get back in the saddle and I am delighted we were able to do it during such a prominent and exciting race.”
Samcro has since been hailed as the “new Messiah of Irish racing” – living up to the pre-race hype which had tipped him for the win.
The Ballymore Novices Hurdle will be back on the Cheltenham fixture list in 2019.
在這一全倫敦範圍的比賽中，比賽贊助商 Tate Recruitment的主管們對所有300名獲得同業人提名的前台接待員進行了秘密查訪評分，進入巴利摩只有一年的Naomi獲得了最高分。
在Pall Mall的二等保護建築The Balcon法式餐館參加特別頒獎午餐的時候，Naomi手裡捧著獎杯高興的說：“你需要很文雅，總是微笑，努力記住每個人的名字，務必給與人性化服務，總是准備好盡力提供幫助”。
這項比賽的贊助人、Tate Recruitment在Moorgate and Canary Wharf辦公室的經理Chelsea Keller形容Naomi “她很令人愉快，獲勝理所應當”。
在这一全伦敦范围的比赛中，比赛赞助商 Tate Recruitment的主管们对所有300名获得同业人提名的前台接待员进行了秘密查访评分，进入巴利摩只有一年的Naomi获得了最高分。
在Pall Mall的二等保护建筑The Balcon法式餐馆参加特别颁奖午餐的时候，Naomi手里捧着奖杯高兴的说：“你需要很文雅，总是微笑，努力记住每个人的名字，务必给与人性化服务，总是准备好尽力提供帮助”。
这项比赛的赞助人丶Tate Recruitment在Moorgate and Canary Wharf办公室的经理Chelsea Keller形容Naomi “她很令人愉快，获胜理所应当”。
The next best thing to buying a new home is the adventure of finding your own style that works with how you want to live. But for many, interior design can present a challenge
New buyers on Ballymore and Oxley’s landmark development at Royal Wharf are to be offered expert advice from interior design specialists to help them “translate their ideas into a dream home”.
“The partnership with Ballymore is a complete one-off. No other agency has done anything like this before – it could be that for many people they won’t experience this kind of service again”, explained Poppy Peace, design director of award-winning Milc Property Stylists.
Three interior design specialists from Milc will be on hand to talk to residents and guests through current design trends as well as outlining the company’s bespoke design service at the Royal Wharf marketing suite on on February 21st evening and 24th day.
“We want to help people translate their ideas into a dream home”, said Poppy. “We’ll be talking about current trends….for example, the trend for gold tones in colour and metal finishes, with bold sweeping design for walls and statement pieces of art.
“Clients might just want to do one room, the living room, or the whole home. But the emphasis will be on our bespoke service – we want to avoid the word ‘package’. They’ll be product catalogues, paint and wallpaper samples, fabric books and ‘mood’ bands to help with people coordinate their designs.”
Advice on dealing with common challenges, such as access will also be on hand. “Sometimes size expectations don’t quite match the units, or there are lift, doorway or staircase issues to overcome. Here, ‘breakdown’ sofas can help.
“Also, although the clientele will want to put their own personal stamp on things, sometimes their ideas won’t work. And quite often, we will help them go a little bit bolder,” explained Poppy.
With furniture ‘hand-me-downs’, she advised “to work around them, particularly if it is a nice piece. It seems a shame to discard them if there’s some background and personal history.”
In a pace and scale of development unprecedented for London, the 1,000 Royal Wharf home was completed just before Christmas. More than 1,500 people now live on the development, with a further 1,000 homes due to be completed this year.
Commenting on the interior design partnership, Phil Warman, Head of Sales at Royal Wharf said: “High-quality design, from our beautifully landscaped gardens to bespoke interiors is at the heart of our vision for Royal Wharf. The partnership with Milc is reflective of this commitment as it enables us to offer buyers the best interior solutions for their new home”.
Civic leaders have cut the ribbon on the commencement of work on one of the most ambitious and extensive regeneration projects along London’s waterside at Brentford.
Ballymore’s long-awaited Brentford Waterside regeneration scheme between the High Street and the River Brent will bring almost 900 homes, more than 25,000 sq m of commercial space, a new public square and better waterside connections, reinstating historic yards. The Thames Path will also be extended along the waterfront with improved waterside infrastructure and permanent boat moorings.
At a formal ceremony with civic leaders to mark the commencement of demolition works within the first phase - where a third of all the new homes will be located - Hounslow Council leader Cllr Steve Curran, said:
“Regenerating the High Street and restoring access to the waterside will contribute positively to the identity of Brentford, enhancing civic pride and cultural opportunities.
“The scheme will also give a boost to local employment opportunities, with some 950 new jobs as a result of the scheme. This long-anticipated redevelopment will create a high quality and vibrant area within the heart of the town centre, creating an attractive place to live, shop, work, and for leisure.”
The event coincided with an announcement by the Secretary of State for Housing, Communities and Local Government, confirming a Compulsory Purchase Order (CPO) for the planned regeneration of the area.
Ballymore’s managing director John Mulryan said: “We are delighted to have made progress and commenced these works at Brentford Waterside. We know that there has been much anticipation locally around the scheme.
“We are passionate about creating an exciting, contemporary district and I am delighted that, with demolition underway, we can turn our vision into a reality for the people of Brentford.”
Also attending the ceremony were Hounslow’s Cabinet Member for Housing, Cllr Katherine Dune, Cabinet Member for Finance and Citizen Engagement, Cllr Theo Dennison, ward councillors Mel Collins and Guy Lambert, as well as John Mulryan and the company’s development manager for the scheme Ed Heppenstall.
Floating above the London skyline for one week only is a personal love letter to London but with a sentiment everyone is keen to share
“It’s a civic design project,” says British fashion designer Anya Hindmarch about Chubby Hearts, an installation of giant floating heart-shaped balloons appearing at 29 key locations across London, including Embassy Gardens and Goodluck Hope.
The idea came to Hindmarch when she was sitting “in a completely packed auditorium in the Royal Festival Hall…I sat there surrounded by all these people thinking London is so resilient and so creative. I wanted this to be my love letter to our amazing city”.
Launched on Valentine’s Day and continuing into London Fashion Week, the 8m-high helium filled balloons, each equivalent in size to a double-decker bus, will be at Embassy Gardens on the morning of Feb 19th and at Goodluck Hope the following day.
John Mulryan, UK Managing Director, Ballymore, said: “We thought Anya’s idea was really inspired. The balloons may be temporary but they are drawing attention not just to London’s wonderful architecture but it’s creativity and just as important it’s sense of fun. We’re delighted to be involved.”
One of Anya’s inspirations is her own Spring Summer 2018 collection that includes chubby, cartoon-like bags. The other she says, was Pink Floyd’s Flying Pig balloon above Battersea Power Station that famously broke free of its moorings during a photo-shoot for the cover of the hit album Animals in 1976.
Forty-two years on and simple ideas still have huge impact but these days there are myriad of requirements and permissions that need to be in place before a project like this can get off the ground.
“It’s a simple idea but in order to execute it I had to talk to so many different people including 13 London boroughs, the Mayor and the Civil Aviation Authority, but it hit a chord. People have been amazingly positive.
“I wrote to Ballymore on Christmas Eve saying ‘how about it?’ and they came back immediately and said, ‘we love it, we’re in”, she recalls.
The Mayor of London who has helped facilitate the project said: “As London Fashion Week showcases the capital to the world, these huge heart balloons animating our great spaces and architecture will show once again that London is open to talent and creativity and gives it a warm welcome.”
Check the Chubby Hearts over London website for more information and schedule.